galerija bauerova 9

Plakat za izložbu "Tošo Dabac" u Muzeju za umjetnost i obrt 1968. godine. Plakat je tiskan u 3 boje (tamno plavo, crno, svjetlo sivo) na bijelom papiru.Tipografija Helvetica. 50x70cm Kvalitetno opremljen, natur, između dva stakla. Preuzimanje samo u a

Ivan Picelj - Plakat za izložbu "Skurjeni" u GSU. Plakat je izveden u 3 boje na bijelom papiru bež, crvena, crna). Osnovni motiv plakata je uvećani detalj grafike Matije Skurjenija s motivom debla (kore). Po sredini plakata ime autora izvedeno kao potpis

66 × 52cm, sitotisak na kartonu. Ivan Picelj - Plakat za izložbu "Donner a Voir 2 " u galeriji Galerie Creuze u Parizu. Zeleni papir, lijevo jedno ispod drugog imena autora. Desni dio: brojka 2, iznadi ispod tekst. Sve u tisku crne boje.

Plakat za izložbu "Herman" u Galeriji suvremene umjetnosti 1966. godine. Plakat je izveden u 3 boje (crna, roza, plava) na bijelom papiru. Sitotisak 70 × 50cm

Ivan Picelj - Plakat za izložbu: Marc Chagall, Galerija suvremene umjetnosti Zagreb, katarinin trg 2 7.VII-10.IX 1967. Žuta podloga, crni crtež (stilizirani muški lik s violinom), dolje lijevo datum crnim, gore lijevo i ispod gornjeg ruba (4 bloka) tekst

Ivan Picelj - Plakat za izložbu "Veličković"u Galeriji suvremene umjetnosti. Na ružičasto-bijeloj pozadini, reprodukcija grafike u plavo-crnom tonu. Iznad grafike, naziv izložbe plavim slovima. Podaci o izložbi, lijevo i desno od grafike, crnim slovima.

Jesus Rafael Soto Homage to Federico Garcia Lorca 68,3 x 48,7 Numbered and signed Silkscreen Basikom, Zagreb, 1999. Edition: 100 plus 37 EA (Artist proof) Paper: Conqueror 300

Vladimir Jovanović Varia Bila Triptih Beograd, 1976. Screenprint / Sitotisak 50 x 70 cm Sigend and dated Pop Art

Ivan Picelj: Leninist places in Leningrad Leninjska mjesta u Lenjingradu Galerije grada Zagreba, 1970. 70 x 50 cm High-quality Sitotisak / Silkscreen

Juraj Dobrović: SK1 64x49 cm Signed and numbered Atelijer Brane Horvata (Horetzky) Zagreb, 2002.

Juraj Dobrović: SK2 64x49 cm Signed and numbered Atelijer Brane Horvata (Horetzky) Zagreb, 2002. High-quality Sitotisak / Silkscreen

Juraj Dobrović: SK3 64x49 cm Signed and numbered Atelijer Brane Horvata (Horetzky) Zagreb, 2002. High-quality Sitotisak / Silkscreen

Vinko Penezić & Krešimir Rogina Staklena kuća za slijepog čovjeka Diptih: Uzdužni presjek + Poprečni presjek Signed and numbered Edition 50 103 x 703 mm Zagreb 1992. Screenprint / sitotisak Atelier Brane Horvat

Ivan Picelj: Henri Cartier-Bresson / Fotografije Zagreb, 1973. Atelier Brane Horvat (Studio S) 50x70cm High Quality Screen Print / visokokvalitetan sitotisak Plakat za izložbu "Cartier-Bresson" u GSU. Preko čitave površine plakata velika c/b fotografija (negativ) - torzo muškaraca sa štapom u rukama.

François Morellet Trames 1956-1975 Silkscreen, ed. 46/90 68.5 x 68.5 cm Signed and dated in pencil lower right, numbered lower left

François Morellet Trames 1967 / 1975 Silkscreen, ed. 37/90 68.8 x 68.6 cm Signed and dated in pencil lower right, numbered lower left

Ivan Picelj: Suvremena francuska tapiserija Plakat za izložbu "Suvremena francuska tapiserija" u Muzeju za umjetnost i obrt Zagreb, 1966. 48x67,5 cm High Quality Screen Print / visokokvalitetan sitotisak

Ivan Picelj: Francuska tapiserija Plakat za izložbu Francuska tapiserija" u Muzeju za umjetnost i obrt. Zagreb, 1965. Arp / Delaunay / Dewasne / Deyrolle / MagnelliTaeuber Arp / Vasarelyi / Moretnsen / 48x68cm High Quality Screen Print / visokokvalitetan sitotisak

