GALERIJA

Nuova Tendenza 2 Design Ivan Picelj Plakat za talijansku izložbu Novih tendencija 2 Venecija / Venice 1963/64. Print: stamparia di Venezia

Plakat za izložbu Tendencije 5, Zagreb 1973. Design Ivan Picelj Silkprint / Sitotisak Tendencije 5 (Konstruktivna vizuelna istraživanja; Kompjuterska vizuelna istraživanja; Konceptualna umjetnost) - Tendencies 5 (Constructive Visual Research, Computer Visual Research, Conceptual Art). Exhibition, organized by the Galerija suvremene umjetnosti [Gallery of Contemporary Art], Zagreb. Tehnički muzej [Technical Museum], Zagreb, 1 June – 1 July 1973.

Boris Bućan Art Original poster for Bućan Art Galerija Studentskog centra Zagreb, 1973. Silkprint 43x59,5 cm Signed

Sanja Iveković: Ljubica Gerovac (Linda Evangelista) Gen XX, oglasi u časopisima i novinama, 1997 – 2001. Plakat 68x98 cm Gen XX,” 1997–2001, presents posters of famous supermodels emblazoned with the names of female Yugoslav World War II heroes Iveković equipped the photos of professional models with the names and brief stories of women who were celebrated under socialism as “national heroines,” who are today erased from the public consciousness. The space of common knowledge or familiarity from the socialist past was evacuated in favor of popular mass culture and commercial icons. Iveković utilizes these vehicles of everyday contemporary popular literacy and invests in them content with (generally absent, and to contemporary standards unattractive) historical knowledge.

Goran Trbuljak: Zapisi jednog umjetnika Les ecrits d'un artiste Silkprint / Sitotisak 48,9 x 68,8 cm Motovunski susreti, 1978 Signed and numbered 37/50

Ivan Picelj Bakrotisak & Sitotisak Motiv: 7011-IL-po, 1969 aluminij, panel ploča Photo Nenad Gattin Bakrotisak / Copperplate printing Grafički zavod Hrvatske Sitotisak / screen print Straža, Zagreb 2002/2005 64,5x97,5 cm Signed by ivan Picelj

Ivan Picelj: Kožarić Galerija suvremene umjetnosti Zagreb, 1962. 50x70 cm High Quality Screen Print / visokokvalitetan sitotisak

Hexagone, 1988 Plexiglas containing four books 10 1/4 × 11 3/4 × 2 in 26 × 29.8 × 5.1 cm Signed by author Limited and numbered edition Incised and numbered along the bottom

Josip Vaništa - Izlog / Shop Window. Offset, 50x70cm. Framed in nice, quality nature frame. Signed and numbered 13/50. Printed for first Gorgona retrospective, Gallery of Contemporary Arts (today Museum of Contemporary Arts) Gorgona no. 1 Josip Vaništ

Ivan Picelj: Soto Plakat za izložbu "Soto" Galerijia suvremene umjetnosti, Zagreb, 1970. godine. Sitotisak / Silkprint 50x70cm Plakat izveden u 3 boje na bijelom papiru (plava, crna, siva). Plakat je horizontalno podijeljen u 2 dijela. Veća, gornja površina pravokutnika je plave boje a u vrhu je upisano naziv izložbe i podaci. Donji sivi pravokutnik je manji, unutar njega se nalaze dva izdužena pravokutnika crno plave boje. I plavi i sivi pravokutnik uokvireni su crnom linijom. Jesús-Rafael Soto, Venezuelan-born French artist (born July 5, 1923, Ciudad Bolívar, Venez.—died Jan. 17, 2005, Paris, France), attached himself to avant-garde modernism immediately after World War II and by the late 1960s had become known as a leader in optical and kinetic art, with works that were remarkable for their illusions of sensory vibrations. He lived in Caracas before immigrating in 1950 to Paris. There his works were shown in a number of groundbreaking exhibits, notably in 1955 as part of the group “Le Mouvement” show, which included works by Marcel Duchamp and Viktor Vasarely. For Spiral with Red, the centrepiece of that exhibit, Soto used a layering effect on painted geometric shapes that had an illusory effect on viewers as they passed by. Soto’s experiments with the perception of movement led him to build much larger sculptural works that invited viewers to walk through, beginning with his Pénétrables series. He constructed enormous outdoor exhibits, some of which were public commissions. Soto exhibited widely in Europe, particularly from the mid-1960s to the mid-1970s, when he was at the peak of his career. He remained active into the 21st century.

