ART

Ezra Pound in Italy: From the Pisan Cantos. By Gianfranco Ivancich (Editor), Vittorugo Contino (Photographer). Copertina rigida stampata e laminata. Spots and Dots. Ezra Pound in Italy from the Pisan Cantos. Annotated by Olga Rudge. Venice: Grafiche Le.

Vlado Martek: Prevrednovanje poezije (pripremanje za poeziju/predpoezija) Vlado Martek, Zagreb 1981. Prostor Proširenih medija, Zagreb Meki uvez / klamano 15,5x21,5 20pp Artist Book. Mixed Media

Nadkomunistički crteži, samizdat Vlade Marteka iz 1983. godine. Artist's book. Sitotisak. Tiskano na tvrđem papiru, sa spojenim stranicama. Vrlo rijetko u ponudi. Vlado Martek (Zagreb, 1951) is a poet, visual artist and writer. In the mid-seventies in Z

Mladen Stilinović; Eksploatacija mrtvih / Exploitation of the Dead Galerija Proširenih medija 1988 Artist Book / Knjiga umjetnika Xerox 29,7x21cm Tekstovi - Darko Šimičić, Željko Kipke, Branka Stipančić, Želimir Koščević, Miško Šuvaković neke stanice se razvlače u A3 Stanje - odlično. Autor: Mladen Stilinović

Tragedija Jedne Venere / A Tragedy of a Venus, 1975. First edition of exhibition catalogue originally published in conjunction with show held December 1976, Gallery of Contemporary Art, Zagreb. Text in English and Croatian.

Lažna poezija - predpjesme. Samizdat Vlade Marteka iz 1985. godine. Artist's book. Sitotisak. Intervencije u tisku i različiti papiri. Vrlo rijetko u ponudi. Vlado Martek (Zagreb, 1951) is a poet, visual artist and writer. In the mid-seventies in Zagreb,

OHO group: preicarežeracirep Likovna oprema Marko Pogačnik Znamenja 6 Ljubljana, 1969. Autori: Aleš Kermavner, Marko Pogačnik, Tomaž Šalamun, Franci Zagoričnik, I.G.Plamen, Milenko Matanović, Vojin Kovač Chubby, Matjaž Hanžek, Slavoj Žižek 10x18cm Publikacija Pericarežaracirep (palindrom, tj. riječ koja se može čitati s kraja, a da pri tom ostaje ista) završena je u listopadu. Suradnici su Aleš Kermavner, Marko Pogačnik, Tomaž Šalamun, Franci Zagoričnik, Iztok Geister, Milenko Matanović, Vojin Kovač-Chubby, Matjaž Hanžek i Slavoj Žižek; a urednici su Geister i Pogačnik. Veliki dio publikacije obuhvaća reističku i konkretnu poeziju, Pogačnik objavljuje svoje članke i tekst pod nazivom Frolich-Moscon, dok Geister i Žižek objavljuju eseje. Knjiga je objavljena 1969. kao šesti svezak izdanja Znamenja. U studenom je priređena Geistnerova i Pogačnikova knjiga Ikebana, objavljena kao osmi svezak izdanja Znamenja (Znakovi).

I. G. Plamen: Pesmi Iztok Plamen Geister (OHO group) Artist Book Likovni prilozi Milenko Matanović Mladinska knjiga Ljubljana, 1972. 17x17 cm 59pp

Dated inscription in pencil from Goran Trbuljak to artist Willoughby Sharp on page 25Goran Trbuljak. 1972, Artiste anonyme / Goran Trbuljak, 1974 Zagreb: Galerija suvremene umjetnosti, 1976 Artist book Using simple statements and questions, public space

Rok 1 - časopis za književnost i estetičko ispitivanje stvarnosti. Urednik Bora Ćosić, Beograd 1969. godine. Časopis je uvršten u prestižno izdanje MIT pressa Artists' Magazines - An Alternative Space for Art By Gwen Allen. Mixed Media. Artist's Book. O

Neue Slowenische Kunst Design Novi kolektivizem Grafički zavod Hrvatske, Zagreb, 1991. Prvo izdanje / first edition Slovenski jezik Kožni uvez, u dizajniranoj kutiji Stanje - kao novo. Tisak - Paramount printing, Hong Kong Iznimno bogato ilustrirano. 19x27cm 274pp

Braco Dimitrijević: Interview Artist Book Zagreb : Galerija studentskog centra, 1974 . Dimensions: 19,9 x 13,7 Photographs Fedor Vučemilovič

