Bruno Munari: the MC 1 Architecture Box
Originally produced in 1945, the MC 1 Architecture Box - New Edition contains a series of “bricks” of different shapes. Put together differently, you can make any number of buildings, from houses to churches, ancient castles to modern garages, hotels, skyscrapers, factories, towers, aqueducts, temples, stations, hangars, pile dwellings, houses with porticoes, balconies, terraces, and so on.
The attached booklet contains over sixty examples which can be multiplied by the imagination of whoever is playing with them, just some of the infinite constructions that can be build.
The MC 1 Architecture Box - New Edition is made of cardboard. This new edition features “bricks” made of unhewn beechwood.
Dimension: 43.0 x 13.0 cm
Languages: Italian and English texts
1st edition: 10/2018
Edition: 10/2018
Corraini Editions, Mantova / Italy
Dvostruka knjiga / Double Book: Vladimir Gudac i Josip Stosic, 1977. Urednik Božo Bek. Grafički urednik/Lay out i fotografije Vladimir Gudac. Prijevod Micheline Popović. Direktor Radoslav Putar. Knjiga je tiskana kao učešće na manifestaciji T6 (Tendencije
Artist's book. Vladimir Dodig Trokut: Joseph Beuys - John Cage - V.D.T. Anti Muzej, Hrvatska - Muzej opsesija, 2013. Novi svesci br. 1. Tekst Darko Schneider. Tekst biografija Željko Ivanjek. Prijevod na engleski Borivoj Radaković.
Željko Kipke, vlastita naklada, Zagreb 1981. godine. Tiraž 100 komada, na naslovnici i prvoj stranici ispisano rukom. Zeljko Kipke, Zagreb, 1981. Saddle Stich. Book Condition: very Good. No Jacket. 100 Copies. Contributors: Zeljko Kipke, Darko Simicic, An
Radomir Damnjanović - Slike - Salon muzeja savremene umetnosti, Beograd 1970. godine.
Radomir Damnjanović Damnjan (Serbian Cyrillic: Радомир Дамњановић Дамњан, Mostar, 10 December 1935) is a Serbian painter and conceptual artist. He lives and works in M
MoMa - Gudac's book presents a series of his photographs that are coupled with colloquialisms, short statements and observations. Vladimir Gudac. Unatoč činjenici= Despite the fact. Galerija suvremene umjetnosti, 1977.Izvrsno dizajniran, zanimljiv rijetki
Likovna oprema Duško Kirćanski. Grafička oprema Nenad Čonkić. Objavljeno troškom autora. Ilustrirana poezija, lijepo i zanimljivo izdanje iz 1979. godine.
Braco Dimitrijević: His Pencil's Voice / Njegove olovke glas
B/W photos Sven Stilinović & Fedor Vučemilović
Galerija SC & Muzički salon Teatar ITD,
Zageb, 1973.
No sleeve / wrap. Only "record"
In very fine codition. Very very rare.
Originalna pozivnica / fotografija za; izložba - akcija 25.10.1975. godine na Trgu Republike u Zagrebu.
Boris Demur, Željko Jerman, Vlado Martek, Mladen Stilinović, Sven Stilinović, Fedor Vučemilović.
A3 / Grupa za akciju i anonimnu atrakciju
Grupa izvodi akciju i anonimnu atrakciju u Zagrebu, u utorak, 27.06.1972.
Galerija Studentskog centra, Zagreb
Letak 24x30 cm
Grupu čine: Dobrivoje Petrović, Nenad Petrović, Jugoslav Vlahović, Rista banić, Slavko Timotijević, Mladen Jevdjović i nitko više
Antun Maračić:
Ispražnjeni okviri / Iščezli sadržaji, 1991.-2017.
Emptied frames/Vanished contents, 1991-2017
(ponovljeni rad iz 1991-1994 / remake of the work of 1991-1994
stalni postav neizvjesnog trajanja; stanje nakon akcije nepoznatog devastatora - nehotičnog "suradnika
permanent display, duration uncertain; the state after the action of an unknown devastator - inadvertent "associate"
Pet razglednica 16x10,5cm
Tri generacije beogradskih graditelja
Odnos prema nasljeđu
Beograd, 1984.
