ART

Manifesti: noart. Zagreb: Atelier Tošo Dabac, 1978. White. Invitation catalogue. 13x17cm 4pp Silkprint on paper. Published on the occasion of the exhibition at ATD, Zagreb, 1978. Artist's edition. Dimitrije Basicevic Mangelos (1921-1987), - a member of avangarde group Gorgona and participated in the Nove tendencije movement. Very rare.

Josip Vaništa - PostGorgona 14/2008 Josip Vaništa - Izdavač: autorova vlastita naklada Zagreb 2008. Broj stranica: 30 Format: 31x22 cm Uvez: meki s klapnom Numerirano i potpisano 46 / 100. Grafičko oblikovanje Josip Vaništa i Paško Mravičić. Fotografije Luka Filipović, Nives Gajdobranski, Željko Košćević, Tomislav Pernar, redakcija NIN, Žarko Vijatović.

Rok 2 - časopis za književnost i estetičko ispitivanje stvarnosti. Urednik Bora Ćosić, Beograd 1969. godine. Časopis je uvršten u prestižno izdanje MIT pressa Artists' Magazines - An Alternative Space for Art By Gwen Allen First edition, published in B

S potpisom Hermana Bollea iz 1883. godine. Fotografja (23x17cm) na kartonu (33x25cm). Kemijski laboratorij - Strossmayerov trg, Zagreb - Entwurf Fur Neue Chemische Laboratorium in Agram.

Pan 69. Okupljanje grupe kod Mladena Stilinovića Original fotografija. Autor fotografije Mišo Budisavljević, jedan od nagrađenih autora na Geff '69 Zagreb, 1969. Sitotisak / Silkscreen 50x70cm Pan 69. Mladen Stilinović: "Together with Milivoj Puhovski, Degenek and Boris Bata we formed the student film club Pan 69. Through the Union of Socialist Youth we received some funds to buy the necessary equipment and start making films. At first Pan 69 had six or seven members. The first film produced by Pan was Miša Budisavljević's film in 1969, which was screened at GEFF. Pan 69 held film screenings in Zagreb and Belgrade: at the Zagreb Cinema Club Pan 69 had regular nights, as it did in Belgrade at the SKC (Students Cultural Center)." (from Ana Janevski's interview with Mladen Stilinović, unpublished) At the beginning, like many young people, Stilinović wrote poetry, and published some of it in the literary journal Republika. But since his interests were more in the direction of film, with his friends in 1969 he founded the group Pan 69, which was a student cinema club. In order to get hold of film stock and the equipment necessary for making films, this was the only way at that time. Some of the first films were shown at amateur film festivals, but they were fairly different from the production that could be seen there, and so he was invited to places more adapted to his idiom, where the focus was on contemporary visual art. (Branka Stipančić) In 1969 a group of friends – Boris Barta, Mišo Budisavljević, Branko Degenek, Ninoslav Lovčević, Krsto Mihaljević, Milivoj Puhlovski and Mladen Stilinović – founded the student cinema club Pan 69. He shot his first films Ostani na uglu (Stay on the Corner) and Sam si (You’re Alone) in 1970. That year, in a disco club, he met a high school student, Branka Stipančić, (the author of this text) and the two started a long-term relationship. With Pan 69 and his friends he performed the one and only happening entitled Majski i ostali rituali (May and Other Rituals) in Zagreb, in the Theatre ITD during the 24th May Festival of Yugoslav Student Theatre. The happening was stopped and censured while in progress due to political reasons. He also watched American underground films at Zagreb Genre Film Festival (1970), and admired films by Gotovac, Pansini, Petek, Kristl, Vukotić, Makavejev, Pavlović, Žilnik, Naško Križnar, Nuša and Srečo Dragan… He always visited exhibitions of the New Tendencies as well as those held at the Gallery of Contemporary Art. He was motivated by numerous events and translations of critical editions about film, historical avant-gardes, happening, conceptual art, philosophy of language and linguistic theories, which were available in former Yugoslavia in numerous journals such as Rok, Polja, Treći program, Delo, Filmske sveske, Književnost, in the book Mixed Media by Bora Ćosić, etc. He knew well the domestic art scene: the Slovene group OHO, works by Zagreb artists such as Goran Trbuljak, Sanja Iveković, Dalibor Martinis, Braco Dimitrijević and others, and their interventions in urban space. During Pan’s Days, held on a small stage of the Student Centre in Zagreb in 1971, Stilinović showed his films Panika (Panic), Ja volim ljude, a vi? (I Love People, How about You?), More i … (The Sea and …), and Ramenim tako bolno ceo smešan svet (Painfully Shouldering the Whole Funny World), all shot in the same year, and participated in the 6th Festival of Croatian Amateur Film in Zagreb.

