ART IZDANJA

Maj 75 J iz 1982. godine. Ovu ediciju su pripremili Vlasta Delimar, Boris Demur, Željko Jerman, Vlado Martek i Sven Stilinović. The Group of Six Authors was established in 1975 in Zagreb, Croatia and was active until 1981. The Group's members were Željko

Izložbe - akcije 1975-1977, Grupa šestorice autora. Cefft - Centar za fotografiju, film i televiziju. 25.03. - 17.04. 1977. Uključuje rad Mladena Stilinovića i jednu intervenciju u tekstu. Artist's book. Urednik edicije Mangelos. Autori koncepcije i tekst

Mixed Media. Artist's Book. Unikat 1/1. Originalni radovi Marka Tadića. Artist's Book, iz 2009. godine - napravljen u notesu Journal, izrađenom četrdesetih godina dvadesetog stoljeća Notes je kupljen u Los angelosu, i prvih par stranica je bilo korišteno

Mixed Media. Unikat 1/1. Originalni radovi Marka Tadića. Artist's Book iz 2009. godine. Mixed Media. Unikat 1/1. Originalni radovi Marka Tadića. Artist's Book, iz 2009. godine - napravljen u notesu Journal, izrađenom četrdesetih godina dvadesetog stol

Artist's Book. Artist Edition for Exhibition, Galerija Dubrava, Zagreb January 1979. Postav izložbe Vlado Perović. Naklada 200 primjeraka.

Artist Book 21x29,5 cm Radna zajednice umjetnika Podroom, Zagreb 1979. Samostalna izložba Svena Stilinovića se održala 6. - 13. ožujka 1979. Povodom te izložbe autor je objavio katalog s replikama radova i tekst. U tekstu piše o "velikim" radovima i objašnjava što ih čini velikima (dimenzije, što neobičniji materijal, višeznačnost i slojevitost). Smatra da umjetnici koji rade "velika djela" znaju gdje ih treba prezentirati, a to nisu mali prostori nego oni većih dimenzija i velikog značaja. Na ovoj izložbi izložio je seriju tekstova na papiru i dvije kamene kocke dimenzija 1 x 1 x 1 m, naziva Skulpura 1 i Skulptura 2. Skulpturu 3 je postavio u park Ribnjak 1. ožujka 1979., pa je u katalogu objavio dvije fotografije spomenute skulpture.

Maj 75, broj Ć, 1979; Boris Demur, Željko Jerman, Vlado Martek, Mladen Stilinović, Sven Stilinović, Fedor Vučemilović, Željko Kipke, Zlatko Kutnjak, Antun Maračić 42,33 x 29,13 cm Maj 75 is in prestige list in Artists' Magazines: An Alternative Space for Art (The MIT Press) by Gwen Allen From 1978 to 1984, seventeen issues of “May’75” were published, each issue coded by letters of the alphabet. The magazine was produced by assembling individual works. The artists made their own pages on A4 paper and then bound them together into a magazine format. In addition to the original six, over fifty artists from Ex-Yugoslavia, Germany, Ex-Czechoslovakia, and Italy amongst other countries were invited to contribute their work to the magazine. Each issue including original art work, ready made artwork, ciclostile print work or silkscreen work, texts, concepts, projects, attitudes, ironical and political opinions, collages and photographs which lost almost nothing of their original quality when reproduced or multiplied. Pages were occasionally reproduced by screenprinting in the workshop of Željko Jerman and Vlasta Delimar. Most pages however, were hand-made. By repeating the same, simple and quickly executed work, the artist diminishes the significance of the original. Issues of “Maj’75” with their spontaneous use of available materials and technologies are obviously there to be used and handled, and although they are full of original works, there is nothing of a deluxe edition about them. “Maj’75”, financed by the artists themselves, was usually handed out for free during the exhibition-actions to other artists, friends, critics or passers-by. Later, when the Group of Six Artists no longer exhibited on the streets, distribution was usually managed through personal contacts and through mail. The magazine was never sold through bookstores or in galleries, not because its authors did not want this, but because it was impossible. Each private enterprise was met with countless obstacles in communist countries. “Maj’75” was thus completely unofficial. This had one advantage in that it avoided censorship, but also a drawback, in that the magazine remained little known outside a narrow circle. Branka Stipančić

