Publikacije & katalozi

Hrvatska / zemlja ljepote : Kroaten / Land der Schonheit Autor August Frajdić. Suradnik Josip Horvat Fotografska monografija. August Frajtić: Hrvatska zemlja ljepote. 31 list tekst; 48 fotografija; tabela s popisom ilustracija i fotografa. (Ernest Cuvaj, Tošo Dabac, Dušan Frković, Mladen Grčević, Ignajt Habermuller, Margareta Komzak, Božidar Krznariž, Radoslav Lorković, Milan Moravec, Maksimilijan Paspa, Tedor Paspa, Zlatko Speis, Edmund Stoger, Marijan Kirasić, EugenTrišler. U knjizi su predstavljene četri fotografije Mladena Grčevića: Kamenita vrata u Zagrebu, Trg pred prvostolnom crkvom, Grad Veliki Tabor u Hrvatskom zagorju, Zalaz sunca za Učkom, Istra.

Pero Dabac, Marija Braut, Tošo Dabac, Enes Midžić. Četriri iznimno rijetka, lijepa i zanimljiva kataloga za izložbu Tošo Dabac und sein atelier. Mannhaim, 1972. godine. Neobičnog formata 12x24 cm, iznimnog dizajna i kvalitete, tiskano u Grafičkom zavodu H

Vlastita naklada iz 1952. godine. Uvod, istorijski deo, novi pravci, savremena bezornamentalna arhitektura, pokreti u slikarstvu i njihov uticaj na razvoj arhitektonske misli. Stanje - antikvarno odlično.

Novine Galerije Studentskog centra 49 Zagreb, 1974. 42 x 29,5 cm Novine izdaje: Galerija Studentskog centra, Zagreb, Savska 25, Studentski centar Sveučilišta u Zagrebu; dizajn novina: Željko Borčić; Fotografije: Željko Stojanović i Enes Midžić; novine su tiskane u 600 primjeraka; tisak: Grafički srednjoškolski centar, Zagreb; za novine i galeriju odgovara: Želimir Koščević; suradnici: Vladimir Gudac, Darko Glavan, Želimir Koščević, Slavko Timotijević, prijevod na engleski: Ann Kramer-Borčić; Braco Dimitrijević, Beuys, Miroslav Krleža, Robert Davidson, Bruno Munari, Oskar Herman, Jan Dibbets, Viktor Papanek, Daniel Buren

Lijepi, bogato ilistrirani katalog Juraj Dobrović, Julije Knifer i Vjenceslav Richter - XI bienal de Sao Paolo, octobar - november 1973. Introduction Radoslav Putar. Fotografije Mitja KOman. Printed in GZH. Editor Božo Bek. Layout Željko Škeljo.

Monografija o Vjenceslavu Richteru. Dvojezično izdanje, hrvatsko - englesko. Iz pera Vere Horvat Pintarić, iznimne pozavateljice povijest

Lijepo dizajnirani katalog za nastup Vjenceslava Richtera - Richter - 36. Bienalle di Venezia iz 1972. godine. Richter je sudjelovao zajedno sa Dušanom Otaševićem i Vladimirom Veličkovićem. Urednica Irina Subotić. Tekstovi na engleskom i talijanskom jezik

Vrlo rijetko u ponudi. katalog 19,5x29,5 koji se rastvara u plakat 39x59 cm. XVI Sao Paulo Biennial: Video from Yugoslavia Museu de Arte Moderna, 1981. Predgovor na engleskom jeziku Davor Matičević. Stanje - odlično

Izgled / Juni 77 Srećna nova umetnost, Beograd, 1977. Urednik Vladimir Jovanović 15x35 cm The first announcement of a Kozmetika concert appeared in June 1977, on the back cover of Izgled magazine. The author of that magazine, as well as of the name of the group, was painter Vladimir Jovanović, one of many visual artists who tried themselves out as R’n’R musicians. Explaining the name of the band, he spoke about a visual art technique he invented himself – painting with face powder and lipstick. Izgled was a fanzine, self-published, but it was completely different from the punk fanzines made in those days. It looked like Warhol’s Interview, and was under the strong influence of David Bowie’s aesthetics. Kozmetika was the other face of Izgled, and its members were Marko Pešić, Saša Nikolić, Goran Vejvoda and Slobodan Konjović. Since they were without a formal musical education, they began to work within a band context in order to gain musical experience and investigate the potential of mutual communications through playing in the band. They had no pretentions to great careers, and no desire to be stars in the eyes of the audience – they were already that in their own eyes, even before they started playing. They made only one record, which they worked on for three years.

