Milan Dobeš (1929, Přerov) is a constructivist and kinetic artist. He studied at the Academy of Fine Arts in Bratislava.
participating in NT 4—Latest Examples of Research: Tendencije 4, / Nove tendencije 4 /Tendencies 4, /New Tendency 4 Zagreb, 1969.
Dobeš created dynamic constructivist works, in parallel with the international movement of this tendency by exponents such as Le Parc, Morellet and Soto; took part in formative international exhibitions such as Kunst-Licht-Kunst (Eindhoven, 1966), Konstruktive Tendenzen (Nürnberg, 1968) and New Tendencies 5 (1973), as well as the Documenta 4 exhibition in Kassel; and which did not go unnoticed by the leading critics and theorists of the day (those writing on Dobeš's work include F. Popper, U. Kultermann and O. Bihalji-Merin).
In 1971, Dobeš toured the United States with his lumino-dynamic programme accompanying American Wind Symphony Orchestra performances of T. Mayazumi and Krzysztof Penderecki.
Silkscreen, ed. 70/100, Grafika Séria 7/P, in original cardboard folder
Signed and dated in pencil lower right and numbered lower left
Silkscreen and collage, ed. 98/200, Kolàz Séria 12/B, with original cardboard folder
14,5 x 14,5 cm
Signed in pencil lower right, numbered lower left and dated lower center
Signed on the folder
Lijepi, atraktivan plakat Društva prijatelja dubrovačke starine iz 1972. godine. Plakat je rađen povodu predavanja dr. Cvite Fiskovića. Tema: Značaj dubrovačkih ljetnikovaca u našoj umjetnosti, književnosti, i u svijetu. U vrlo dobrom stanju, presavijan,