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Maj 75

Grupa šestorice autora / Group of Six Artists Maj '75 / May '75 Year: 1978-1984 16 magazines: mixed media on paper, stapled Dimensions: Original Size: each 29,5 x 21 cm (11 5/8 x 8 1/4 in. Vlasta Delimar, Tomislav Gotovac, Sanja Iveković, Mangelos, Balint Szombathy, Raša Todosijević and Goran Trbuljak are a few example
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Edita Schubert

Edita Schubert Trapez Zagreb, 1986. Sintetička boja na papiru 74x66 cm
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Ivan Picelj

Ivan Picelj Kompozicija / Composition Akrilik / akvarel na papiru Pariz 1957 - 1958 57x45 cm Signed YP
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Boris Demur

Boris Demur Akrilik na platnu 80 x 120 cm Signed and dated Demur, 1999.
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Boris Demur

Boris Demur Spirala Akrilik na platnu 130 x 90 cm Signed and dated Demur, 1994.
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Braco Dimitrijević

Braco Dimitrijević This Could be a Place of Historical Importance Triptych Signed I-III Braco Dimitrijević, 1976. Photography B/W photographs mounted on printed form Photo 18x24 cm 51x36 cm
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Ivan Picelj

Ivan Picelj Kompozicija Ugljen / papir 1951. godina 330 x 235 mm Publicirano u monografiji EXAT 51. Ješa Denegri i Želimir Koščević. Galerija Nova, Zagreb, 1979. (slika 3)
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Juraj Dobrović

Juraj Dobrović Rezana kocka Zagreb, 1980. 50x30 cm Signed and dated Akrilik na kaširanom platnu
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Juraj Dobrović

Juraj Dobrović Akril / Collage Zagreb, 1973 30x30 cm Signed and dated
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Dean Jokanović Toumin

Dean Jokanović Toumin K 18 Black Zagreb, 2018. 48 cm Akril / drvo
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Dean Jokanović Toumin

Dean Jokanovic Toumin K 18 White Zagreb, 2018. 48 cm Akril / drvo (wood) Unique Art work
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Juraj Dobrović

Juraj Dobrović Collage Zagreb, 1973 30x30 cm Signed and dated
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Luis Tomasello

Luis Tomasello Lumiere noire medium: wood and plastics period: 2011 signature: in marker at the back edition 60 size: 40cm x 40cm x 4cm (15.7” x 15.7” x 1.6”)
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Sanja Iveković: Marina Abramović

Marina Abramović: Originalni plakat za prvu veliku izložbu / performance Rhythm 2 Original poster for first big Marina Abramovic solo exhibition / performance Rhythm 2 Design Sanja Iveković. Galerija suvremene umjetnosti 14.10.1974. godine. High Quality Screen Print / visokokvalitetan sitotisak by Studio S 70x100cm Stanje odlično / fine condition. Very very rare and important Among the posters designed by Sanja Iveković for the Gallery, certainly the most well-known is the one created for the exhibition of Marina Abramović in 1974, again characteristic for its unusual intervention into the rectangular shape of the poster, created by cutting the right lower corner of the poster. In this case, the intervention is not only a reflection on the specificity of the medium, but also a reference to the artistic practice of Marina Abramović. The radical intervention in the limits of the poster’s medium is related to the body art of the artist herself, whose artistic practice often involves reaching the limits of physical and psychological exertion. Source: Marko Golub and Dejan Kršić
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herman de vries: wit is overdaad

herman de vries: [wit is overdaad] 1st edition numbered 120 copies published by herman de vries : Arnhem 1960 artists' book with 20 white pages in folder, stapled dimensions: 13.5 × 10.5 cm In very fine condition the first book by herman de vries appeared in 1960. 'book' may be a big word for this small format booklet of a few sheets, bound with two staples and, surprisingly, without print. no title on the cover, it is blank too. on the colophon page only a few words are printed, in very pale ink and in four languages, like a poem: 'wit / wit is overdaad / blanc est surabondance / white is superabundance / weiss ist übermässig / wit / wit / wit is overdaad'. one might say that this book is at the same time an end and a beginning. it constitutes the end of the work of a scientist soon to renounce the study of nature and who has just announced this by renaming the offprints of a personal scientific publication 'manifest of castrated reality'. it also marks the final point of his parallel work as a painter, related to the abstract movement 'zero'. from 1956 herman de vries has been making monochrome paintings and from 1959, white paintings. [source: Anne Moeglin-Delcroix, 'beyond language', in herman de vries. les livres & les publications (saint-yrieix-la-perche 2005) 29]
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Mangelos: manifest o impresionizmu

