GALERIJA

 

 

Sortiraj po
Prikaži po stranici

Mangelos: manifest o društvu bez umjetnosti

Mangelos - manifest; o društvu bez umjetnosti. 50x70cm, screenprint on paper. An active member of the Gorgona group in Zagreb from 1959 to 1966, Dimitrije Bašičević was a conceptual artist devoted to the idea of “anti-art” and a desire to mov
Na upit

Julije Knifer

Julije Knifer Atelijer Brane Horvata Zagreb, 1979. 76x64cm U desnom donjem kutu potpis Julije Knifer U lijevom kutu oznaka c High Quality Screenprint
Na upit

Goran Trbuljak

Goran Trbuljak Tendencije avangardi u hrvatskoj modernoj umjetnosti, 1919. – 1941. Plakat za izložbu Galerija suvremene umjetnosti, Zagreb, 1982. Tisak SC / Grafički servis Studentski centar, Zagreb
Na upit

Jeff Koons: Black Balloon Dog

Jeff Koons Black Balloon Dog Editions Studio Cold cast resin Comes with its original box Limited edition 999 number engraved under the foot of the dog Edtions Studio 30x30x12cm
Na upit

Bućan Art

Boris Bućan Art Original poster for Bućan Art Galerija Studentskog centra Zagreb, 1973. Silkprint 43x59,5 cm Signed
Na upit

Mangelos: Fenomen Picasso

Mangelos: Fenomen Picasso Novi Sad, Tribina mladih 17.-30.04.1972. Sitotisak / Silkprint Plakat: 29,6x39,6 cm
Na upit

Braco Dimitrijević: His Pencil's Voice

Braco Dimitrijević: His Pencil's Voice / Njegove olovke glas B/W photos Sven Stilinović & Fedor Vučemilović Galerija SC & Muzički salon Teatar ITD, Zageb, 1973. In very fine codition. Very very rare. Ursula Block’s seminal catalog of art records and anti-records, entitled Broken Music, includes several artifacts that today are coveted by collectors of unusual records. One seminal item in that catalog Njeqove Olovke Glas, a.k.a. His Pencil’s Voice, a “record” produced by the conceptual artist Braco Dimitrijević: he piece is an LP jacket with a piece of cardboard inside; the “record” is a piece of cardboard inside the jacket. Dimitrijević used a pencil to draw a spiral on the cardboard record, meant to represent the its grooves. The title, His Pencil’s Voice, is no doubt a reference to the early record label, His Master’s Voice: Little is known about His Pencil’s Voice, so I emailed Braco Dimitrijević to learn more. He is a man of few words, always keeping things to the point when conversing via email. He explained that His Pencil’s Voice was created for a solo exhibition in London’s Situation Gallery, which was a linchpin of the modern art scene in the seventies. “What bothered me always was the process of realization from the idea, the sketch to the final art work,” he explains. “This was not only in visual arts, but in music too. So I wanted to create a record with no score performed, but what is written is drawn to be played.” In essence, Dimitrijević saw His Pencil’s Voice as a more direct way of producing a final art product, cutting out the laborious production process. “I drew by hand the spiral on the paper and brought it to printers to make a zinc plate to emboss and print the label,” he recalls Source: Anomaly Index.
Na upit

Josip Vaništa

Josip Vaništa Portrait by Gorgona photographer Branko Balić Zagreb, 1959. In the first days of Gorgona group Dated by Josip Vaništa on back Stamped by Branko Balić Originalna vintage (silver gelatin print) fotografija. 18x24cm
Na upit

Juraj Dobrović: SK 1-3

Juraj Dobrović: SK 1-3 64x49 cm Signed and numbered Atelijer Brane Horvata (Horetzky) Zagreb, 2002. High-quality Sitotisak / Silkscreen
Na upit

Dean Jokanović Toumin

Dean Jokanović Toumin Linija kao dimenzija prostora The Line as a Dimension of Space Multiple - X Zagreb, 2017. Signed and numbered Edition 10 Aluminium / Steel 38 cm
Na upit

Dalibor Martinis: Sanja Iveković

Dalibor Martinis: Sanja Iveković Plakat izložbe Sanja Iveković; Dokumenti 1949 - 1976. Galerija suvremene umjetnosti, Zagreb 10.-30.12.1976. High Quality Screen Print / visokokvalitetan sitotisak Atelier Brane Horvat / Studio S 97,5 x 67,5 cm
Na upit

