galerija bauerova 9

Ivan Picelj: Ulmska varijacija 1 Potpisano i numerirano 23/40 Ulm Variation, a series of original prints by Ivan Picelj that was prints at the International Centre of Graphic Arts in Ljubljana in Septembre 2006, comprises eight original serigraph, along with an introductory text by the art critic Brane Kovič. All prints are signed and numbered by the artist. The serigraphs were printed by Slavko Pavlin under the supervision of the artist in the serigraphy studio of the International Centre of Graphic Arts in Ljubljana on pure cotton Radeče paper, 320 g/m2, with the dimension 500 mm x 500 mm. The edition of each serigraph is strictly limited to 40 copies, signed and numbered from 1/40 to 40/40

Ivan Picelj: Ulmska varijacija 3 Potpisano i numerirano 23/40 Ulm Variation, a series of original prints by Ivan Picelj that was prints at the International Centre of Graphic Arts in Ljubljana in Septembre 2006, comprises eight original serigraph, along with an introductory text by the art critic Brane Kovič. All prints are signed and numbered by the artist. The serigraphs were printed by Slavko Pavlin under the supervision of the artist in the serigraphy studio of the International Centre of Graphic Arts in Ljubljana on pure cotton Radeče paper, 320 g/m2, with the dimension 500 mm x 500 mm. The edition of each serigraph is strictly limited to 40 copies, signed and numbered from 1/40 to 40/40

Ivan Picelj: Ulmska varijacija 4 Potpisano i numerirano 23/40 Ulm Variation, a series of original prints by Ivan Picelj that was prints at the International Centre of Graphic Arts in Ljubljana in Septembre 2006, comprises eight original serigraph, along with an introductory text by the art critic Brane Kovič. All prints are signed and numbered by the artist. The serigraphs were printed by Slavko Pavlin under the supervision of the artist in the serigraphy studio of the International Centre of Graphic Arts in Ljubljana on pure cotton Radeče paper, 320 g/m2, with the dimension 500 mm x 500 mm. The edition of each serigraph is strictly limited to 40 copies, signed and numbered from 1/40 to 40/40

Ivan Picelj: Permanenta Plakat za izložbu "Permanenta - Ivan Pahernik" u ULUPUH-u. Zagreb, 1975. High Quality Screen Print / visokokvalitetan sitotisak 80.5 × 56

Ivan Picelj: John Heartfield Plakat za izložbu, Zagreb, 1976. 84.5 × 60 cm Fotomontaža u tisku tonova sive i rassteru sita. Donji dio plakata: ime autora crvenim, ispod centrirano informativni tekst u tisku sive. High Quality Screen Print / visokokvalitetan sitotisak

Tomislav Gotovac Pripremna pozivnica za perfomance High Noon - performance - Hommage to Glenn Miller. Zagreb, 1991. Ponuda uključuje: pripremnu pozivnicu sa originalnom fotografijom (photo Igor Brzoja) sa nalijepljenim papirnatim motivom križa i pletra, te faksimilom pečata Muzeja revolucije naroda Hrvatske, Zagreb + tekst ispisan na pisaćem stroju. Fotografija je formata 17,3x10,7 cm. Drugi papir (11,6x18cm) sadrži popis ljudi za High Noon Perfomance pozivnice, napisano na pisaćem stroju, te sa vlastoručnim intervencijama i potpisom Tomislava Gotovca.

Ivan Ladislav Galeta Plakat izložbe (kaširan) Design Mladen Galić 50x70 cm Tv scenarij 40 - snimatelj Galerija Nova Zagreb 1976.

Vlado Martek Pariz, 1982. Agitacija-akcija „les Artistes­-aux Armes,“ Sitotisak / Silkprint na poleđini pečat Vlado Martek, Konjščinska 40, Zagreb, Yugoslavia

Ivan Picelj: Minna Ennulat Zagreb, 1974. godine High Quality Screen Print / visokokvalitetan sitotisak 50x70cm

Ivan Picelj: Kabinetski ormarići Zagreb, 1976. godine High Quality Screen Print / visokokvalitetan sitotisak 50x70cm Plakat za izložbu "Kabinetski ormarići (iz fundusa MUO)"u MUO. Plakat tiskan u 2 boje (crna, crvena) na bijelom papiru. Frontalni crtež kabinetskog ormarića u crnom tonu, ispod naziv izložbe i podaci u crvenoj boji, sve uokvireno crvenim linijama uz rub plakata.

Ivan Picelj: Rubensova grafička škola i njegovi kopisti Plakat izložbe. Zagreb, 1978. godine 85 × 59.5 cm High Quality Screen Print / visokokvalitetan sitotisak

Originalni plakat izložbe "Za umjetnost u umu" u Podroom, Mesnička 12, Zagreb; Boris Demur, Vladimir Dodig Trokut, Ivan Dorogi, Ladislav Galeta, Tomislav Gotovac, Vlado Gudac, Sanja Iveković, Željko Jerman, Željko Kipke, Antun Maračić, Vlado Martek Mal

Izniman plakat za izložbu Vjenceslava Richtera, Hilversum, Holand iz 1972. godine. Steendrukkerij de Jong and Co.

