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Mihajlo Arsovski: Aleksandar Srnec

Mihajlo Arsovski: Aleksandar Srnec Plakat za izložbu Galerija suvremene umjetnosti Zagreb, 1971. godine High Quality Screen Print / visokokvalitetan sitotisak 50x70 cm Podloga u tisku ljubičaste, grafičko rješenje: kompozicija 3 kvadratapod raznimkutevima: zeleni, žuti i narančasti. Gornji dio plakata: lijevoinformacija, desno ime autora, oboje u tisku zelene.
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Ivan Picelj: Plakat / Knjiga

Ivan Picelj: Plakat / Knjiga Zagreb, 1964. godine 50x70cm High Quality Screen Print / visokokvalitetan sitotisak Crna podloga, grafičko rješenje: koncentrični krugovi (po 2 u tisku plave, smeđe, zelene i srebrnosive) koje čine faksimili potpisa slikara Borisa Dogana. Ispodnaziv izložbe smeđim slovima. Donji dio plakata: bijela podloga, lijevo tekst utisku crne boje.
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Mangelos: Manifesti: noart

Manifesti: noart. Zagreb: Atelier Tošo Dabac, 1978. Dvojezično (hrvatsko-engleski) izdanje za drugu samostalnu izložbu Dimitrija Bašičevića Mangelosa, održana u Atelieru Toše Dabca, Zagreb 1978. godine. Predgovor Nena Dimitrijević. Published on the occa
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Der Sturm - 19. Jahrgang / 11-12. Heft

Avgust Černigoj i Ivan Čargo - Der Sturm - 19. Jahrgang/Februar-Marz 1929. Berlin. Monatsschrift/mjesečnik. Herausgeber Herwarth Walden. Naslovnica Kandinsky. Ein Linoleumschnitt Ivan Čargo. Ein Linoleumschnitt Avgust Černigoj. Junge Slovenische Kunst,
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Der Sturm - 19. Jahrgang / 9. Heft

Naslovnica Avgust Černigoj. Der Sturm - 19. Jahrgang / 9. Heft. Monatsschrift/mjesečnik. Herausgeber/urednik Herwarth Walden. Naslovnica Prof. Avgust Černigoj, Linoleumschnitt- Im Januar erscheint ein Sonderheft Slowenische Kunst. avant-garde journal Ra
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Ivan Picelj: Picasso

Ivan Picelj: Picasso Plakat za izložbu "Picasso" u Galeriji suvremene umjetnosti. Zagreb, 1962. godine 50x70 cm Sitotisak / Silkprint
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Mihajlo Arsovski: Beatles Fan Club

Mihajlo Arsovski: dizajn za Beatles Fan Club Zagreb, 1968/1969. The Beatles single Christmas Time koji su dobivali isključivo članovi Beatles Fan Cluba. Uz single ide i pripadajući flyer. Zagreb, 1968. Yellow Submarine, fanzin iz 1969. godine. 14x21cm 6pp folded
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Maj 75 Ć

Maj 75, broj Ć, 1979; Boris Demur, Željko Jerman, Vlado Martek, Mladen Stilinović, Sven Stilinović, Fedor Vučemilović, Željko Kipke, Zlatko Kutnjak, Antun Maračić 42,33 x 29,13 cm Maj 75 is in prestige list in Artists' Magazines: An Alternative Space for Art (The MIT Press) by Gwen Allen From 1978 to 1984, seventeen issues of “May’75” were published, each issue coded by letters of the alphabet. The magazine was produced by assembling individual works. The artists made their own pages on A4 paper and then bound them together into a magazine format. In addition to the original six, over fifty artists from Ex-Yugoslavia, Germany, Ex-Czechoslovakia, and Italy amongst other countries were invited to contribute their work to the magazine. Each issue including original art work, ready made artwork, ciclostile print work or silkscreen work, texts, concepts, projects, attitudes, ironical and political opinions, collages and photographs which lost almost nothing of their original quality when reproduced or multiplied. Pages were occasionally reproduced by screenprinting in the workshop of Željko Jerman and Vlasta Delimar. Most pages however, were hand-made. By repeating the same, simple and quickly executed work, the artist diminishes the significance of the original. Issues of “Maj’75” with their spontaneous use of available materials and technologies are obviously there to be used and handled, and although they are full of original works, there is nothing of a deluxe edition about them. “Maj’75”, financed by the artists themselves, was usually handed out for free during the exhibition-actions to other artists, friends, critics or passers-by. Later, when the Group of Six Artists no longer exhibited on the streets, distribution was usually managed through personal contacts and through mail. The magazine was never sold through bookstores or in galleries, not because its authors did not want this, but because it was impossible. Each private enterprise was met with countless obstacles in communist countries. “Maj’75” was thus completely unofficial. This had one advantage in that it avoided censorship, but also a drawback, in that the magazine remained little known outside a narrow circle. Branka Stipančić
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Maj 75 C