Vlado Martek

Vlado Martek Mixed Media Nova umjetnička teorija Tekst grafitnom olovkom + gumica za brisanje Signed and dated Vlado Martek, 1979. 19x29 cm
Na upit

Vlado Martek

Vlado Martek Mixed Media Ispraćaj klasnog Podrooma Tekst pastelom + gumica za brisanje Signed and dated Vlado Martek, 1979. 19x29 cm
Na upit

Vlado Martek

Vlado Martek Mixed Media Tekst grafitnom olovkom + gumica za brisanje Signed and dated Vlado Martek, 1982. 43 x 52 cm (19x29 cm)
Na upit

Ivan Picelj: Knifer

Ivan Picelj: Knifer High Quality Screen Print / visokokvalitetan sitotisak 50x70 cm Galerija suvremene umjetnosti zagreb katarinin trg 2 24.11-13.12.1970. Bijela podloga, crni meandar. Gore tekst u tisku plave.
Na upit

Ivan Picelj: Nuova Tendenza 2

Nuova Tendenza 2 Design Ivan Picelj Plakat za talijansku izložbu Novih tendencija 2 Venecija / Venice 1963/64. Print: stamparia di Venezia
Na upit

Ivan Picelj: Tendencije 5

Plakat za izložbu Tendencije 5, Zagreb 1973. Design Ivan Picelj Silkprint / Sitotisak Tendencije 5 (Konstruktivna vizuelna istraživanja; Kompjuterska vizuelna istraživanja; Konceptualna umjetnost) - Tendencies 5 (Constructive Visual Research, Computer Visual Research, Conceptual Art). Exhibition, organized by the Galerija suvremene umjetnosti [Gallery of Contemporary Art], Zagreb. Tehnički muzej [Technical Museum], Zagreb, 1 June – 1 July 1973.
Na upit

Goran Trbuljak: Zapisi jednog umjetnika

Goran Trbuljak: Zapisi jednog umjetnika Les ecrits d'un artiste Silkprint / Sitotisak 48,9 x 68,8 cm Motovunski susreti, 1978 Signed and numbered 37/50
Na upit

Sanja Iveković

Sanja Iveković: Ljubica Gerovac (Linda Evangelista) Gen XX, oglasi u časopisima i novinama, 1997 – 2001. Plakat 68x98 cm Gen XX,” 1997–2001, presents posters of famous supermodels emblazoned with the names of female Yugoslav World War II heroes Iveković equipped the photos of professional models with the names and brief stories of women who were celebrated under socialism as “national heroines,” who are today erased from the public consciousness. The space of common knowledge or familiarity from the socialist past was evacuated in favor of popular mass culture and commercial icons. Iveković utilizes these vehicles of everyday contemporary popular literacy and invests in them content with (generally absent, and to contemporary standards unattractive) historical knowledge.
Na upit

Ivan Picelj: Srnec

Ivan Picelj - originalni plakat iz 1969. godine. High-quality Sitotisak / Silkscreen 50x70cm Aleksandar Srnec - Galerija suvremene umjetnosti, Zagreb, Katarinin trg 2 10.1-2.2.1969. Crna podloga, gore prezime autora zelenim. Raster od 8 sivih kružnicas upisanim ružičastim okomito i dijagonalno postavljenim nizovima koje čini5 međusobno spojenih kružnica. Između njih tekst bijelim. Autor: Ivan Picelj
Na upit

Victor Vasarely: Hexagone

Hexagone, 1988 Plexiglas containing four books 10 1/4 × 11 3/4 × 2 in 26 × 29.8 × 5.1 cm Signed by author Limited and numbered edition Incised and numbered along the bottom
Na upit

Dalibor Martinis: Kožarić

Dalibor Martinis: Ivan Kožarić Plakat za izložbu: Zagreb, Galerija suvremene umjetnosti, 1975. Potpisan: Ivan Kožarić Silkprint - Zagreb: Studio S 98,5 x 69 cm Fotografije Petar Dabac
Na upit

Julije Knifer

Julije Knifer Atelier Brane Horvata (Horetzky) Zagreb, 2003. 69 x 49 cm. (27.2 x 19.3 in.) Edition 50 Signed and numbered High Quality Screen Print / visokokvalitetan sitotisak
Na upit

Đuro Seder

Đuro Seder Zagreb, 1973. godine Signed and dated 50x70 cm High Quality Screen Print / visokokvalitetan sitotisak
Na upit