Ivana Pegan Baće: Srce tame / Dnevnik br. 1
Heart of Darkness / Diary no.1
2018/19
2/50
samizdat. signed
Artist Book
20,5x14,5
Multimedijalna umjetnica Ivana Pegan Baće u svom radu koristi jezik, pismo, govor i glas izražavajući se u medijima umjetničke knjige, poetskih objekata te audio i video radova.
Kako kroz dnevničke zapise, fragmentarne tekstove, poeziju, kratke priče i gramatičke pitalice tako i kroz vizualne i zvučne radove ( spoken word ) vlastitim glasom ispituje načine na koje se subjekt konstituira, usredotočujući se na emocionalni, mentalni i glasovni potencijal prekoračivanja društvenih konvencija i ustaljenih granica.
Ivana Pegan Baće diplomirala je 1996. na kiparskom odsjeku Akademije likovnih umjetnosti u Zagrebu. Članica je HZSU, HDLUDU i ARL. Od 1998. živi i radi u Dubrovniku. Od 2014. voditeljica je Galerije Flora Hrvatskog društva likovnih umjetnika Dubrovnik.
Nolit, Beograd
Design Pavle Bihaly
Bruno Traven: Troza
Nolit, 1938.
Bruno Traven: Lov na ljude
Nolit, 1936.
Martin Andersen Nexo: U božjoj zemlji
Nolit, 1940
Johan August Strindberg: Služavkin sin
Nolit, 1939
A History of Visual Communication
by Josef Müller-Brockmann
English / German / French language
Verlag Arthur Niggli, 1971.
pp 334
Bookjacket designed by Shizuko Muller Yoshikawa
In very nice condition
Vladimir Kopicl & Ana Raković
Telo umetnika kao subjekt i objekt umetnosti
Body Art Antologija
Likovni salon tribine mladih - Novi Sad, 1972.
21,5 X 30 cm
Materijal preuzet iz Avalanche, New York, / katalog `Dokumenta 5` Kassel i časopis Problemi, Ljubljana
Ivana Brlić-Mažuranić: Basne i bajke
Prvo izdanje iz 1943. godine.
Devet basni i pet bajki.
Ovitak i crteži Vladimir Žedrinski.
Vrlo rijetko u ponudi d ovitkom.
124pp
14x19cm
Izgled / Juni 77
Srećna nova umetnost, Beograd, 1977.
Urednik Vladimir Jovanović
15x35 cm
The first announcement of a Kozmetika concert appeared in June 1977, on the back cover of Izgled magazine. The author of that magazine, as well as of the name of the group, was painter Vladimir Jovanović, one of many visual artists who tried themselves out as R’n’R musicians. Explaining the name of the band, he spoke about a visual art technique he invented himself – painting with face powder and lipstick. Izgled was a fanzine, self-published, but it was completely different from the punk fanzines made in those days. It looked like Warhol’s Interview, and was under the strong influence of David Bowie’s aesthetics. Kozmetika was the other face of Izgled, and its members were Marko Pešić, Saša Nikolić, Goran Vejvoda and Slobodan Konjović. Since they were without a formal musical education, they began to work within a band context in order to gain musical experience and investigate the potential of mutual communications through playing in the band. They had no pretentions to great careers, and no desire to be stars in the eyes of the audience – they were already that in their own eyes, even before they started playing. They made only one record, which they worked on for three years.
Izgled / Maj 78
Galerija suvremene umjetnosti, Zagreb, 1978.
Urednici Vladimir Jovanović i Marko Pešić
32x45 cm
The first announcement of a Kozmetika concert appeared in June 1977, on the back cover of Izgled magazine. The author of that magazine, as well as of the name of the group, was painter Vladimir Jovanović, one of many visual artists who tried themselves out as R’n’R musicians. Explaining the name of the band, he spoke about a visual art technique he invented himself – painting with face powder and lipstick. Izgled was a fanzine, self-published, but it was completely different from the punk fanzines made in those days. It looked like Warhol’s Interview, and was under the strong influence of David Bowie’s aesthetics. Kozmetika was the other face of Izgled, and its members were Marko Pešić, Saša Nikolić, Goran Vejvoda and Slobodan Konjović. Since they were without a formal musical education, they began to work within a band context in order to gain musical experience and investigate the potential of mutual communications through playing in the band. They had no pretentions to great careers, and no desire to be stars in the eyes of the audience – they were already that in their own eyes, even before they started playing. They made only one record, which they worked on for three years.
A3 / Grupa za akciju i anonimnu atrakciju
Grupa izvodi akciju i anonimnu atrakciju u Zagrebu, u utorak, 27.06.1972.
Galerija Studentskog centra, Zagreb
Letak 24x30 cm
Grupu čine: Dobrivoje Petrović, Nenad Petrović, Jugoslav Vlahović, Rista banić, Slavko Timotijević, Mladen Jevdjović i nitko više
Miroslav Krleža: Moj obračun s njima
Miroslav Krleža, vlastita naklada. Zagreb, 1932.
