EXAT 51 & Nove tendencije

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herman de vries: wit is overdaad

herman de vries: [wit is overdaad] 1st edition numbered 120 copies published by herman de vries : Arnhem 1960 artists' book with 20 white pages in folder, stapled dimensions: 13.5 × 10.5 cm In very fine condition the first book by herman de vries appeared in 1960. 'book' may be a big word for this small format booklet of a few sheets, bound with two staples and, surprisingly, without print. no title on the cover, it is blank too. on the colophon page only a few words are printed, in very pale ink and in four languages, like a poem: 'wit / wit is overdaad / blanc est surabondance / white is superabundance / weiss ist übermässig / wit / wit / wit is overdaad'. one might say that this book is at the same time an end and a beginning. it constitutes the end of the work of a scientist soon to renounce the study of nature and who has just announced this by renaming the offprints of a personal scientific publication 'manifest of castrated reality'. it also marks the final point of his parallel work as a painter, related to the abstract movement 'zero'. from 1956 herman de vries has been making monochrome paintings and from 1959, white paintings. [source: Anne Moeglin-Delcroix, 'beyond language', in herman de vries. les livres & les publications (saint-yrieix-la-perche 2005) 29]
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Luis Tomasello

Luis Tomasello Lumiere noire medium: wood and plastics period: 2011 signature: in marker at the back edition 60 size: 40cm x 40cm x 4cm (15.7” x 15.7” x 1.6”)
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Gregorio Vardanega

Gregorio Vardanega box Boite à cercles de couleurs Plexi. Year: 1970. Signed by autor / at the back 13/15 Edition 15 Size: 35cm x 35cm x 12cm (13.8'' x 13.8'' x 4.7'') Condition: perfect Gregorio Vardanega (1923-2007) was an artist of Italian origins who worked in Argentina and France. Vardanega and Martha Boto, his companion, created the term "chromocinetism" to describe their artistic research. Vardanega was born in Possagno, Italy. Vardanega's family migrated to Argentina when he was three years old. He attended the Escuela Nacional de Bellas Artes in Buenos Aires from 1939 to 1946. Participating on New Tendencies 2 and New Tendencies 3. Zagreb, 1963. & Zagreb, 1965.
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Marina Apollonio

Marina Apollonio Dinamica Circolare 6B Ruotato – Vertigo wood and turning circle period: 1968-2020 signature: handsigned at the back edition: 20 size: 42cm x 42cm (16.5” x 16.5”)
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Alberto Biasi: Torsioni Sovrapposte

Alberto Biasi: Torsioni Sovrapposte Noir Multiple: wood and pvc lamellae 2016. Signature engraved by the artist Edition 15 Size 52cm x 51cm x 10cm (20.5'' x 20.1'' x 3.9'') Condition perfect condition
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Ivan Picelj: Tendencije 4 (I)

Ivan Picelj: Tendencije 4 49,5x97cm High Quality Screen Print / visokokvalitetan sitotisak Atelier Brane Horvat (Studio S) Tendencije 4, Kompjutori i vizuelna istraživanja - Tendency 4, Computer and Visual Research. Informational exhibition featuring computer graphics and programmed works, Centar za kulturu i informacije [Center for Culture and Information], Zagreb, 2–8 August 1968. Crna podloga, grafičko rješenje čini raster krugova i kružnica u tisku srebrnosive boje. Donji dio plakata: naziv izložbe paralelno na hrvatskom i engleskom jeziku, ispod 4 bloka informativnih tekstova odijeljenih okomitim linijama, sve bijele boje. Participating artists Kurd Alsleben and Cord Passow (DE), Ars intermedia (Otto Beckmann (RU/AT), Alfred Grassl (AT)), Vladimir Bonačić (YU-CR), California Computer Products (Kerry Strand, Larry Jenkins, Doyle Cavin, Dee Hudson, Jane Moon) (US), Compos 68 (Jan Baptist Bedaux, Jeroen Clausman, Arthur Veen) (NL), Waldemar Cordeiro (IT/BR), Charles Csuri (US), Darel D. Eschbach (US), Willam Allan Fetter (US), Alan Mark France (UK), David R. Garrison (US), Jens Harke (DE), Leon D. Harmon and Kenneth C. Knowlton (US), Hiroshi Kawano (JP), Auro Lecci (IT), Robert Mallary (US), Gustav Metzger (DE/UK) (with D. E. Evans, Beverly Rowe and R. J. Stibbs (UK)), Leslie Mezei (HU/CA), Petar Milojević (YU-SR/CA), Frieder Nake (DE/CA), Georg Nees (DE), A. Michael Noll (US), Michael Palyka (US), Ivan Picelj (YU-CR), Rechenzentrum des Instituts Boris Kidrič, Vinča (YU-SR), Manfred Robert Schroeder (DE/US), Lloyd Quinton Summer (US), Alan Sutcliffe (UK), Zdeněk Sýkora (CS-CZ), Evan Harris Walker (US), Edward Zajec (IT/US).
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Vlado Kristl

