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Maj 75

Grupa šestorice autora / Group of Six Artists Maj '75 / May '75 Year: 1978-1984 16 magazines: mixed media on paper, stapled Dimensions: Original Size: each 29,5 x 21 cm (11 5/8 x 8 1/4 in. Vlasta Delimar, Tomislav Gotovac, Sanja Iveković, Mangelos, Balint Szombathy, Raša Todosijević and Goran Trbuljak are a few example
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herman de vries: wit is overdaad

herman de vries: [wit is overdaad] 1st edition numbered 120 copies published by herman de vries : Arnhem 1960 artists' book with 20 white pages in folder, stapled dimensions: 13.5 × 10.5 cm In very fine condition the first book by herman de vries appeared in 1960. 'book' may be a big word for this small format booklet of a few sheets, bound with two staples and, surprisingly, without print. no title on the cover, it is blank too. on the colophon page only a few words are printed, in very pale ink and in four languages, like a poem: 'wit / wit is overdaad / blanc est surabondance / white is superabundance / weiss ist übermässig / wit / wit / wit is overdaad'. one might say that this book is at the same time an end and a beginning. it constitutes the end of the work of a scientist soon to renounce the study of nature and who has just announced this by renaming the offprints of a personal scientific publication 'manifest of castrated reality'. it also marks the final point of his parallel work as a painter, related to the abstract movement 'zero'. from 1956 herman de vries has been making monochrome paintings and from 1959, white paintings. [source: Anne Moeglin-Delcroix, 'beyond language', in herman de vries. les livres & les publications (saint-yrieix-la-perche 2005) 29]
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Mangelos: manifest o impresionizmu

Mangelos: manifest o impresionizmu (in Croatian), 1977. High Quality Screen Print / visokokvalitetan sitotisak 84 x 52 cm (33 1/8" x 20 1/2") Mangelos: manifest o impresionizmu silknprint on paper. Zagreb 1977. Produced as part of a gallery show in Zagreb that featured his manifesto work. Mangelos. Manifesti: noart. Zagreb: Atelier Tošo Dabac, 1978.
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Luis Tomasello

Luis Tomasello Lumiere noire medium: wood and plastics period: 2011 signature: in marker at the back edition 60 size: 40cm x 40cm x 4cm (15.7” x 15.7” x 1.6”)
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Sanja Iveković: Marina Abramović

Marina Abramović: Originalni plakat za prvu veliku izložbu / performance Rhythm 2 Original poster for first big Marina Abramovic solo exhibition / performance Rhythm 2 Design Sanja Iveković. Galerija suvremene umjetnosti 14.10.1974. godine. High Quality Screen Print / visokokvalitetan sitotisak by Studio S 70x100cm Stanje odlično / fine condition. Very very rare and important Among the posters designed by Sanja Iveković for the Gallery, certainly the most well-known is the one created for the exhibition of Marina Abramović in 1974, again characteristic for its unusual intervention into the rectangular shape of the poster, created by cutting the right lower corner of the poster. In this case, the intervention is not only a reflection on the specificity of the medium, but also a reference to the artistic practice of Marina Abramović. The radical intervention in the limits of the poster’s medium is related to the body art of the artist herself, whose artistic practice often involves reaching the limits of physical and psychological exertion. Source: Marko Golub and Dejan Kršić
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Marina Apollonio

Marina Apollonio Dinamica Circolare 6B Ruotato – Vertigo wood and turning circle period: 1968-2020 signature: handsigned at the back edition: 20 size: 42cm x 42cm (16.5” x 16.5”)
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Gregorio Vardanega

Gregorio Vardanega box Boite à cercles de couleurs Plexi. Year: 1970. Signed by autor / at the back 13/15 Edition 15 Size: 35cm x 35cm x 12cm (13.8'' x 13.8'' x 4.7'') Condition: perfect Gregorio Vardanega (1923-2007) was an artist of Italian origins who worked in Argentina and France. Vardanega and Martha Boto, his companion, created the term "chromocinetism" to describe their artistic research. Vardanega was born in Possagno, Italy. Vardanega's family migrated to Argentina when he was three years old. He attended the Escuela Nacional de Bellas Artes in Buenos Aires from 1939 to 1946. Participating on New Tendencies 2 and New Tendencies 3. Zagreb, 1963. & Zagreb, 1965.
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Alberto Biasi: Torsioni Sovrapposte