Prvo izdanje.
Format: 22x14 cm
Broj stranica: 217
U odličnom stanju.
Bruno Munari: the MC 1 Architecture Box
Originally produced in 1945, the MC 1 Architecture Box - New Edition contains a series of “bricks” of different shapes. Put together differently, you can make any number of buildings, from houses to churches, ancient castles to modern garages, hotels, skyscrapers, factories, towers, aqueducts, temples, stations, hangars, pile dwellings, houses with porticoes, balconies, terraces, and so on.
The attached booklet contains over sixty examples which can be multiplied by the imagination of whoever is playing with them, just some of the infinite constructions that can be build.
The MC 1 Architecture Box - New Edition is made of cardboard. This new edition features “bricks” made of unhewn beechwood.
Dimension: 43.0 x 13.0 cm
Languages: Italian and English texts
1st edition: 10/2018
Edition: 10/2018
Corraini Editions, Mantova / Italy
Novine Galerije Studentskog centra 49
Zagreb, 1974.
42 x 29,5 cm
Novine izdaje: Galerija Studentskog centra, Zagreb, Savska 25, Studentski centar Sveučilišta u Zagrebu; dizajn novina: Željko Borčić; Fotografije: Željko Stojanović i Enes Midžić; novine su tiskane u 600 primjeraka; tisak: Grafički srednjoškolski centar, Zagreb; za novine i galeriju odgovara: Želimir Koščević; suradnici: Vladimir Gudac, Darko Glavan, Želimir Koščević, Slavko Timotijević, prijevod na engleski: Ann Kramer-Borčić; Braco Dimitrijević, Beuys, Miroslav Krleža, Robert Davidson, Bruno Munari, Oskar Herman, Jan Dibbets, Viktor Papanek, Daniel Buren
Antun Maračić:
Ispražnjeni okviri / Iščezli sadržaji, 1991.-2017.
Emptied frames/Vanished contents, 1991-2017
(ponovljeni rad iz 1991-1994 / remake of the work of 1991-1994
stalni postav neizvjesnog trajanja; stanje nakon akcije nepoznatog devastatora - nehotičnog "suradnika
permanent display, duration uncertain; the state after the action of an unknown devastator - inadvertent "associate"
Pet razglednica 16x10,5cm
Nuša i Srečo Dragan (geff 69)
Autor fotografije Petar Dabac
Fotografija je snimljena na geff-u '69
Zagreb, 1970. godine
Original fotografija iz vremena
12x9cm
Slavko Matković: Ich Bin Kunstler
Subotica, 1989.
Tekstovi na srpskom i mađarskom jeziku Ješa Denegri i Balint Szombathy
Dizajn: Art Lover
21,5x20cm
12pp
Kalman Mesarić (1900-1983) jedan je od najvećih eksperimentatora u hrvatskoj inačici europske književne avangarde s početka prošlog stoljeća. Njegovi rani radovi, među kojima su poetska knjižica Tragigroteske (1923) i dramska burleska Kozmički žongleri (1925), danas su ovjereni datumi u razvoju hrvatske modernističke književnosti.
Trigon 75/2 - Documentation: International Symposium on the Function of Art)
Italia: Mario Ceroli, Giulio Paolini, Michelangelo Pistoletto, Franco Vaccari, Sillani
Yugoslavia: Damnjan, Nedjeljko Dragić, Vjenceslav Richter, Andraž Šalamun, Miroslav Šutej
Austria: Fritz, Hoffmann, Lassing, Lesak, Mayr, Ruhm, Peter Weibel
23x24cm
In nice condition.
Ivan Kožarić: GSU, 1969.
Katalog izložbe u Galeriji suvremene umjetnosti, Zagreb 1969.
Predgovor Igor Zidić
Fotografije Branko Balić
Katalog i plakat, design Ivan Picelj
Postav izložbe Dimitrije Bašičević Mangelos
Hrvatska / zemlja ljepote : Kroaten / Land der Schonheit
Autor August Frajdić. Suradnik Josip Horvat
Fotografska monografija. August Frajtić: Hrvatska zemlja ljepote. 31 list tekst; 48 fotografija; tabela s popisom ilustracija i fotografa. (Ernest Cuvaj, Tošo Dabac, Dušan Frković, Mladen Grčević, Ignajt Habermuller, Margareta Komzak, Božidar Krznariž, Radoslav Lorković, Milan Moravec, Maksimilijan Paspa, Tedor Paspa, Zlatko Speis, Edmund Stoger, Marijan Kirasić, EugenTrišler. U knjizi su predstavljene četri fotografije Mladena Grčevića: Kamenita vrata u Zagrebu, Trg pred prvostolnom crkvom, Grad Veliki Tabor u Hrvatskom zagorju, Zalaz sunca za Učkom, Istra.
Miroslav Šutej: 34 Biennale de Venice, 1968.
Uključuje serigrafiju - izrada Brano Horvat
Predgovor / Preface Vera Horvat Pintarić
Plakat i katalog, design: Ivan Picelj
20x21cm
24p