Josip Stošić: Đerdan Prvo izdanje / First edition Zagreb Limited edition Josip Stosic was born in Zagreb in 1935. He graduated from the Faculty of Arts in Zagreb in 1963. He worked at the Institute for History of Art (early Christian, Medieval and Renaissance art in Croatia). He specifically researched the cathedral in Dubrovnik and the parish church in Čazma. In 1951, as a high school student, Stosic self-published Đerdan (Necklace), the first book of concrete poetry in the former Yugoslavia. His poetry was prohibited the same year. Stosic's art practice included concrete poetry, visual structure of words mounted on boards, and the interaction of objects and words ("A", 1969; Premetaljka (Word Puzzle), 1971). Josip Stosic died in 2009 in Zagreb (source: Avantgarde Museum, Zagreb) Format: 20x14 cm Broj stranica: 106 Uvez: meki Godina izdanja: 1951 Izdavač: Vlastita naklada Josipa Stošića Antikvarijat: Preradovićeva 5, Zagreb dodaj u listu želja Artikla trenutno nema na skladištu!

Sanja Iveković; Dokumenti 1949 - 1976. Galerija suvremene umjetnosti, Zagreb 10.-30.12.1976. Urednik kataloga i predgovor Davor Matičević (engleski i hrvatski jezik) Prijelom kataloga sanja Iveković Plakat dalin+bor martinis Printed in 300

Ivan Meštrović: Dennoch will ich hoffen...Ein Weihnachtsgespräch (Ipak se nadam ili Božićni razgovori) Knjiga refleksija Rascher Verlag, Zürich, 1945.

Informacijski bilten - Bulletin 1-4 komplet A4 Klamano

Petar Dabac: fotografija postavljanja dvometarske fotografije 24x18cm GEFF 69, pod naslovom Seksualnost kao mogućnost za novi humanizam, trebao se dogoditi u prosincu 1969., no pomaknut je za travanj 1970. godine. Najavljena Retrospektiva seksualnog i erotskog filma zagolicala je maštu javnosti, ali i politike, tako da je ovo ujedno i njegovo posljednje izdanje. Prva izdanja festivalskog biltena-glasila krasila je fotomontaža Aurore koja izgovara rečenicu: voljela bih da sam hermafrodit pa da mogu i sa ženama, dok je gradske površine ukrašavao plakat za izložbu Renea Hollosa, na kojemu je prikazan stilizirani golemi penis s grčkim podnatpisom fallikos antropos. Kasnije povučen na inzistiranje viših političkih instanci, ovaj plakat najavio je i beskompromisni GEFF 69 koji je, kako je pisao tadašnji Filmski svet, od skromne svečanosti zaljubljenika u film postao senzacija za koju su se ulaznice prodavale kao vruća roba. Najviše zanimanja izazvale su projekcije filmova Andyja Warhola i Paula Morrisseya, gošća festivala Carolle Schneemann pokazala je svoj Fuses, dok je nemali interes izazvao pjesnički performance novosadske umjetnice Katalin Ladik, koja je proglašena i najfinijom damom festivala. Izvor: Željko Luketić GEFF, Genre Experimental Film Festival, was international experimental film festival organized from 1963 to 1970 in Zagreb, Croatia. GEFF was established after a series of debates between experimental filmmakers held at the Kino Club in Zagreb entitled “Anti-film and Us,” which was led by Mihovil Pansini, leading experimental film author. Anti-film was a type of film that was more focused on the pure acts of research and discovery, delving into its self-reflexive media language rather than any expression or communication happening between artist and viewer. Anti-film represented a radical annihilation of conventional film, its elements, principals and structure. GEFF became a worldwide locus for non-professional and experimental filmmakers. Izvor: Avantgarde museum, Zagreb

Braco Dimitrijević - Galerija Suvremene Umjetnosti, Zagreb 1973. godine. Artist Publication. Edition 600. Text on english and Croatian. Introduction Radoslav Putar & Caroline Tisdall. Layout and poster Braco Dimitrijevic. Art Exhibition Invitation Card

Raul Goldoni: Oblici u staklu. Katalog izložbe u Muzeju za umjetnost i obrt, Zagreb 1967. godine. Postav izložbe Edo Kovačević. Oprema kataloga i plakat Ivan Picelj. Ponuda uključuje i pet originalnih fotografija objavljenih u katalogu sa opisima na poleđini, . Zvonimir MIkas - broj 31.

