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Ivan Picelj: Picasso

Ivan Picelj: Picasso. Plakat za izložbu "Picasso " 70.5 × 51 cm High Quality Screen Print / visokokvalitetan sitotisak Galerija suvremene umjetnosti, Zagreb, 1967. godine. Plakat je tiskan u 3 boje na bijelom papiru (ljubičasta, crvena, crna). Tipografija Helvetica.
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József Markulik: DAL

József Markulik: DAL Artist Book. 14x10,5cm Limited and numbered 4/75
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Juraj Dobrović

Juraj Dobrović Polja / Fields Zagreb, 1965 Silkscreen edition. 35/50 48,5 x 48 cm Signed, dated and numbered in pencil lower right
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Ivan Picelj: Cyclophoria

Ivan Picelj: Cyclophoria 80x80 cm Denise René Edition Paris, 1971. godine Signed and numbered 146/200
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Ivan Picelj: Picasso

Ivan Picelj: Picasso Plakat za izložbu "Picasso" u Galeriji suvremene umjetnosti. Zagreb, 1962. godine 50x70 cm Sitotisak / Silkprint
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Maj 75 Ć

Maj 75, broj Ć, 1979; Boris Demur, Željko Jerman, Vlado Martek, Mladen Stilinović, Sven Stilinović, Fedor Vučemilović, Željko Kipke, Zlatko Kutnjak, Antun Maračić 42,33 x 29,13 cm Maj 75 is in prestige list in Artists' Magazines: An Alternative Space for Art (The MIT Press) by Gwen Allen From 1978 to 1984, seventeen issues of “May’75” were published, each issue coded by letters of the alphabet. The magazine was produced by assembling individual works. The artists made their own pages on A4 paper and then bound them together into a magazine format. In addition to the original six, over fifty artists from Ex-Yugoslavia, Germany, Ex-Czechoslovakia, and Italy amongst other countries were invited to contribute their work to the magazine. Each issue including original art work, ready made artwork, ciclostile print work or silkscreen work, texts, concepts, projects, attitudes, ironical and political opinions, collages and photographs which lost almost nothing of their original quality when reproduced or multiplied. Pages were occasionally reproduced by screenprinting in the workshop of Željko Jerman and Vlasta Delimar. Most pages however, were hand-made. By repeating the same, simple and quickly executed work, the artist diminishes the significance of the original. Issues of “Maj’75” with their spontaneous use of available materials and technologies are obviously there to be used and handled, and although they are full of original works, there is nothing of a deluxe edition about them. “Maj’75”, financed by the artists themselves, was usually handed out for free during the exhibition-actions to other artists, friends, critics or passers-by. Later, when the Group of Six Artists no longer exhibited on the streets, distribution was usually managed through personal contacts and through mail. The magazine was never sold through bookstores or in galleries, not because its authors did not want this, but because it was impossible. Each private enterprise was met with countless obstacles in communist countries. “Maj’75” was thus completely unofficial. This had one advantage in that it avoided censorship, but also a drawback, in that the magazine remained little known outside a narrow circle. Branka Stipančić
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Maj 75 C

Maj 75, broj C, 1979; Darivoj Čada, Jovan Čekić, Boris Demur, Željko Jerman, Vlado Martek, Željko Kipke, Mladen Stilinović, Sven Stilinović, Fedor Vučemilović 21 x 29,5 cm Maj 75 is in prestige list in Artists' Magazines: An Alternative Space for Art (The MIT Press) by Gwen Allen From 1978 to 1984, seventeen issues of “May’75” were published, each issue coded by letters of the alphabet. The magazine was produced by assembling individual works. The artists made their own pages on A4 paper and then bound them together into a magazine format. In addition to the original six, over fifty artists from Ex-Yugoslavia, Germany, Ex-Czechoslovakia, and Italy amongst other countries were invited to contribute their work to the magazine. Each issue including original art work, ready made artwork, ciclostile print work or silkscreen work, texts, concepts, projects, attitudes, ironical and political opinions, collages and photographs which lost almost nothing of their original quality when reproduced or multiplied. Pages were occasionally reproduced by screenprinting in the workshop of Željko Jerman and Vlasta Delimar. Most pages however, were hand-made. By repeating the same, simple and quickly executed work, the artist diminishes the significance of the original. Issues of “Maj’75” with their spontaneous use of available materials and technologies are obviously there to be used and handled, and although they are full of original works, there is nothing of a deluxe edition about them. “Maj’75”, financed by the artists themselves, was usually handed out for free during the exhibition-actions to other artists, friends, critics or passers-by. Later, when the Group of Six Artists no longer exhibited on the streets, distribution was usually managed through personal contacts and through mail. The magazine was never sold through bookstores or in galleries, not because its authors did not want this, but because it was impossible. Each private enterprise was met with countless obstacles in communist countries. “Maj’75” was thus completely unofficial. This had one advantage in that it avoided censorship, but also a drawback, in that the magazine remained little known outside a narrow circle. Branka Stipančić
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Mladen Stilinović: Nemam vremena

Mladen Stilinović: Nemam vremena (I Have No Time) Artist Book Prvo izdanje iz 1979. godine. Zagreb. Vlastita naklada. Offset na papiru 7 listova, zaklamano Naklada 70 primjeraka
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Ivan Picelj: Dubuffet

Ivan Picelj: Jean Dubuffet Galerija suvremene umjetnosti, Zagreb, 1964. Sitotisak / Silkprint 50x70cm
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Ivan Picelj: Murtić

