Bruno Munari: the MC 1 Architecture Box Originally produced in 1945, the MC 1 Architecture Box - New Edition contains a series of “bricks” of different shapes. Put together differently, you can make any number of buildings, from houses to churches, ancient castles to modern garages, hotels, skyscrapers, factories, towers, aqueducts, temples, stations, hangars, pile dwellings, houses with porticoes, balconies, terraces, and so on. The attached booklet contains over sixty examples which can be multiplied by the imagination of whoever is playing with them, just some of the infinite constructions that can be build. The MC 1 Architecture Box - New Edition is made of cardboard. This new edition features “bricks” made of unhewn beechwood. Dimension: 43.0 x 13.0 cm Languages: Italian and English texts 1st edition: 10/2018 Edition: 10/2018 Corraini Editions, Mantova / Italy

Dalibor Martinis: Ivan Kožarić Plakat za izložbu: Zagreb, Galerija suvremene umjetnosti, 1975. Potpisan: Ivan Kožarić Silkprint - Zagreb: Studio S 98,5 x 69 cm Fotografije Petar Dabac

Đuro Seder Zagreb, 1973. godine 50x70 cm High Quality Screen Print / visokokvalitetan sitotisak

Goran Trbuljak: Christian Boltanski – Annette Messager Plakat za izložbu Galerija suvremene umjetnosti Zagreb, 1975. godine 50x70 cm High Quality Screen Print / visokokvalitetan sitotisak

Josip Vaništa: Gorgona 1 Zagreb, 1961. Periodical with screenprint cover and relief half-tone prints Dimensions: page (each): 8 1/4 x 7 5/8" (21 x 19.3 cm) Josip Vaništa, the group's founder, conceived the first issue, which consisted of the same photograph of an empty shop window reproduced on each of its nine pages.

Julije Knifer Knifer, Julije: Friedrich Hölderlin - Der Rhein" Edition Tiessen, 1984. Linocut on wove cardboard and 1 book with linocut. Both in the imprint signed, dated and numbered 66/75. Original-Janson-Antiqua on 16pp Format (ŠxV): 22,8 x 30,1 cm (meki uvez), 23,5 x 29,6 cm (Leporello). Ručni papir Vélin d'Arches. Uvez: broširani uvez ušiven koncem, tiskan linorezom.

Maj 75, broj C, 1979; Darivoj Čada, Jovan Čekić, Boris Demur, Željko Jerman, Vlado Martek, Željko Kipke, Mladen Stilinović, Sven Stilinović, Fedor Vučemilović 21 x 29,5 cm Maj 75 is in prestige list in Artists' Magazines: An Alternative Space for Art (The MIT Press) by Gwen Allen From 1978 to 1984, seventeen issues of “May’75” were published, each issue coded by letters of the alphabet. The magazine was produced by assembling individual works. The artists made their own pages on A4 paper and then bound them together into a magazine format. In addition to the original six, over fifty artists from Ex-Yugoslavia, Germany, Ex-Czechoslovakia, and Italy amongst other countries were invited to contribute their work to the magazine. Each issue including original art work, ready made artwork, ciclostile print work or silkscreen work, texts, concepts, projects, attitudes, ironical and political opinions, collages and photographs which lost almost nothing of their original quality when reproduced or multiplied. Pages were occasionally reproduced by screenprinting in the workshop of Željko Jerman and Vlasta Delimar. Most pages however, were hand-made. By repeating the same, simple and quickly executed work, the artist diminishes the significance of the original. Issues of “Maj’75” with their spontaneous use of available materials and technologies are obviously there to be used and handled, and although they are full of original works, there is nothing of a deluxe edition about them. “Maj’75”, financed by the artists themselves, was usually handed out for free during the exhibition-actions to other artists, friends, critics or passers-by. Later, when the Group of Six Artists no longer exhibited on the streets, distribution was usually managed through personal contacts and through mail. The magazine was never sold through bookstores or in galleries, not because its authors did not want this, but because it was impossible. Each private enterprise was met with countless obstacles in communist countries. “Maj’75” was thus completely unofficial. This had one advantage in that it avoided censorship, but also a drawback, in that the magazine remained little known outside a narrow circle. Branka Stipančić

Marina Abramović We're All In The Same Boat Illy Art Collection 2018. The mug, designed by acclaimed artist Marina Abramović, celebrates the 50th anniversary of the international regatta in Trieste, Italy, available as a limited illy Art Collection mug. Each mug is signed and numbered and produced in limited edition Mug Cup We're All In The Same Boat In Original Box