Attila Csernik Box Walesilainen Signed and dated, 1972 Dimensions: 16,5 x 16,5 cm Collage: cardboard, newspapers Attila Csernik (1941., Bačka Topola, Vojvodina, Serbia). Artist and visual poet. Joined the Bosch+Bosch Group upon Szombathy’s invitation in 1973 and remained its member until 1976.

Bruno Munari: the MC 1 Architecture Box Originally produced in 1945, the MC 1 Architecture Box - New Edition contains a series of “bricks” of different shapes. Put together differently, you can make any number of buildings, from houses to churches, ancient castles to modern garages, hotels, skyscrapers, factories, towers, aqueducts, temples, stations, hangars, pile dwellings, houses with porticoes, balconies, terraces, and so on. The attached booklet contains over sixty examples which can be multiplied by the imagination of whoever is playing with them, just some of the infinite constructions that can be build. The MC 1 Architecture Box - New Edition is made of cardboard. This new edition features “bricks” made of unhewn beechwood. Dimension: 43.0 x 13.0 cm Languages: Italian and English texts 1st edition: 10/2018 Edition: 10/2018 Corraini Editions, Mantova / Italy

Goran Trbuljak: Christian Boltanski – Annette Messager Plakat za izložbu Galerija suvremene umjetnosti Zagreb, 1975. godine 50x70 cm High Quality Screen Print / visokokvalitetan sitotisak

Ivan Picelj: Knifer High Quality Screen Print / visokokvalitetan sitotisak 50x70 cm Galerija suvremene umjetnosti zagreb katarinin trg 2 24.11-13.12.1970. Bijela podloga, crni meandar. Gore tekst u tisku plave.

Juraj Dobrović Polje / Field Zagreb, 1965. Silkscreen Edition E.A. 48,5 x 48 cm Signed in pencil lower right.

Maj 75, broj C, 1979; Darivoj Čada, Jovan Čekić, Boris Demur, Željko Jerman, Vlado Martek, Željko Kipke, Mladen Stilinović, Sven Stilinović, Fedor Vučemilović 21 x 29,5 cm Maj 75 is in prestige list in Artists' Magazines: An Alternative Space for Art (The MIT Press) by Gwen Allen From 1978 to 1984, seventeen issues of “May’75” were published, each issue coded by letters of the alphabet. The magazine was produced by assembling individual works. The artists made their own pages on A4 paper and then bound them together into a magazine format. In addition to the original six, over fifty artists from Ex-Yugoslavia, Germany, Ex-Czechoslovakia, and Italy amongst other countries were invited to contribute their work to the magazine. Each issue including original art work, ready made artwork, ciclostile print work or silkscreen work, texts, concepts, projects, attitudes, ironical and political opinions, collages and photographs which lost almost nothing of their original quality when reproduced or multiplied. Pages were occasionally reproduced by screenprinting in the workshop of Željko Jerman and Vlasta Delimar. Most pages however, were hand-made. By repeating the same, simple and quickly executed work, the artist diminishes the significance of the original. Issues of “Maj’75” with their spontaneous use of available materials and technologies are obviously there to be used and handled, and although they are full of original works, there is nothing of a deluxe edition about them. “Maj’75”, financed by the artists themselves, was usually handed out for free during the exhibition-actions to other artists, friends, critics or passers-by. Later, when the Group of Six Artists no longer exhibited on the streets, distribution was usually managed through personal contacts and through mail. The magazine was never sold through bookstores or in galleries, not because its authors did not want this, but because it was impossible. Each private enterprise was met with countless obstacles in communist countries. “Maj’75” was thus completely unofficial. This had one advantage in that it avoided censorship, but also a drawback, in that the magazine remained little known outside a narrow circle. Branka Stipančić

Mangelos: manifest o impresionizmu (in Croatian), 1977. High Quality Screen Print / visokokvalitetan sitotisak 84 x 52 cm (33 1/8" x 20 1/2") Mangelos: manifest o impresionizmu silknprint on paper. Zagreb 1977. Produced as part of a gallery show in Zagreb that featured his manifesto work. Mangelos. Manifesti: noart. Zagreb: Atelier Tošo Dabac, 1978.

Nova Evropa: Kunst is zeitlos Grafička mapa objavljena povodom izložbe Nova Evropa: Kunst is zeitlos • Europa Endlos, održane u Galeriji Hrvatskog dizajnerskog društva 19.6.–3.7.2020., kustos Marko Golub. Mapa, formata 32×32 cm sadrži 32 grafike, od toga 15 radova kolektiva Nova Evropa (obrade u novoj tehnologiji motiva koji su se javljali na xerox radovima 80ih), i 17 novih radova koje su napravili drugi umjetnici i dizajneri različitih generacija i usmjerenja, kao posvetu ili referencu na projekt Nova Evropa/NEP. Autori su (redoslijedom u mapi) Dejan Dragosavac Ruta, Ivan Antunović, Oleg Šuran, Maja Stojanović & Sanja Planinić, Andrej Dolinka, Borut Vild, Hrvoje Živčić, Roman Uranjek, Miran Mohar/ Irwin, Sara Renar & Barbara Delać, Roman Uranjek & Radenko Milak, Škart, Goran Lišnjić/Metropolie trans, This Town Needs Posters (Sven Sorić i Hrvoje Spudić), Mario Aničić, Željko Badurina te Lana Grahek. Mapa sadrži i timeline (4 stranice) koji ukazuje na reference i povijesni kontekst projekta i stranicu s impresumom. Tiskana je u ofset tehnici u nakladi od 200 numeriranih primjeraka.