Dobro došli na Bibliofil.hr

Specijalizirani smo za: umjetnost (suvremenu i konceptualnu umjetnost, arhitekturu, fotografiju i dizajn) i književnost (rijetka i prva izdanja, avangardu, s potpisom autora i periodiku). Ured / izložbeni prostor se nalazi u Zagrebu, Antuna Bauera 9. Otvoreni smo 10-14h ili po prethodnom dogovoru.

Novo u ponudi - umjetnost

Ivan Picelj: Kompozicija W

Ivan Picelj: Kompozicija W Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.
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Josip Vaništa: Gorgona 1

Gorgona no. 1. Josip Vaništa - Izlog trgovine rabljenom robom. Vlaška ulica 1961. Gorgona broj jedan 1961 godine bila je prazna pozornica, devet slika na kojima se više ništa ne događa. The Gorgona Group , was a Croatian avant-garde art group which consi
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Maj 75 C

Maj 75, broj C, 1979; Darivoj Čada, Jovan Čekić, Boris Demur, Željko Jerman, Vlado Martek, Željko Kipke, Mladen Stilinović, Sven Stilinović, Fedor Vučemilović 21 x 29,5 cm Maj 75 is in prestige list in Artists' Magazines: An Alternative Space for Art (The MIT Press) by Gwen Allen From 1978 to 1984, seventeen issues of “May’75” were published, each issue coded by letters of the alphabet. The magazine was produced by assembling individual works. The artists made their own pages on A4 paper and then bound them together into a magazine format. In addition to the original six, over fifty artists from Ex-Yugoslavia, Germany, Ex-Czechoslovakia, and Italy amongst other countries were invited to contribute their work to the magazine. Each issue including original art work, ready made artwork, ciclostile print work or silkscreen work, texts, concepts, projects, attitudes, ironical and political opinions, collages and photographs which lost almost nothing of their original quality when reproduced or multiplied. Pages were occasionally reproduced by screenprinting in the workshop of Željko Jerman and Vlasta Delimar. Most pages however, were hand-made. By repeating the same, simple and quickly executed work, the artist diminishes the significance of the original. Issues of “Maj’75” with their spontaneous use of available materials and technologies are obviously there to be used and handled, and although they are full of original works, there is nothing of a deluxe edition about them. “Maj’75”, financed by the artists themselves, was usually handed out for free during the exhibition-actions to other artists, friends, critics or passers-by. Later, when the Group of Six Artists no longer exhibited on the streets, distribution was usually managed through personal contacts and through mail. The magazine was never sold through bookstores or in galleries, not because its authors did not want this, but because it was impossible. Each private enterprise was met with countless obstacles in communist countries. “Maj’75” was thus completely unofficial. This had one advantage in that it avoided censorship, but also a drawback, in that the magazine remained little known outside a narrow circle. Branka Stipančić
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Mangelos: Energija no 9.

Artist's Book. Artist Edition for Exhibition, Galerija Dubrava, Zagreb January 1979. Postav izložbe Vlado Perović. Naklada 200 primjeraka.
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Novo u ponudi - književnost

Antun Branko Šimić: Preobraženja

Antun Branko Šimić: Preobraženja (Metamorphoses) Naslovna strana Sava Šumanović Prvo izdanje. Zagreb, 1920. godina Antun Branko Šimić was born in Drinovci near Grude on November 18, 1898, the son of Vida and Martin Šimić. He was a poet, essayist, critic and translator. He is the author of Croatia's finest modernist poems, essays, literary and art criticism, debates on the new poetry, several short stories, a diary, autobiography, several unfinished plays for the theater, and an unfinished novel entitled Double Face. He attended primary school in his native village, followed by three years of secondary school at the Franciscan Classical Grammar School in Široki Brijeg. His education continued in Mostar, Vinkovci and Zagreb’s Downtown Grammar School. In 1917 he started a magazine for art and culture Vijavica (Whirlwind), for which he was forced to leave the school. In 1919 Šimić launched magazine Juriš (Attack) following the example of the German magazine Der Sturm. In 1923 Šimić launched his third journal Književnik (Writer). on May 2, 1925, at the age of 27, Šimić died of tuberculosis in Zagreb. Together with Tin Ujević and Miroslav Krleža, Šimić is considered one of the most prominent poets of Croatian modernism. He is known for the popularization of free verse and new compositional principles ("Tehnika pjesme"/"Technology of poem", 1923) as well as the definitive integration of Croatian poetry in European literary trends. Ever greater reception of his oeuvre, especially since the 1960s, confirms his status. Today critics hold his collection of poems "Preobraženja"/"Metamorphoses" (1920), among the best of modern Croatian poetry.
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Razgovori s Miroslavom Krležom

Predrag Matvejević: Razgovori s Miroslavom Krležom S potpisom Miroslava Krleže Prvo izdanje. Naprijed, Zagreb, 1969. godine. 13x20cm 178pp meki uvez s ovitkom Likovna oprema Slavo Marig. Tekstovi djelimično potcrtavani. U vrlo dobrom antikvarnom stanju,
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Ivana Brlić Mažuranić: Kako je Potjeh tražio istinu

Ivana Brlić Mažuranić: Kako je Potjeh tražio istinu Ilustracija Vladimira Kirina za treće izvanredno izdanje Priča iz davnina, Zagreb 1926. godine Ilustracija je iz knjižnog bloka navedenog izdanja 11,5x16,5 cm (21x17cm) Potpisano od Ivane Brlić Mažuranić + rukopisom ispisan naslov + Uskrs 1930.
2.500,00 kn

Mirko Kovač: Ruže za Nives Koen

Pripovjetke iz 2005. godine. S potpisom autora. Tvrdi uvez s ovitkom. Dizajn: Nedjeljko Špoljar/Sensus Design Factory. U knjizi pripovijedaka Ruže za Nives Koen sabrane su sve do sada objavljene pripovijetke Mirka Kovača, te nekolicina njih koje se sada p
350,00 kn