Ivan Picelj: Edo Murtić Zagreb, 1963. Sitotisak / Silkprint Plakat za izložbu "Murtić - emajli " u MUO.Plakat je tiskan u 4 boje (crna, žuta, narančasta i crvena). Plakatom dominira raster pravokutnika crven i narančaste boje. Po sredini plakata, na narančastoj traci, crnim slovima naziv izložbe, u dnu plakata na žutoj traci iste debljine crnim slovima podaci o izložbi.
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Ivan Picelj: Kompozicija Y23

Ivan Picelj: Kompozicija Y23 Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.
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Ivan Picelj: Kompozicija Y-IV

Ivan Picelj: Kompozicija Y-IV Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.
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Ivan Picelj: Kompozicija W

Ivan Picelj: Kompozicija W Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.
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Ivan Picelj: Kompozicija

Ivan Picelj: Kompozicija Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.
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Ivan Picelj: Kompozicija IV

Ivan Picelj: Kompozicija IV Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.
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Rok 1-4

Rok 1-4 Rok 1 - Beograd 1969. godine. 22x22cm Rok 2 - Beograd 1969. godine. 22x22cm Rok 3 - Beograd, 1969. Oprema Branko Vučičević (ZMKS) 14x20cm Rok 4a - Beograd, 1970. 21x20,5cm In prestige list in Artists' Magazines: An Alternative Space for Art (The MIT Press) by Gwen Allen
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OHO: Pegam in Lambergar

OHO: Pegam in Lambergar Art Marko Pogačnik Poezija / Poetry Iztok Geister-Plamen Artist Book edicija OHO 11.1 x 20.1 cm V Ljubljani : samozaložba [I. G. Plamen, 1968]. - [80] str.
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Franci Zagoričnik: Naime

Franci Zagoričnik: Naime Znamenja 54 Maribor, 1978. Potpis i posveta autora Slavku Matkoviću Potpisano pismo Slavku Matkoviću Rad flomasteron na kartonu 9x16,5cm Likovna oprema Marko Pogačnik 16x18cm
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Ivan Picelj: Kompozicija 5

Ivan Picelj: Composition 5 Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint 1957. serigrafija u boji, papir, 182/200 500 x 352 mm MMSU-518 Izdavač: Kultura, Zagreb Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader
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Ivan Picelj: Kompozicija YZ

Ivan Picelj: Kompozicija YZ Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.
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Ivan Picelj: Ulmska varijacija 1

Ivan Picelj: Ulmska varijacija 1 Potpisano i numerirano 23/40 Ulm Variation, a series of original prints by Ivan Picelj that was prints at the International Centre of Graphic Arts in Ljubljana in Septembre 2006, comprises eight original serigraph, along with an introductory text by the art critic Brane Kovič. All prints are signed and numbered by the artist. The serigraphs were printed by Slavko Pavlin under the supervision of the artist in the serigraphy studio of the International Centre of Graphic Arts in Ljubljana on pure cotton Radeče paper, 320 g/m2, with the dimension 500 mm x 500 mm. The edition of each serigraph is strictly limited to 40 copies, signed and numbered from 1/40 to 40/40
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Ivan Picelj: Ulmska varijacija 2

Ivan Picelj: Ulmska varijacija 2 Potpisano i numerirano 23/40 Ulm Variation, a series of original prints by Ivan Picelj that was prints at the International Centre of Graphic Arts in Ljubljana in Septembre 2006, comprises eight original serigraph, along with an introductory text by the art critic Brane Kovič. All prints are signed and numbered by the artist. The serigraphs were printed by Slavko Pavlin under the supervision of the artist in the serigraphy studio of the International Centre of Graphic Arts in Ljubljana on pure cotton Radeče paper, 320 g/m2, with the dimension 500 mm x 500 mm. The edition of each serigraph is strictly limited to 40 copies, signed and numbered from 1/40 to 40/40
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Ivan Picelj: Ulmska varijacija 3

Ivan Picelj: Ulmska varijacija 3 Potpisano i numerirano 23/40 Ulm Variation, a series of original prints by Ivan Picelj that was prints at the International Centre of Graphic Arts in Ljubljana in Septembre 2006, comprises eight original serigraph, along with an introductory text by the art critic Brane Kovič. All prints are signed and numbered by the artist. The serigraphs were printed by Slavko Pavlin under the supervision of the artist in the serigraphy studio of the International Centre of Graphic Arts in Ljubljana on pure cotton Radeče paper, 320 g/m2, with the dimension 500 mm x 500 mm. The edition of each serigraph is strictly limited to 40 copies, signed and numbered from 1/40 to 40/40
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Ivan Picelj: Ulmska varijacija 4

Ivan Picelj: Ulmska varijacija 4 Potpisano i numerirano 23/40 Ulm Variation, a series of original prints by Ivan Picelj that was prints at the International Centre of Graphic Arts in Ljubljana in Septembre 2006, comprises eight original serigraph, along with an introductory text by the art critic Brane Kovič. All prints are signed and numbered by the artist. The serigraphs were printed by Slavko Pavlin under the supervision of the artist in the serigraphy studio of the International Centre of Graphic Arts in Ljubljana on pure cotton Radeče paper, 320 g/m2, with the dimension 500 mm x 500 mm. The edition of each serigraph is strictly limited to 40 copies, signed and numbered from 1/40 to 40/40
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