Vlado Kristl Multiple Zagreb, 1961. Edition 10 Signed and dated 19x9 cm Framed 28x33 cm Acrylic and colored vibrant plastic foil
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Jesus Rafael Soto

Jesus Rafael Soto Lettre du Venezuela, 2001. Multiple Sculpture in cardboard and plastic. It is screenprinted on plastic. Signed and numbered at the back. Signature In Pencil Edition 280 Size 18cm x 11.5cm x 3cm (7.1'' x 4.5'' x 1.2'')
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Ivan Picelj: Knifer

Ivan Picelj: Knifer High Quality Screen Print / visokokvalitetan sitotisak 50x70 cm Galerija suvremene umjetnosti zagreb katarinin trg 2 24.11-13.12.1970. Bijela podloga, crni meandar. Gore tekst u tisku plave.
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Nove tendencije 1-5 (komplet)

Nove tendencije 1-5 (komplet) Komplet kataloga za Nove tendencije / Nova tendencija / Tendencije Zagreb, 1961/1973 Design Ivan Picelj Format 20x21 cm Iznimno rijetko u kompletu.
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Ivan Picelj: Nuova Tendenza 2

Nuova Tendenza 2 Design Ivan Picelj Plakat za talijansku izložbu Novih tendencija 2 Venecija / Venice 1963/64. Print: stamparia di Venezia
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Ivan Picelj: Tendencije 5

Plakat za izložbu Tendencije 5, Zagreb 1973. Design Ivan Picelj Silkprint / Sitotisak Tendencije 5 (Konstruktivna vizuelna istraživanja; Kompjuterska vizuelna istraživanja; Konceptualna umjetnost) - Tendencies 5 (Constructive Visual Research, Computer Visual Research, Conceptual Art). Exhibition, organized by the Galerija suvremene umjetnosti [Gallery of Contemporary Art], Zagreb. Tehnički muzej [Technical Museum], Zagreb, 1 June – 1 July 1973.
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Ivan Picelj: Srnec

Ivan Picelj - originalni plakat iz 1969. godine. High-quality Sitotisak / Silkscreen 50x70cm Aleksandar Srnec - Galerija suvremene umjetnosti, Zagreb, Katarinin trg 2 10.1-2.2.1969. Crna podloga, gore prezime autora zelenim. Raster od 8 sivih kružnicas upisanim ružičastim okomito i dijagonalno postavljenim nizovima koje čini5 međusobno spojenih kružnica. Između njih tekst bijelim. Autor: Ivan Picelj
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EXAT 51: Zagreb, 1953.

EXAT 51: Manifest EXAT 51: Manifest Zagreb, 1953. A4 obostran + Proglas ONIMA, povodom zagrebačke izložbe, pisan na pisaćem stroju. Zagreb, Dvorana Društva arhitekata Hrvatske, 18.02.-04.03.1953. + EXAT 51: Zagreb 1953. Iznimno rijetko. Zagreb, Dvorana Društva arhitekata Hrvatske, 18.02.-04.03.1953. Pozivnica za izložbu Exat 51: Kristl / Picelj / Rašica / Srnec Design Ivan Picelj Jednobojni tisak (tamnosiva) na bijelom papiru. 25x11cm Stanje - odlično.
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Ivan Picelj: A (Edition a) 4

A (Edition a) 4. Serigraphie Brano Horvat. Ivan Picelj, vlastita naklada, Zagreb 1964. Founded by the painter Ivan Picelj edition a represented the aesthetic and ideological positions of the international art momevent New Tendencies, which took root in Za Anti gravi graphitron
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EXAT 51: Beograd 1953.