Maj 75, broj C, 1979; Darivoj Čada, Jovan Čekić, Boris Demur, Željko Jerman, Vlado Martek, Željko Kipke, Mladen Stilinović, Sven Stilinović, Fedor Vučemilović 21 x 29,5 cm Maj 75 is in prestige list in Artists' Magazines: An Alternative Space for Art (The MIT Press) by Gwen Allen From 1978 to 1984, seventeen issues of “May’75” were published, each issue coded by letters of the alphabet. The magazine was produced by assembling individual works. The artists made their own pages on A4 paper and then bound them together into a magazine format. In addition to the original six, over fifty artists from Ex-Yugoslavia, Germany, Ex-Czechoslovakia, and Italy amongst other countries were invited to contribute their work to the magazine. Each issue including original art work, ready made artwork, ciclostile print work or silkscreen work, texts, concepts, projects, attitudes, ironical and political opinions, collages and photographs which lost almost nothing of their original quality when reproduced or multiplied. Pages were occasionally reproduced by screenprinting in the workshop of Željko Jerman and Vlasta Delimar. Most pages however, were hand-made. By repeating the same, simple and quickly executed work, the artist diminishes the significance of the original. Issues of “Maj’75” with their spontaneous use of available materials and technologies are obviously there to be used and handled, and although they are full of original works, there is nothing of a deluxe edition about them. “Maj’75”, financed by the artists themselves, was usually handed out for free during the exhibition-actions to other artists, friends, critics or passers-by. Later, when the Group of Six Artists no longer exhibited on the streets, distribution was usually managed through personal contacts and through mail. The magazine was never sold through bookstores or in galleries, not because its authors did not want this, but because it was impossible. Each private enterprise was met with countless obstacles in communist countries. “Maj’75” was thus completely unofficial. This had one advantage in that it avoided censorship, but also a drawback, in that the magazine remained little known outside a narrow circle. Branka Stipančić

Maj 75, BROJ I, nesvrstani, 1982; Vlasta Delimar, Željko Jerman, Vlado Martek, Darko Šimičić, Boris Demur, Matjaž Hanžek, Boris Ivandić, Zlatko Kutnjak, Mangelos, Radomir Mašić, Branka Stanković, Mladen Stilinović, Jaroslav Supek, Balint Szombathy, Vlatko Vincek, Filimir; suradnici: Boris Cvjetanović, Goran Dvoržak, Ivo Vrtarić; fotografija na koricama Vlasta Delimar "Presvlačenje" (performans "Vjenčanje") Materijal/tehnika sitotisak na papiru, muha i selotejp na papiru Dimenzije 42,33 x 29,13 cm

Mladen Stilinović: Nemam vremena (I Have No Time) Artist Book Prvo izdanje iz 1979. godine. Zagreb. Vlastita naklada. Offset na papiru 7 listova, zaklamano Naklada 70 primjeraka

Manifesti: noart. Zagreb: Atelier Tošo Dabac, 1978. Black. Dvojezično (hrvatsko-engleski) izdanje za drugu samostalnu izložbu Dimitrija Bašičevića Mangelosa, održanu u Atelieru Toše Dabca, Zagreb 1978. godine. Predgovor Nena Dimitrijević. Stanje - odlično. Silkprint on paper. Published on the occasion of the exhibition at ATD, Zagreb, 1978. Artist's edition. With a foreword by Nena Dimitrijevic. Dimitrije Basicevic Mangelos (1921-1987), - a member of avangarde group Gorgona and participated in the Nove tendencije movement. In Croatian and English language. Very rare. Autor: Dimitrije Bašičević Mangelos Izdavač: AtD - Atelier Tošo Dabac Izdanje: prvo/first Godina: 1978 Uvez: meki Format: 14x19 Stranica: 52

Maj 75, broj G, 1981; Darivoj Čada, Željko Jerman, Željko Kipke, Zlatko Kutnjak, Živko Kladnik, Vlado Martek, Lela Mujkić, Rajko Radovanović, Darko Šimičić, Raša Todosijević, Egist Zagoričnik, Franci Zagoričnik, Orest Zagoričnik, Boris Demur, Tomislav Gotovac; korice izradio Tomislav Gotovac "Prošenje"