Tiskano u 50 numeriranih primjeraka, s potpisom autora. Poezija. Prijevod na talijanski jezik Dubravko Pušek. Ovo je primjerak broj 11. Tiskano na finom papiru.

S potpisom autora. Poema, napisana 1956. godine, a objavljena, u 200 primjeraka, u vlastitoj nakladi 1962. godine. Strojni slog - Grafički zavod Hrvatske. Tisak - Školska zadruga Jordanovac. Oprema Tomislav Radić. Neobičnog formata - 16.5x9.5, sa stranica

Grafički zavod Hrvatske i Galerija SC, Zagreb 1973. godine. Knjiga umjetnika NE! ili “Igre odraslih”. Uključuje poster 42x28cm. Roman Cieslewicz - jedan od najznačajnijih i najutjecajnijih dizajnera druge polovice 20. stoljeća, čije su retrospektive pri

Kabinett für aktuelle Kunst, Bremerhaven, Germany. 1976. Artist’s book. Black and white. Wrappers. Staple bound. Edition of 500. Very good minus condition. Creasing at crown of spine. Sunning along spine. Pages sunned. 8.25 x 11.75”. Unpaginated. 20 pages

Mangelos: Fenomen Picasso Pozivnica / katalog Novi Sad, Tribina mladih 17.-30.04.1972. Katalog i plakat Mangelos Štampa: Prosveta, Novi Sad Klišea: Forum, Novi Sad Urednici galerije: Csernik Attila, Mirko Radojičić, Biljana Tomić

Artist Book / Art Work Gorana Trbuljaka iz 2005. godine. S potpisom, datirano. Meki uvez s klapnom, 17x16cm. Predgovor na separatnom dijelu (talijanski i hrvatski jezik) Darko Glavan. Cittanova, Novigrad 2005. Fotografije Goran Trbuljak. Oblikovanje Đanin

Vrlo rijetko u ponudi. Katalog za prvu samostalnu izložbu Mladena Stilinovića - Ruka kruha, Galerija Nova, Zagreb 1976. godine. Uključuje i pozivnicu za izložbu, vlastoručno adresiranu od M.S. za M.B. Predgovor Nena Baljković. Design Mladen Galić.

Knjiga GEFFa 63/1 Mihovil Pansini, urednik Likovna oprema Mihajlo Arsovski. 230pp 12x23cm Zagreb 1967. GEFF, Genre Experimental Film Festival, was international experimental film festival organized from 1963 to 1970 in Zagreb, Croatia. GEFF was established after a series of debates between experimental filmmakers held at the Kino Club in Zagreb entitled “Anti-film and Us,” which was led by Mihovil Pansini, leading experimental film author. Anti-film was a type of film that was more focused on the pure acts of research and discovery, delving into its self-reflexive media language rather than any expression or communication happening between artist and viewer. Anti-film represented a radical annihilation of conventional film, its elements, principals and structure. GEFF became a worldwide locus for non-professional and experimental filmmakers. Izvor: Avantgarde museum, Zagreb

Katalog prve retrospektivne izložbe grupe Gorgona. Galerije grada Zagreba 1977. godine. Predgovor na engleskom i hrvatskom jeziku Nena Dimitrijević. Uključuje i faksimil pozivnice Izvolite prisustvovati. Stamje - odlično.

Jesus Rafael Soto Galerija suvremene umjetnosti Zagreb, 19. 6. - 23. 8. 1970. Serigrafija - Brano Horvat. Oblikovanje - Ivan Picelj. Format 20x21

Publikacija (dvojezična: hrvatski i engleski jezik) povodu samostalne izložbe i akcije u Galeriji suvremene umjetnosti 14.10.1974. godine. Marina Abramovic. Gallery of Contemporary Art. Zagreb, Croatia. 1974.