Sitotisak. Ivan Picelj; mini plakat za izložbu Vlade Kristla, Galerija suvremene umjetnosti, Zagreb 1962. godine. 13x19cm Kvalitetno opremljen, natur, između dva stakla. Preuzimanje samo u antikvarijatu Plakat za izložbu "Kristl" u GSU. Plakat je

Plakat Nove Tendencije - Ivan Picelj, 1961. godine. Faksimil plakata otisnut pod nadzorom autora, u ateljeu za serigrafiju; Design i sitotisak Straža, Zagreb 2007. godine. Naklada - 100 primjeraka na 150g/m2 bijelom papiru. Manje oštećenje na vrhu vodora

Autoportret Dalibora Martinisa (1975-77.). Galerija suvremene umjetnosti, Zagreb 1977. godine, Predgovor Marijan Susovski. plakat 42x62žstanje - odlično IZDAVAČ Galerija suvremene umjetnosti MJESTO (IZRADE) Zagreb ZEMLJA Hrvatska GODINA 1977. TEHN

Plakat za izložbu Sanje Iveković - Personal Cuts, Galerieim Taxipalais, Innsbruck, 2001. godine. Presavijan. Kvalitetno opremljen, natur. Preuzimanje samo u antikvarijatu

Crveno crni V.D.T. - T.G. Fotografija, dokument akcije u postoru, dvojni rad: Uzimanje mjere, MMSU, Rijeka, 2007. E.A. 0/3 Vladimir Dodog Trokut & Tomislav Gotovac Crno bijela fotografija 30,5x20,5 cm Kolor fotografija 30,5x20,5 cm

Picelj - Srnec- Izložba - Okrugla sala, Galerija ULUS Beograd 1956. godine. 16 X 16 X 64 cm High-quality Sitotisak / Silkscreen

Juraj Dobrović: Polja Litografija 1/10 42x42 cm Na Novim tendencijama 3 koje su bile 1965.godine, Dobrović je bio najvažnija pojava, a glavni interes su Polja koja radi kao serigrafije, reljefe te na kraju kao prostorne konstrukcije.

Ivan Picelj - Bijela cesta u negativu Ivan Picelj - White Road in Negative August 1-November 14, 2010 Dubrova Park of Sculptures/38th Mediterranean Sculpture Symposium Labin, Croatia

Dejan Kršić: WHW Deset plakata za kolektiv WHW Sitotisak / Silkprint 50x70cm Born 1961 in Sarajevo. He graduated art history and ethnology from the Faculty of Philosophy in Zagreb. He has exhibited in several solo shows (in Zagreb, Ljubljana, Rijeka, Belgrade) and has participated in many collective exhibitions and video festivals. Since the mid 1980s he has been working for various magazines and newspapers as a journalist, editor and/or graphic designer (Polet, Studentski list, Quorum, Svijet, Start, Mladina, Moment, Danas…, Frakcija, Zarez). In the 1993 he was one of the founders and later editor-in-chief of Arkzin biweekly newspaper/magazine and publishing project. He translated to Croatian and published essays by many distinguished theorists and writers such as Slavoj Zizek, Renata Salecl, Darian Leader, Brian Holmes. He created graphic design for numerous respectable exhibition catalogues. Additionally, his design works have been published in many design magazines: Eye (UK), Print (USA), AIGA journal (USA), Kak (Russia); and books: Mirko Ilic & Steven Heller: "Genius Moves - 100 Icons of Graphic Design" (North Light Books, 2001), "Two Colour Graphic" (Rockport, 2004), Milton Glaser & Mirko Ilic: "Design of Dissent" (Rockport, 2005), Timoty Samara: "Publication Design Workbook" (Rockport, 2005); Rick Poynor: "Designing Pornotopia: Travels in Visual Culture" (Laurence King, 2006). Since 2000, Dejan has been collaborating on many projects. As a graphic designer and writer Dejan Krsic has been collaborating on WHW projects: "What, how and for Whom - on the occasions of the 152nd Anniversary of the Communist Manifesto" (Zagreb 2000, Vienna 2001); "Broadcasting Project, dedicated to Nikola Tesla" (Zagreb 2001/2002); "Collective Creativity" (Kassel 2005). Since 2003 he has been designing all visual materials for Gallery Nova, including the gallery newspaper. The interdisciplinary focus of Dejan's work is putting the visual art practice and art theory in a creative dialogue with graphic design and curatorial strategies. Since 2008 he teaches graphic design at Department of visual communications at UMAS, Split, Croatia. Source: Monoskop What, How & for Whom/WHW is a curatorial collective formed in 1999 and based in Zagreb and Berlin. Its members are Ivet Ćurlin, Ana Dević, Nataša Ilić and Sabina Sabolović, and designer and publicist Dejan Kršić.

Ivan Picelj: 15. Goranovo proljeće 50x70 cm Zagreb / Lukovdol 1978. godine High Quality Screen Print / visokokvalitetan sitotisak Plakat za kulturnu manifestaciju "15. Goranovo proljeće - sačuvaj moje riječi" u Lukovdolu. 2 boje (plava i crna) na bijelom papiru. U gornjem dijelu plakata niz od umnožene crno bijele fotografije I. G. Kovačića. Ispod, na plavoj pozadini, bijeli tekst.

Ivan Picelj: 15. Goranovo proljeće 50x70 cm Zagreb / Lukovdol 1978. godine High Quality Screen Print / visokokvalitetan sitotisak Plakat za kulturnu manifestaciju "15. Goranovo proljeće - sačuvaj moje riječi" u Lukovdolu. 2 boje (zelena i crna) na bijelom papiru. U gornjem dijelu plakata niz od umnožene crno bijele fotografije I. G. Kovačića. Ispod, na plavoj pozadini, bijeli tekst.