Maj 75, broj H, 1982; Tomislav Gotovac, Boris Demur, Željko Jerman, Vlado Martek, Željko Kipke, Zlatko Kutnjak, Vlasta Delimar, Darko Šimičić, Pino Ivančić, Marijan Molnar, Živko Kladnik, Branka Stanković, Franci Zagoričnik, Zan Futranovitch Toupillon, Rajko Radovanović

Maj 75, broj L, 16.1.1984;Nenad Bogdanović, Mangelos, Antun Maračić, Raša Todosijević, Jusuf Hadžifejzović, Željko Jerman, Vlado Martek, Zlatko Kutnjak, Vlasta Delimar, Darko Šimičić, Rajko Radovanović, Boris Demur

Maj 75, broj B, 1978; Boris Demur, Željko Jerman, Vlado Martek, Mladen Stilinović, Sven Stilinović, Grupa jedan, dva tri, Mangelos, Goran Petercol 21x29,5 cm Maj 75 is in prestige list in Artists' Magazines: An Alternative Space for Art (The MIT Press) by Gwen Allen From 1978 to 1984, seventeen issues of “May’75” were published, each issue coded by letters of the alphabet. The magazine was produced by assembling individual works. The artists made their own pages on A4 paper and then bound them together into a magazine format. In addition to the original six, over fifty artists from Ex-Yugoslavia, Germany, Ex-Czechoslovakia, and Italy amongst other countries were invited to contribute their work to the magazine. Each issue including original art work, ready made artwork, ciclostile print work or silkscreen work, texts, concepts, projects, attitudes, ironical and political opinions, collages and photographs which lost almost nothing of their original quality when reproduced or multiplied. Pages were occasionally reproduced by screenprinting in the workshop of Željko Jerman and Vlasta Delimar. Most pages however, were hand-made. By repeating the same, simple and quickly executed work, the artist diminishes the significance of the original. Issues of “Maj’75” with their spontaneous use of available materials and technologies are obviously there to be used and handled, and although they are full of original works, there is nothing of a deluxe edition about them. “Maj’75”, financed by the artists themselves, was usually handed out for free during the exhibition-actions to other artists, friends, critics or passers-by. Later, when the Group of Six Artists no longer exhibited on the streets, distribution was usually managed through personal contacts and through mail. The magazine was never sold through bookstores or in galleries, not because its authors did not want this, but because it was impossible. Each private enterprise was met with countless obstacles in communist countries. “Maj’75” was thus completely unofficial. This had one advantage in that it avoided censorship, but also a drawback, in that the magazine remained little known outside a narrow circle. Branka Stipančić

Maj 75, broj D, 1979; Vlasta Delimar, Željko Jerman, Boris Demur, Željko Kipke, Zlatko Kutnjak, Vlado Martek, Marijan Molnar, Mladen Stilinović, Sven Stilinović, Goran Trbuljak, Fedor Vučemilović 21x29,5 cm Maj 75 is in prestige list in Artists' Magazines: An Alternative Space for Art (The MIT Press) by Gwen Allen From 1978 to 1984, seventeen issues of “May’75” were published, each issue coded by letters of the alphabet. The magazine was produced by assembling individual works. The artists made their own pages on A4 paper and then bound them together into a magazine format. In addition to the original six, over fifty artists from Ex-Yugoslavia, Germany, Ex-Czechoslovakia, and Italy amongst other countries were invited to contribute their work to the magazine. Each issue including original art work, ready made artwork, ciclostile print work or silkscreen work, texts, concepts, projects, attitudes, ironical and political opinions, collages and photographs which lost almost nothing of their original quality when reproduced or multiplied. Pages were occasionally reproduced by screenprinting in the workshop of Željko Jerman and Vlasta Delimar. Most pages however, were hand-made. By repeating the same, simple and quickly executed work, the artist diminishes the significance of the original. Issues of “Maj’75” with their spontaneous use of available materials and technologies are obviously there to be used and handled, and although they are full of original works, there is nothing of a deluxe edition about them. “Maj’75”, financed by the artists themselves, was usually handed out for free during the exhibition-actions to other artists, friends, critics or passers-by. Later, when the Group of Six Artists no longer exhibited on the streets, distribution was usually managed through personal contacts and through mail. The magazine was never sold through bookstores or in galleries, not because its authors did not want this, but because it was impossible. Each private enterprise was met with countless obstacles in communist countries. “Maj’75” was thus completely unofficial. This had one advantage in that it avoided censorship, but also a drawback, in that the magazine remained little known outside a narrow circle. Branka Stipančić