Alberto Biasi: Torsioni Sovrapposte Noir Multiple: wood and pvc lamellae 2016. Signature engraved by the artist Edition 15 Size 52cm x 51cm x 10cm (20.5'' x 20.1'' x 3.9'') Condition perfect condition
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Ivan Picelj: Tendencije 4 (I)

Ivan Picelj: Tendencije 4 49,5x97cm High Quality Screen Print / visokokvalitetan sitotisak Atelier Brane Horvat (Studio S) Tendencije 4, Kompjutori i vizuelna istraživanja - Tendency 4, Computer and Visual Research. Informational exhibition featuring computer graphics and programmed works, Centar za kulturu i informacije [Center for Culture and Information], Zagreb, 2–8 August 1968. Crna podloga, grafičko rješenje čini raster krugova i kružnica u tisku srebrnosive boje. Donji dio plakata: naziv izložbe paralelno na hrvatskom i engleskom jeziku, ispod 4 bloka informativnih tekstova odijeljenih okomitim linijama, sve bijele boje. Participating artists Kurd Alsleben and Cord Passow (DE), Ars intermedia (Otto Beckmann (RU/AT), Alfred Grassl (AT)), Vladimir Bonačić (YU-CR), California Computer Products (Kerry Strand, Larry Jenkins, Doyle Cavin, Dee Hudson, Jane Moon) (US), Compos 68 (Jan Baptist Bedaux, Jeroen Clausman, Arthur Veen) (NL), Waldemar Cordeiro (IT/BR), Charles Csuri (US), Darel D. Eschbach (US), Willam Allan Fetter (US), Alan Mark France (UK), David R. Garrison (US), Jens Harke (DE), Leon D. Harmon and Kenneth C. Knowlton (US), Hiroshi Kawano (JP), Auro Lecci (IT), Robert Mallary (US), Gustav Metzger (DE/UK) (with D. E. Evans, Beverly Rowe and R. J. Stibbs (UK)), Leslie Mezei (HU/CA), Petar Milojević (YU-SR/CA), Frieder Nake (DE/CA), Georg Nees (DE), A. Michael Noll (US), Michael Palyka (US), Ivan Picelj (YU-CR), Rechenzentrum des Instituts Boris Kidrič, Vinča (YU-SR), Manfred Robert Schroeder (DE/US), Lloyd Quinton Summer (US), Alan Sutcliffe (UK), Zdeněk Sýkora (CS-CZ), Evan Harris Walker (US), Edward Zajec (IT/US).
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Vlado Kristl

Vlado Kristl Multiple Zagreb, 1961. Edition 10 Signed and dated 19x9 cm Framed 28x33 cm Acrylic and colored vibrant plastic foil
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Miljenko Horvat: Gorgona 7

Screenprinted cover and two gelatin silver prints.. This edition of Gorgona contains 2 original photographs taken in Denmark. Photographs are identical, presenting two different stages of photographic development. Miljenko Horvat: Gorgona A photograph of the lighthouse and the dead seagull from Skagen, which Miljenko Horvat shot in 1963, during his visit to the further most north point of Denmark, was sent to Josip Vaništa and used as a photo-contribution to the anti-magazine Gorgona no. 7 from 1965. This enigmatic, but almost emblematic image contains within itself the basic principle of not only Gorgonian photography, but also of Horvat's personal approach to the medium. And this is firstly a thought, and only far after it an actual photograph of the seaside with a lighthouse and a dead seagull. The photograph unambiguously has the built-in component of the "mysterious reality".
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Mladen Stilinović: Knjige

Mladen Stilinović: Knjige Mladen Stilinovic: Books Hand made Artist Book Stapled / Klamano Mixed Media: fotografije, patel, crtež, otisak prsta Iznomno rijetko / Extremely rare Vlatita naklada, 1977. 13,5x10,5 cm 22pp
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Mladen Stilinović: U vlastitom interesu