Belgrade. Formal/Informal: A Research on Urban Transformation ETH Studio Basel Contemporary City Institute [Editor] By Roger Diener, Marcel Meili, Christian Mueller Inderbitzin Scheidegger and Spiess, 2012. Hardcover Design Ludovic Balland. ETH Studio Basel, an institute of urban research, undertakes projects that explore the evolution of the contemporary city, looking specifically at how cities transform over time and interact with material space. Belgrade. Formal / Informal presents the fascinating findings of ETH Studio Basel’s research in the former Yugoslavian and now Serbian capital, investigating in particular the city’s development following the international embargo against the Milosevic regime after the Yugoslavian wars of separation in the 1990s until the present day. This richly illustrated book explores in depth how Belgrade has changed throughout years of upheaval and economic shortage. It shows the result of the interplay between guided and accidental urban planning and construction and the varied architecture that has emerged from this. In essays by architects and urban planners, Belgrade is presented as an example of how contemporary cities develop in an increasingly global community. Of interest to architects and planners, Belgrade. Formal / Informal provides a model of how cities spatially adapt to the constantly expanding needs of their inhabitants.

Matko Meštrović: Od pojedinačnog općem Prvo izdanje. Od utemeljitelja Gorgone i Novih tendencija. Mladost, Zagreb 1967. Tvrdi uvez s ovitkom. 12,5x17,5cm 364pp Naslovnica: Francois Morellet - Sphere-trames U vrlo korektnom antikvarnom stanju, minimalna oštećenja ovitka.

Attila Csernik i njegovo vreme S potpisom umjetnika na naslovnici Naklada 200 21x21cm

Ivana Pegan Baće: Mindness 2017. vinil 7 inch sa knjigom Multimedijalna umjetnica Ivana Pegan Baće u svom radu koristi jezik, pismo, govor i glas izražavajući se u medijima umjetničke knjige, poetskih objekata te audio i video radova. Kako kroz dnevničke zapise, fragmentarne tekstove, poeziju, kratke priče i gramatičke pitalice tako i kroz vizualne i zvučne radove ( spoken word ) vlastitim glasom ispituje načine na koje se subjekt konstituira, usredotočujući se na emocionalni, mentalni i glasovni potencijal prekoračivanja društvenih konvencija i ustaljenih granica. Ivana Pegan Baće diplomirala je 1996. na kiparskom odsjeku Akademije likovnih umjetnosti u Zagrebu. Članica je HZSU, HDLUDU i ARL. Od 1998. živi i radi u Dubrovniku. Od 2014. voditeljica je Galerije Flora Hrvatskog društva likovnih umjetnika Dubrovnik. 7 inch vinyl

Ivana Pegan Baće: Srce tame / Dnevnik br. 1 Heart of Darkness / Diary no.1 2018/19 2/50 samizdat. signed Artist Book 20,5x14,5 Multimedijalna umjetnica Ivana Pegan Baće u svom radu koristi jezik, pismo, govor i glas izražavajući se u medijima umjetničke knjige, poetskih objekata te audio i video radova. Kako kroz dnevničke zapise, fragmentarne tekstove, poeziju, kratke priče i gramatičke pitalice tako i kroz vizualne i zvučne radove ( spoken word ) vlastitim glasom ispituje načine na koje se subjekt konstituira, usredotočujući se na emocionalni, mentalni i glasovni potencijal prekoračivanja društvenih konvencija i ustaljenih granica. Ivana Pegan Baće diplomirala je 1996. na kiparskom odsjeku Akademije likovnih umjetnosti u Zagrebu. Članica je HZSU, HDLUDU i ARL. Od 1998. živi i radi u Dubrovniku. Od 2014. voditeljica je Galerije Flora Hrvatskog društva likovnih umjetnika Dubrovnik.

Puste riječi ( Deserted words ) Dubrovnik, 2016 Edicija Knjige umjetnika izdavač Art Radionica Lazareti, Dubrovnik Artist Book 15x21cm

Mladen Stilinović: Eksploatacija mrtvih Zagreb, 1988. Galerija proširenih medija, Zagreb Xerox 29.5x21 Pozivnica/ letak za otvorenje izložbe Mladena Stilinovića - Eksploatacija mrtvih 1984-88.