Ivan Picelj: Galerija suvremene umjetnosti 50x70cm Zagreb, 1963. godine High Quality Screen Print / visokokvalitetan sitotisak Plakat za Galeriju suvremene umjetnosti. Plakat je izveden u 4 boje (crna, smeđa, plava i tamno plavo) na bijelom papiru. Podijeljen na dvije plohe, donja manja u tamno plavoj, gornja veća crne boje. Unutar veće plohe plavi kvadrat.

Sanja Iveković & Dalibor Martinis: Krivotvorine Koncept i dizajn / concept and design: Dalibor Martinis & Sanja Iveković Plakat izložbe Dalibora Martinisa Zagreb 1975. Galerija suvremene umjetnosti 100 x 70,5 cm High Quality Screen Print / visokokvalitetan sitotisak

Mladen Stilinović: Pjevaj! (Sing!) Plakat izložbe Mladena Stilinovića (1947. - 2016.). Galerija suvremene umjetnosti, Zagreb, 1980. godine. Visokokvalitetni sitotisak. 100 x 64,5 cm. Plakat je publiciran u 100 plakata Muzeja suvremene umjetnosti u Zagrebu.

Ivan Ladislav Galeta Otisak strelice u sitotisku Silkprint / Sitotisak 48,9 x 68,8 cm Motovunski susreti, 1978 Signed and numbered 37/50

Josip Stošić: A Signed and dated Zagreb, 1969. Sitotisak / Screenprint

Boris Bućan 21 st century : Muzički biennale Zagreb, 8-14.5.1977. Međunarodni festival suvremene glazbe International festival of contemporary music Foto Željko Stojanović & Krešimir Tadić. 98 x 69 cm Sitotisak / Silkprint Tisak Studio S

Ivan Čizmek: Structures III Grafička mapa Naklada 50 Signed and numbered Edition Studio Forma Urbis, Zagreb Papir Fabriano 5 / 380g Tisak: Design & tisak Straža, Zagreb Predlist predgovor na hrvatskom i engleskom jeziku Ivica Župan 50 x 50 cm

Dragoljub Todosijević - potpisani plakat 86 x 68ncm, presavijan - Was ist kunst Marinela Koželj - IIDP, SKC- Beograd 1978

Goran Trbuljak: Christian Boltanski – Annette Messager Plakat za izložbu Galerija suvremene umjetnosti Zagreb, 1975. godine 50x70 cm High Quality Screen Print / visokokvalitetan sitotisak

Ovom izložbom održavam kontinuitet u svom radu / With this exhibition I keep continuity of My work - Goran Trbuljak. Galerija suvremene umjetnosti, Zagreb 1979. Artist's book / plakat. Format 23x29,5 cm, rastvoren čini jedan od najpoznatijih plakat Gorana

Man Ray (Emmanuel Radnitzky): Cadeau Mixed media - Signed - 1479/5000 - 1974 "Cadeau" by Man Ray is the most coveted DaDa surrealist movement object. It consists of an everyday continental flat iron of the sort that had to be heated on a stove, transformed here into a non-functional, disturbing object by the addition of a single row of fourteen nails In 1974, Man Ray realised this edition in collaboration with Luciano Anselmino of Galleria "Il Fauno", Turin. Original packaging, Like new. A numbered, credit card-size, card was numbered and monogrammed by Man Ray. A certificate, with number, of the famous Arturo Schwarz is also included. 17×10 cm

Dalibor Martinis: Zagrebački solisti photo Željko Stojanović. Impresum Zagreb : Galerija suvremene umjetnosti, 1974. Zagreb studio s

Ivan Picelj: Plakat / Knjiga Zagreb, 1964. godine 50x70cm High Quality Screen Print / visokokvalitetan sitotisak Crna podloga, grafičko rješenje: koncentrični krugovi (po 2 u tisku plave, smeđe, zelene i srebrnosive) koje čine faksimili potpisa slikara Borisa Dogana. Ispodnaziv izložbe smeđim slovima. Donji dio plakata: bijela podloga, lijevo tekst utisku crne boje.

Ivan Picelj: Oblikovanje Zagreb, 1963. godine High Quality Screen Print / visokokvalitetan sitotisak 50x70cm Plakat za izložbu "Oblikovanje" u MUO u organizaciji ULUPUH-a. Plakat je tiskan u 2 boje (crvena i cna) na bijelom papiru. Raster crnih vertikalnih linija, 2 crvena kvadrata, krug izveden rasterom.