Mangelos: manifest o impresionizmu (in Croatian), 1977. High Quality Screen Print / visokokvalitetan sitotisak 84 x 52 cm (33 1/8" x 20 1/2") Mangelos: manifest o impresionizmu silknprint on paper. Zagreb 1977. Produced as part of a gallery show in Zagreb that featured his manifesto work. Mangelos. Manifesti: noart. Zagreb: Atelier Tošo Dabac, 1978.
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Alberto Biasi: Torsioni Sovrapposte

Alberto Biasi: Torsioni Sovrapposte Noir Multiple: wood and pvc lamellae 2016. Signature engraved by the artist Edition 15 Size 52cm x 51cm x 10cm (20.5'' x 20.1'' x 3.9'') Condition perfect condition
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Marina Apollonio

Marina Apollonio Dinamica Circolare 6B Ruotato – Vertigo wood and turning circle period: 1968-2020 signature: handsigned at the back edition: 20 size: 42cm x 42cm (16.5” x 16.5”)
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Gregorio Vardanega

Gregorio Vardanega box Boite à cercles de couleurs Plexi. Year: 1970. Signed by autor / at the back 13/15 Edition 15 Size: 35cm x 35cm x 12cm (13.8'' x 13.8'' x 4.7'') Condition: perfect Gregorio Vardanega (1923-2007) was an artist of Italian origins who worked in Argentina and France. Vardanega and Martha Boto, his companion, created the term "chromocinetism" to describe their artistic research. Vardanega was born in Possagno, Italy. Vardanega's family migrated to Argentina when he was three years old. He attended the Escuela Nacional de Bellas Artes in Buenos Aires from 1939 to 1946. Participating on New Tendencies 2 and New Tendencies 3. Zagreb, 1963. & Zagreb, 1965.
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Dean Jokanović Toumin

Dean Jokanović Toumin Analitičko / primarno slikarstvo Akril na platnu No. XXII 40x40 cm Milano, 1976.
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Vlado Kristl

Vlado Kristl Zagreb, 1961. Edition 10 Signed and dated 19x9 cm Framed 28x33 cm Acrylic and colored vibrant plastic foil
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Eugen Feller

Eugen Feller Akril na platnu 2010. godina 60x50cm
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Koloman Novak

Koloman Novak 1962. Akril na dasci. Pjeskareno. 38 x 26 x 2 cm
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Ivan Picelj: Tendencije 4 (I)

Ivan Picelj: Tendencije 4 49,5x97cm High Quality Screen Print / visokokvalitetan sitotisak Atelier Brane Horvat (Studio S) Tendencije 4, Kompjutori i vizuelna istraživanja - Tendency 4, Computer and Visual Research. Informational exhibition featuring computer graphics and programmed works, Centar za kulturu i informacije [Center for Culture and Information], Zagreb, 2–8 August 1968. Crna podloga, grafičko rješenje čini raster krugova i kružnica u tisku srebrnosive boje. Donji dio plakata: naziv izložbe paralelno na hrvatskom i engleskom jeziku, ispod 4 bloka informativnih tekstova odijeljenih okomitim linijama, sve bijele boje. Participating artists Kurd Alsleben and Cord Passow (DE), Ars intermedia (Otto Beckmann (RU/AT), Alfred Grassl (AT)), Vladimir Bonačić (YU-CR), California Computer Products (Kerry Strand, Larry Jenkins, Doyle Cavin, Dee Hudson, Jane Moon) (US), Compos 68 (Jan Baptist Bedaux, Jeroen Clausman, Arthur Veen) (NL), Waldemar Cordeiro (IT/BR), Charles Csuri (US), Darel D. Eschbach (US), Willam Allan Fetter (US), Alan Mark France (UK), David R. Garrison (US), Jens Harke (DE), Leon D. Harmon and Kenneth C. Knowlton (US), Hiroshi Kawano (JP), Auro Lecci (IT), Robert Mallary (US), Gustav Metzger (DE/UK) (with D. E. Evans, Beverly Rowe and R. J. Stibbs (UK)), Leslie Mezei (HU/CA), Petar Milojević (YU-SR/CA), Frieder Nake (DE/CA), Georg Nees (DE), A. Michael Noll (US), Michael Palyka (US), Ivan Picelj (YU-CR), Rechenzentrum des Instituts Boris Kidrič, Vinča (YU-SR), Manfred Robert Schroeder (DE/US), Lloyd Quinton Summer (US), Alan Sutcliffe (UK), Zdeněk Sýkora (CS-CZ), Evan Harris Walker (US), Edward Zajec (IT/US).
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