Izgled / Maj 78 Galerija suvremene umjetnosti, Zagreb, 1978. Urednici Vladimir Jovanović i Marko Pešić 32x45 cm The first announcement of a Kozmetika concert appeared in June 1977, on the back cover of Izgled magazine. The author of that magazine, as well as of the name of the group, was painter Vladimir Jovanović, one of many visual artists who tried themselves out as R’n’R musicians. Explaining the name of the band, he spoke about a visual art technique he invented himself – painting with face powder and lipstick. Izgled was a fanzine, self-published, but it was completely different from the punk fanzines made in those days. It looked like Warhol’s Interview, and was under the strong influence of David Bowie’s aesthetics. Kozmetika was the other face of Izgled, and its members were Marko Pešić, Saša Nikolić, Goran Vejvoda and Slobodan Konjović. Since they were without a formal musical education, they began to work within a band context in order to gain musical experience and investigate the potential of mutual communications through playing in the band. They had no pretentions to great careers, and no desire to be stars in the eyes of the audience – they were already that in their own eyes, even before they started playing. They made only one record, which they worked on for three years.

Vladimir Kopicl & Ana Raković Telo umetnika kao subjekt i objekt umetnosti Body Art Antologija Likovni salon tribine mladih - Novi Sad, 1972. 21,5 X 30 cm Materijal preuzet iz Avalanche, New York, / katalog `Dokumenta 5` Kassel i časopis Problemi, Ljubljana

Izlozba : Petar Dobrović, Risto Stijović, Nikola Dobrović Beograd, 09.11.1930. Beograd, Planeta, 1930. Dobrović, Petar, -- 1890-1942 -- Slikarstvo Stijović, Risto, -- 1894- -- Vajarstvo Dobrović, Nikola, -- Arhitektonsko projektovanje 18] str. : ilustr. ; 23 cm. Iznimno rijetko. Konstruktivistička naslovnica

Cijeli časopis oblikovan kao kuverta. Broj 176. koji nije ni bio u redovnoj prodaji, već je maji dio bio distriburiran suradnicima u špalti / tiskarskom slogu. Vidici su bili ti koji su (osim što su davali važnost stripu) u Srbiji eksperimentisali sa v

Signalizam - katalog izložbe u Galeriji suvremene umjetnosti 1974. godine. Urednik Božo Bek. Predgovor Miroljub Todorović. Plakat Mihajlo Arsovski.

The Chronotope of Croatian Performance Art: from Traveleri to the Present Day (Kronotop hrvatskoga performansa: od Travelera do danas) covers the life of performance art in Croatia from two standpoints: the avant-garde from the early 1920s (e.g. the group

Luskuzno 3D izdanje, platneni pa tvrdi spiralni uvez + kutija.

Vlado Kristl (1923. - 2004.) jedan je od najsvestranijih, najintrigantnijih i najutjecajnijih hrvatskih umjetnika druge polovice dvadesetog stoljeća. Njegov vrlo zanimljiv i kvalitetan umjetnički opus javnost i kritika nerijetko su pratili kroz prizmu got

Gera Urkom - Izložba - GSU Zagreb 1981.

Vojin Bakić - katalog za izložbu u Gradskoj galeriji suvremene umjetnosti Zagreb, 1958. Djela nastala između 1953. i 1958. godine. Uvod: Milan Prelog, Olga Jevrić, Radoslav Putar, Grgo Gamulin, Mića Bašičević Mangelos, Josip Depolo i Kosta Angeli Radovani

Plakat / katalog - Vladimir Dodig Trokut - amuketi čini arkane, Galerija suvremene umjetnosti, Zagreb 1980. godine. Predgovor marijan Susovski. Fotografije Fedor Vučemilović. Dokumentacija Ksenija Pavlinić. Plakat 42x62cm Stanje - odlično

Damnjan 1970-1980. Galerija suvremene umjetnosti, Zagreb 1981.

Plakat / katalog; Mio Vesović - Rosebud (pupoljak). Izložba iz 1985. godine. Predgovor na engleskom i hravtskom jeziku Davor matičević. Urednik Mladen Lučić. Format 23x30, rastvoren kao plakat 46x60. Stanje - odlično.

Aspects 75 - Contemporary Yugoslav art presented by Richard Demarco Gallery. Catalogue designer Boris Bućan. Foreword Radoslav Putar, Marijan Susovski, Richard Demarco, Ješa Dengri, Aleksander Bassin.

Ivan Picelj. Ivan Picelj. Galleria del Cavallino, Venezia, 27 agosto- 26 settembre 1969 Exhibition document 3-panel folder ( =5 pages) 7 13/16 x 7 1/2″ / 20 x 19 cm Contains an untitled text by Bozo Bek and biographic note. 3 illustrations Small supe