Maj 75, broj C, 1979; Darivoj Čada, Jovan Čekić, Boris Demur, Željko Jerman, Vlado Martek, Željko Kipke, Mladen Stilinović, Sven Stilinović, Fedor Vučemilović 21 x 29,5 cm Maj 75 is in prestige list in Artists' Magazines: An Alternative Space for Art (The MIT Press) by Gwen Allen From 1978 to 1984, seventeen issues of “May’75” were published, each issue coded by letters of the alphabet. The magazine was produced by assembling individual works. The artists made their own pages on A4 paper and then bound them together into a magazine format. In addition to the original six, over fifty artists from Ex-Yugoslavia, Germany, Ex-Czechoslovakia, and Italy amongst other countries were invited to contribute their work to the magazine. Each issue including original art work, ready made artwork, ciclostile print work or silkscreen work, texts, concepts, projects, attitudes, ironical and political opinions, collages and photographs which lost almost nothing of their original quality when reproduced or multiplied. Pages were occasionally reproduced by screenprinting in the workshop of Željko Jerman and Vlasta Delimar. Most pages however, were hand-made. By repeating the same, simple and quickly executed work, the artist diminishes the significance of the original. Issues of “Maj’75” with their spontaneous use of available materials and technologies are obviously there to be used and handled, and although they are full of original works, there is nothing of a deluxe edition about them. “Maj’75”, financed by the artists themselves, was usually handed out for free during the exhibition-actions to other artists, friends, critics or passers-by. Later, when the Group of Six Artists no longer exhibited on the streets, distribution was usually managed through personal contacts and through mail. The magazine was never sold through bookstores or in galleries, not because its authors did not want this, but because it was impossible. Each private enterprise was met with countless obstacles in communist countries. “Maj’75” was thus completely unofficial. This had one advantage in that it avoided censorship, but also a drawback, in that the magazine remained little known outside a narrow circle. Branka Stipančić
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Ivan Picelj: Murtić

Ivan Picelj: Edo Murtić Zagreb, 1963. Sitotisak / Silkprint Plakat za izložbu "Murtić - emajli " u MUO.Plakat je tiskan u 4 boje (crna, žuta, narančasta i crvena). Plakatom dominira raster pravokutnika crven i narančaste boje. Po sredini plakata, na narančastoj traci, crnim slovima naziv izložbe, u dnu plakata na žutoj traci iste debljine crnim slovima podaci o izložbi.
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Mladen Stilinović: Nemam vremena

Mladen Stilinović: Nemam vremena (I Have No Time) Artist Book Prvo izdanje iz 1979. godine. Zagreb. Vlastita naklada. Offset na papiru 7 listova, zaklamano Naklada 70 primjeraka
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Ivan Picelj: Dubuffet

Ivan Picelj: Jean Dubuffet Galerija suvremene umjetnosti, Zagreb, 1964. Sitotisak / Silkprint 50x70cm
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Rok 1-4

Rok 1-4 Rok 1 - Beograd 1969. godine. 22x22cm Rok 2 - Beograd 1969. godine. 22x22cm Rok 3 - Beograd, 1969. Oprema Branko Vučičević (ZMKS) 14x20cm Rok 4a - Beograd, 1970. 21x20,5cm In prestige list in Artists' Magazines: An Alternative Space for Art (The MIT Press) by Gwen Allen
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Ivan Picelj: Kompozicija Y23

Ivan Picelj: Kompozicija Y23 Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.
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OHO: Pegam in Lambergar

OHO: Pegam in Lambergar Art Marko Pogačnik Poezija / Poetry Iztok Geister-Plamen Artist Book edicija OHO 11.1 x 20.1 cm V Ljubljani : samozaložba [I. G. Plamen, 1968]. - [80] str.
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Ivan Picelj: Kompozicija Y-IV

Ivan Picelj: Kompozicija Y-IV Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.
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Ivan Picelj: Kompozicija W

Ivan Picelj: Kompozicija W Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.
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Ivan Picelj: Kompozicija

Ivan Picelj: Kompozicija Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.
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Ivan Picelj: Kompozicija IV

Ivan Picelj: Kompozicija IV Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.
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Ivan Picelj: Mogućnosti za "72

Ivan Picelj: Mogućnosti za "72 Zagreb, 1972. godine 70 × 50 cm High Quality Screen Print / visokokvalitetan sitotisak Bijela podloga, grafičko rješenje: u donjem dijelu plakata kompozicija geometrijskih oblika: lijevo kvadrat (čine ga 4 manja u tisku plave, crvene, žute i bijeli), koji se desno produžuje u izduženu pravokutnu plohu: crni okvir, horizontalna podjela dvjema bijelim linijama, raster sita od gotovo bijelog (lijevi dio), do crnog (desno). Gornji dio plakata: naziv izložbe, ispod njega 6 blokova informacija o izložbi, sve u tisku crne boje.
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Piero Manzoni

Piero Manzoni 1970. Published by Städtisches Museum Mönchengladbach, Germany Texts by Johannes Cladders and Udo Kultermann 16.5 × 3.4 × 20.5 cm Plastic box case Edition of 440 This limited-edition catalogue for Piero Manzoni's posthumous 1969-70 exhibition at the Städtisches Museum Mönchengladbach comes encased in a clear plastic box with eight indents. The catalogue includes twenty-two black-and-white offset images. With essays by Johannes Cladders and Udo Kultermann (in German). From an edition of 440 copies.
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József Markulik: DAL

József Markulik: DAL Artist Book.
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Nuša i Srečo Dragan: 1. aprilski susreti

Nuša i Srečo Dragan: 1. aprilski susreti Plakat i novine za projekt na 1. aprilskim susretima Beograd, 1971. godine Plakat 24x80 cm Novine 12,5x22,5 (2pp) Na plakatu su intervencije ljepljenjem markica Projekat misaone vizualizacije objekta Misli videnu kocku u desnu stranu svaki dan u 12.00h. Project thinking visualisation of object think of the seen right cube every day at 12.00h
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Ivan Picelj: Muzej za umjetnost i obrt

Ivan Picelj: Muzej za umjetnost i obrt Muzički instrumenti Zagreb, 1962. godine High Quality Screen Print / visokokvalitetan sitotisak 50x70 cm
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