EXAT 51: Manifest Beograd, 1953. Manifest objavljen prigodom izložbe Kristl / Picelj / Rašica / Srnec A4 Na dva lista A4, obostrano. Presavijan. Tekst Jure Kaštelan
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Bit International: Complete 1-9

The bit international journal was published as part of the activities of the New Tendencies movement. The objective of the editors was: “to present information theory, exact aesthetics, design, mass media, visual communication, and related subjects, and t
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Ivan Picelj: Galerija suvremene umjetnosti

Ivan Picelj: Galerija suvremene umjetnosti 50x70cm Zagreb, 1963. godine High Quality Screen Print / visokokvalitetan sitotisak Plakat za Galeriju suvremene umjetnosti. Plakat je izveden u 4 boje (crna, smeđa, plava i tamno plavo) na bijelom papiru. Podijeljen na dvije plohe, donja manja u tamno plavoj, gornja veća crne boje. Unutar veće plohe plavi kvadrat.
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Ivan Picelj: Oeuvre programmée

Ivan Picelj: Oeuvre programmée Denise René Gallery Paris, 1966. 50x65 cm High Quality Screen Print / visokokvalitetan sitotisak
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Ivan Picelj: Soto

Ivan Picelj: Soto Plakat za izložbu "Soto" Galerijia suvremene umjetnosti, Zagreb, 1970. godine. Sitotisak / Silkprint 50x70cm Plakat izveden u 3 boje na bijelom papiru (plava, crna, siva). Plakat je horizontalno podijeljen u 2 dijela. Veća, gornja površina pravokutnika je plave boje a u vrhu je upisano naziv izložbe i podaci. Donji sivi pravokutnik je manji, unutar njega se nalaze dva izdužena pravokutnika crno plave boje. I plavi i sivi pravokutnik uokvireni su crnom linijom. Jesús-Rafael Soto, Venezuelan-born French artist (born July 5, 1923, Ciudad Bolívar, Venez.—died Jan. 17, 2005, Paris, France), attached himself to avant-garde modernism immediately after World War II and by the late 1960s had become known as a leader in optical and kinetic art, with works that were remarkable for their illusions of sensory vibrations. He lived in Caracas before immigrating in 1950 to Paris. There his works were shown in a number of groundbreaking exhibits, notably in 1955 as part of the group “Le Mouvement” show, which included works by Marcel Duchamp and Viktor Vasarely. For Spiral with Red, the centrepiece of that exhibit, Soto used a layering effect on painted geometric shapes that had an illusory effect on viewers as they passed by. Soto’s experiments with the perception of movement led him to build much larger sculptural works that invited viewers to walk through, beginning with his Pénétrables series. He constructed enormous outdoor exhibits, some of which were public commissions. Soto exhibited widely in Europe, particularly from the mid-1960s to the mid-1970s, when he was at the peak of his career. He remained active into the 21st century.
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Ivan Picelj: Tadeusz Szymański

Ivan Picelj: Tadeusz Szymański Muzeej za umjetnost i obrt Zagreb, 1963. godine 50x71 cm High Quality Screen Print / visokokvalitetan sitotisak Atelier Brane Horvat / Studio S
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Ivan Picelj: Aleksandar Srnec

Ivan Picelj: Aleksandar Srnec Plakat za izložbu Galerija suvremene umjetnosti Zagreb, 1971. godine High Quality Screen Print / visokokvalitetan sitotisak 50x70 cm Podloga u tisku ljubičaste, grafičko rješenje: kompozicija 3 kvadratapod raznimkutevima: zeleni, žuti i narančasti. Gornji dio plakata: lijevoinformacija, desno ime autora, oboje u tisku zelene.
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Ivan Picelj: Oblikovanje

Ivan Picelj: Oblikovanje Zagreb, 1963. godine High Quality Screen Print / visokokvalitetan sitotisak 50x70cm Plakat za izložbu "Oblikovanje" u MUO u organizaciji ULUPUH-a. Plakat je tiskan u 2 boje (crvena i cna) na bijelom papiru. Raster crnih vertikalnih linija, 2 crvena kvadrata, krug izveden rasterom.
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Ivan Picelj: Getulio Alviani

Ivan Picelj: Getulio Alviani Galerija suvremene umjetnosti Zagreb, 1962. godine High Quality Screen Print / visokokvalitetan sitotisak 50x70cm Grafičko rješenje: okomite nepravilne geometrijske forme u kombinaciji tiska sive i srebrnosive boje. Gornji i donji dio plakata: horizontalne svijetlosive plohe s tekstom u tisku tamnosive: gore ime autora, dolje informacija o izložbi.
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