Likovna mapa
Etui sa pet grafičkih listova:
Aleksandar Deroko
Bogdan Bogdranović
Grupa MEČ:
Mustafa Musić
Stevan Žutić
Slavko Matković: Ich Bin Kunstler
Subotica, 1989.
Tekstovi na srpskom i mađarskom jeziku Ješa Denegri i Balint Szombathy
Dizajn: Art Lover
21,5x20cm
12pp
Novine Galerije Studentskog centra 49
Zagreb, 1974.
42 x 29,5 cm
Novine izdaje: Galerija Studentskog centra, Zagreb, Savska 25, Studentski centar Sveučilišta u Zagrebu; dizajn novina: Željko Borčić; Fotografije: Željko Stojanović i Enes Midžić; novine su tiskane u 600 primjeraka; tisak: Grafički srednjoškolski centar, Zagreb; za novine i galeriju odgovara: Želimir Koščević; suradnici: Vladimir Gudac, Darko Glavan, Želimir Koščević, Slavko Timotijević, prijevod na engleski: Ann Kramer-Borčić; Braco Dimitrijević, Beuys, Miroslav Krleža, Robert Davidson, Bruno Munari, Oskar Herman, Jan Dibbets, Viktor Papanek, Daniel Buren
Izgled / Juni 77
Srećna nova umetnost, Beograd, 1977.
Urednik Vladimir Jovanović
15x35 cm
The first announcement of a Kozmetika concert appeared in June 1977, on the back cover of Izgled magazine. The author of that magazine, as well as of the name of the group, was painter Vladimir Jovanović, one of many visual artists who tried themselves out as R’n’R musicians. Explaining the name of the band, he spoke about a visual art technique he invented himself – painting with face powder and lipstick. Izgled was a fanzine, self-published, but it was completely different from the punk fanzines made in those days. It looked like Warhol’s Interview, and was under the strong influence of David Bowie’s aesthetics. Kozmetika was the other face of Izgled, and its members were Marko Pešić, Saša Nikolić, Goran Vejvoda and Slobodan Konjović. Since they were without a formal musical education, they began to work within a band context in order to gain musical experience and investigate the potential of mutual communications through playing in the band. They had no pretentions to great careers, and no desire to be stars in the eyes of the audience – they were already that in their own eyes, even before they started playing. They made only one record, which they worked on for three years.
Izgled / Maj 78
Galerija suvremene umjetnosti, Zagreb, 1978.
Urednici Vladimir Jovanović i Marko Pešić
32x45 cm
The first announcement of a Kozmetika concert appeared in June 1977, on the back cover of Izgled magazine. The author of that magazine, as well as of the name of the group, was painter Vladimir Jovanović, one of many visual artists who tried themselves out as R’n’R musicians. Explaining the name of the band, he spoke about a visual art technique he invented himself – painting with face powder and lipstick. Izgled was a fanzine, self-published, but it was completely different from the punk fanzines made in those days. It looked like Warhol’s Interview, and was under the strong influence of David Bowie’s aesthetics. Kozmetika was the other face of Izgled, and its members were Marko Pešić, Saša Nikolić, Goran Vejvoda and Slobodan Konjović. Since they were without a formal musical education, they began to work within a band context in order to gain musical experience and investigate the potential of mutual communications through playing in the band. They had no pretentions to great careers, and no desire to be stars in the eyes of the audience – they were already that in their own eyes, even before they started playing. They made only one record, which they worked on for three years.
Lijepi, bogato ilistrirani katalog Juraj Dobrović, Julije Knifer i Vjenceslav Richter - XI bienal de Sao Paolo, octobar - november 1973. Introduction Radoslav Putar. Fotografije Mitja KOman. Printed in GZH. Editor Božo Bek. Layout Željko Škeljo.