Mladen Stilinović: U vlastitom interesu Hand made Artist Book Vlastita naklada, 1980. Klamano 15x21cm 13pp Pastel, gumeni žig, Xerox na papiru
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Mangelos: manifesto of manifesto

Mangelos: manifesto of manifesto in English Zagreb, 1977. screenprint on paper 70 x 50 cm (27 1/2" x 19 5/8") Produced as part of a gallery show in Zagreb that featured his manifesto work. Mangelos. Manifesti: noart. Zagreb: Atelier Tošo Dabac, 1978.
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Goran Trbuljak

“Još jedna prilika da budete umjetnik”, plakat za izložbu, Galerija SC, 1973. tipografski plakat dimenzija 70 x 50 cm koji počinje sa tekstom ‘Ovaj plakat nije dobar plakat jer:’ i nastavlja istim pismom u drugom pasusu: ‘Odlikom dobrog plakata smatra se jasan, u isti mah sadržajan i kratak, s veće udaljenosti čitljiv tekst koji se lako pamti, a programski je povezan sa slikom. Plakatska slika opet treba da veže optičku pažnju i ujedno emotivno-izazovno ili asocijativno- djeluje na senzibilitet onih kojima je namijenjena.’ Drugi paragraf prenosi članak o plakatu iz Enciklopedije Leksikografskog zavoda, što je i navedeno manjim slovima, uz osnovne podatke o izložbi. Ovim plakatom ostvaren je reprezentativni primjer meta-dizajna. Osim kada koristi medij plakata za radove u vlastitoj umjetničkoj praksi, ovo je rijedak primjer gdje Trbuljak direktno implementira metodologiju konceptualne umjetnosti u područje dizajna. Kasnije će ostvariti još nekoliko primjera meta-dizajna, izložbenog plakata ‘Christian Boltanski – Annette Messager’ (1975), naslovnice časopisa Film (1978) i novina Polet (1979) te filmskog plakata Treća žena (1997), o čemu će naknadno biti riječi. Izvor: Darko Fritz
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Dieter Roth: Gorgona 9

Dieter Roth: Gorgona 9 page (each): 8 1/4 x 7 5/8" (21 x 19.3 cm); sheet: 5 7/8 x 4" (15 x 10.1 cm); overall (closed): 8 5/16 x 7 5/8 x 1/16" (21.1 x 19.4 x 0.2 cm) Zagreb, 1966. Stupidogramm (Stupidogram)
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Josip Vaništa: Leonardo da Vinci

Josip Vaništa: Leonardo da Vinci Zagreb 1960/1965 Artist Book Collage. HandMade / Ručno izrađen Unique 15x21,5cm 12pp Collage S urednim papirima
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Julije Knifer: Gorgona 2

Julije Knifer, Gorgona artists group. Gorgona no. 2 Zagreb 1961. Periodical with screenprinted cover and screenprinted insert. page (each): 8 1/4 x 7 9/16" (21 x 19.2 cm). Julije Knifer designed the second issue, with a serpentine black-and-white geometri
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Jesus Rafael Soto

Jesus Rafael Soto Lettre du Venezuela, 2001. Multiple Sculpture in cardboard and plastic. It is screenprinted on plastic. Signed and numbered at the back. Signature In Pencil Edition 280 Size 18cm x 11.5cm x 3cm (7.1'' x 4.5'' x 1.2'')
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Jeff Koons: Silver Rabbit

Jeff Koons Silver Rabbit Editions Studio after Jeff Koons Large Silver Rabbit Sculpture in cold cast resin in the manner of the famous artwork by Jeff Koons Comes with its box Limited edition of 500 copies 33cm
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Bućan Art

Boris Bućan Art Zagreb, 1973. Original silkprint edition Signed, dated (1973.) and numbered (E.A edition). 48x68 cm
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Bućan Art

Boris Bućan Art Zagreb, 1973. Original silkprint edition Signed, dated (1973.) and numbered (E.A edition). 48x68 cm
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Bućan Art

Boris Bućan Art Zagreb, 1973. Original silkprint edition Signed, dated (1973.) and numbered (E.A edition). 48x68 cm
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Bućan Art

Boris Bućan Art Zagreb, 1973. Original silkprint edition Signed, dated (1973.) and numbered (E.A edition). 48x68 cm
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