Ivan Picelj: Relacije / Relations 3 Sitotisak / Silkprint 20/30 Numbered and signed 500x500 mm Zagreb, 1992. godine Printed in Brano Horvat Studio, Zagreb

Pan 69. Mladen Stilinović: "Together with Milivoj Puhovski, Degenek and Boris Bata we formed the student film club Pan 69. Through the Union of Socialist Youth we received some funds to buy the necessary equipment and start making films. At first Pan 69 had six or seven members. The first film produced by Pan was Miša Budisavljević's film in 1969, which was screened at GEFF. Pan 69 held film screenings in Zagreb and Belgrade: at the Zagreb Cinema Club Pan 69 had regular nights, as it did in Belgrade at the SKC (Students Cultural Center)." (from Ana Janevski's interview with Mladen Stilinović, unpublished) At the beginning, like many young people, Stilinović wrote poetry, and published some of it in the literary journal Republika. But since his interests were more in the direction of film, with his friends in 1969 he founded the group Pan 69, which was a student cinema club. In order to get hold of film stock and the equipment necessary for making films, this was the only way at that time. Some of the first films were shown at amateur film festivals, but they were fairly different from the production that could be seen there, and so he was invited to places more adapted to his idiom, where the focus was on contemporary visual art. (Branka Stipančić) In 1969 a group of friends – Boris Barta, Mišo Budisavljević, Branko Degenek, Ninoslav Lovčević, Krsto Mihaljević, Milivoj Puhlovski and Mladen Stilinović – founded the student cinema club Pan 69. He shot his first films Ostani na uglu (Stay on the Corner) and Sam si (You’re Alone) in 1970. That year, in a disco club, he met a high school student, Branka Stipančić, (the author of this text) and the two started a long-term relationship. With Pan 69 and his friends he performed the one and only happening entitled Majski i ostali rituali (May and Other Rituals) in Zagreb, in the Theatre ITD during the 24th May Festival of Yugoslav Student Theatre. The happening was stopped and censured while in progress due to political reasons. He also watched American underground films at Zagreb Genre Film Festival (1970), and admired films by Gotovac, Pansini, Petek, Kristl, Vukotić, Makavejev, Pavlović, Žilnik, Naško Križnar, Nuša and Srečo Dragan… He always visited exhibitions of the New Tendencies as well as those held at the Gallery of Contemporary Art. He was motivated by numerous events and translations of critical editions about film, historical avant-gardes, happening, conceptual art, philosophy of language and linguistic theories, which were available in former Yugoslavia in numerous journals such as Rok, Polja, Treći program, Delo, Filmske sveske, Književnost, in the book Mixed Media by Bora Ćosić, etc. He knew well the domestic art scene: the Slovene group OHO, works by Zagreb artists such as Goran Trbuljak, Sanja Iveković, Dalibor Martinis, Braco Dimitrijević and others, and their interventions in urban space. During Pan’s Days, held on a small stage of the Student Centre in Zagreb in 1971, Stilinović showed his films Panika (Panic), Ja volim ljude, a vi? (I Love People, How about You?), More i … (The Sea and …), and Ramenim tako bolno ceo smešan svet (Painfully Shouldering the Whole Funny World), all shot in the same year, and participated in the 6th Festival of Croatian Amateur Film in Zagreb.

Ivan Picelj: Relacije / Relations 8 Sitotisak / Silkprint 20/30 Numbered and signed 500x500 mm Zagreb, 1992. godine Printed in Brano Horvat Studio, Zagreb

Ivan Picelj: Relacije / Relations 9 Sitotisak / Silkprint 20/30 Numbered and signed 500x500 mm Zagreb, 1992. godine Printed in Brano Horvat Studio, Zagreb

Ivan Picelj: Relacije / Relations 10 Sitotisak / Silkprint 20/30 Numbered and signed 500x500 mm Zagreb, 1992. godine Printed in Brano Horvat Studio, Zagreb

Ivan Picelj: Tjedan muzeja Zagreb, 1963. godine 70.5 × 50 Sitotisak / Silkprint Plakat za manifestaciju "Tjedan muzeja" u organizaciji Muzejskog društva Hrvatske. Plakat tiskan u 4 boje (plava, crvena, siva, crna) na bijelom papiru. U središtu plakata, na plavoj pozadini, nalazi se bijeli kvadrat unutar kojeg se nalazi crveni kvadrat.U crvenom kvadratu, crnim slovima upisan je datum trajanja manifestacije. Iznad i ispod bijelog kvadrata tekst sivom bojom.