Pan 69. Okupljanje grupe kod Mladena Stilinovića Original fotografija. Autor fotografije Mišo Budisavljević, jedan od nagrađenih autora na Geff '69 Zagreb, 1969. Sitotisak / Silkscreen 50x70cm Pan 69. Mladen Stilinović: "Together with Milivoj Puhovski, Degenek and Boris Bata we formed the student film club Pan 69. Through the Union of Socialist Youth we received some funds to buy the necessary equipment and start making films. At first Pan 69 had six or seven members. The first film produced by Pan was Miša Budisavljević's film in 1969, which was screened at GEFF. Pan 69 held film screenings in Zagreb and Belgrade: at the Zagreb Cinema Club Pan 69 had regular nights, as it did in Belgrade at the SKC (Students Cultural Center)." (from Ana Janevski's interview with Mladen Stilinović, unpublished) At the beginning, like many young people, Stilinović wrote poetry, and published some of it in the literary journal Republika. But since his interests were more in the direction of film, with his friends in 1969 he founded the group Pan 69, which was a student cinema club. In order to get hold of film stock and the equipment necessary for making films, this was the only way at that time. Some of the first films were shown at amateur film festivals, but they were fairly different from the production that could be seen there, and so he was invited to places more adapted to his idiom, where the focus was on contemporary visual art. (Branka Stipančić) In 1969 a group of friends – Boris Barta, Mišo Budisavljević, Branko Degenek, Ninoslav Lovčević, Krsto Mihaljević, Milivoj Puhlovski and Mladen Stilinović – founded the student cinema club Pan 69. He shot his first films Ostani na uglu (Stay on the Corner) and Sam si (You’re Alone) in 1970. That year, in a disco club, he met a high school student, Branka Stipančić, (the author of this text) and the two started a long-term relationship. With Pan 69 and his friends he performed the one and only happening entitled Majski i ostali rituali (May and Other Rituals) in Zagreb, in the Theatre ITD during the 24th May Festival of Yugoslav Student Theatre. The happening was stopped and censured while in progress due to political reasons. He also watched American underground films at Zagreb Genre Film Festival (1970), and admired films by Gotovac, Pansini, Petek, Kristl, Vukotić, Makavejev, Pavlović, Žilnik, Naško Križnar, Nuša and Srečo Dragan… He always visited exhibitions of the New Tendencies as well as those held at the Gallery of Contemporary Art. He was motivated by numerous events and translations of critical editions about film, historical avant-gardes, happening, conceptual art, philosophy of language and linguistic theories, which were available in former Yugoslavia in numerous journals such as Rok, Polja, Treći program, Delo, Filmske sveske, Književnost, in the book Mixed Media by Bora Ćosić, etc. He knew well the domestic art scene: the Slovene group OHO, works by Zagreb artists such as Goran Trbuljak, Sanja Iveković, Dalibor Martinis, Braco Dimitrijević and others, and their interventions in urban space. During Pan’s Days, held on a small stage of the Student Centre in Zagreb in 1971, Stilinović showed his films Panika (Panic), Ja volim ljude, a vi? (I Love People, How about You?), More i … (The Sea and …), and Ramenim tako bolno ceo smešan svet (Painfully Shouldering the Whole Funny World), all shot in the same year, and participated in the 6th Festival of Croatian Amateur Film in Zagreb.

Ivan Čizmek: Kuća Gorgona Član Novih tendencija, neformalni član grupe Gorgona, arhitekt Ivan Čizmek je šestedestih radio prijedloge i nacrte za kuću Gorgona. 2000-ih godina je napravio dva puta po dva printa (iz dvije perspektive). Print je napravljen na 250g papiru. Potpisano i datirano.

S potpisom Hermana Bollea iz 1883. godine. Fotografja (23x17cm) na kartonu (33x25cm). Kemijski laboratorij - Strossmayerov trg, Zagreb - Entwurf Fur Neue Chemische Laboratorium in Agram.

Dunja Zupančič & Dragan Živadinov: Mehatron Noordung Artist Book Vrlo luksuzno izdanje. Uvez platno. Grafičko oblikovanje LUKS Studio Tisak: Gorenjski tisk Mehatron Noordung : Zagrebački velesajam, 20.04.-30.04. 2004. / Zupančič, Živadinov ; [tekstovi Barbara Borčić, Marina Gržinić, Dragan Živadinov] ; [prijevod Sanda Dukić, Marin Beroš] Zagreb : Muzej suvremene umjetnosti, 2004 [90] str., [12] presavijenih listova a3 : ilustr. ; 28 cm Dragan Živadinov, one of the founders of Neue Slowenische Kunst (1985), founded Scipion Nasice Sisters Theatre in 1984 and in the years 1985–1986 directed a number of cult performances (Hinkemann, Marija Nablocka, Baptism Under Triglav). After the self-destruction of Scipion Nasice Sisters Theatre, the Red Pilot Cosmokinetic Theatre was founded in 1987, which evolved into the Noordung Cosmokinetic Cabinet.

Josip Vaništa - PostGorgona 15 Josip Vaništa - Izdavač: autorova vlastita naklada Zagreb 2010. Broj stranica: 30 Format: 31x22 cm Uvez: meki s klapnom Numerirano i potpisano 29 / 100. Design Paško Mravičić. Fotografije Miljenko Bernfest, Žarko Vijatović, Eugen, Nives Gajdobranski, Branko Gavrin, Miljenko Horvat