Maj 75, broj Dž, 1980;Jovan Čekić, Vlasta Delimar, Boris Demur, Stanislav Filko, Tomislav Gotovac, Vladimir Gudac, Pino Ivančić, Željko Jerman, Željko Kipke, Zlatko Kutnjak, Vlado Martek, Marijan Molnar, Sergio Pausig, Rajko Radovanović, Mladen Stilinović, Darko Šimičić, Fedor Vučemilović, Iris Vučemilović 21x29,5 cm Maj 75 is in prestige list in Artists' Magazines: An Alternative Space for Art (The MIT Press) by Gwen Allen From 1978 to 1984, seventeen issues of “May’75” were published, each issue coded by letters of the alphabet. The magazine was produced by assembling individual works. The artists made their own pages on A4 paper and then bound them together into a magazine format. In addition to the original six, over fifty artists from Ex-Yugoslavia, Germany, Ex-Czechoslovakia, and Italy amongst other countries were invited to contribute their work to the magazine. Each issue including original art work, ready made artwork, ciclostile print work or silkscreen work, texts, concepts, projects, attitudes, ironical and political opinions, collages and photographs which lost almost nothing of their original quality when reproduced or multiplied. Pages were occasionally reproduced by screenprinting in the workshop of Željko Jerman and Vlasta Delimar. Most pages however, were hand-made. By repeating the same, simple and quickly executed work, the artist diminishes the significance of the original. Issues of “Maj’75” with their spontaneous use of available materials and technologies are obviously there to be used and handled, and although they are full of original works, there is nothing of a deluxe edition about them. “Maj’75”, financed by the artists themselves, was usually handed out for free during the exhibition-actions to other artists, friends, critics or passers-by. Later, when the Group of Six Artists no longer exhibited on the streets, distribution was usually managed through personal contacts and through mail. The magazine was never sold through bookstores or in galleries, not because its authors did not want this, but because it was impossible. Each private enterprise was met with countless obstacles in communist countries. “Maj’75” was thus completely unofficial. This had one advantage in that it avoided censorship, but also a drawback, in that the magazine remained little known outside a narrow circle. Branka Stipančić

Mangelos: Energija no 9. Artist's Book. Artist Edition for Exhibition in Galerija Dubrava, Zagreb, January 1979. Sitotisak / Silkprint on Paper. In very good condition / U vrlo dobrom stanju. Format: 12x17 cm Stranica: 30

Goran Trbuljak: French Window 11.1972.-6.1973 Idée du French Window Goran Trbuljak Conception et realisation Ida Board Galerija Studentskog centra, Zagreb, 1973 Artist Book 8x11,5cm

WOW 3 (Bosch + Bosch) Treći broj je objavljen ofset štampom 1975. godine na kunstdruk papiru dimenzija 18 x 50,5 cm, na šest strana, u 150 primeraka. Matković je ovde dao prikaz svoje galerije u stanu, bračni par Poznanović je prikazao Franka Vakarija (Franca Vaccaria) (Firenca). Jedna strana je objavila listu autora Prve jugoslovenske izložbe umetničke knjige. Objavljen je novi tekst Endrea Tota (Tóth Endre), kao i eseji Miška Šuvakovića (Novi Sad) i Predraga Šiđanina. Ostali autori: Branko Andrić (Novi Sad), Irena Dogmatik (Irene Dogmatic) (USA), Klement Padin (Clemente Padin) (Urugvaj), Horhe Karabaljo (Jorge Caraballo) (Urugvaj), Gabor Tot (Tóth Gábor) (Budimpešta) i Šandor Pincehelji (Pinczehelyi Sándor) (Pečuj). Izvor: Olga Kovačev Ninkov, viši kustos Gradskog muzeja Subotica

WOW 5 (Bosch + Bosch) Signed by Bálint Szombathy Peti broj se vezuje za izložbu Katalin Ladik i Balinta Sombatija 1978.godine u Vircburgu (Würzburg), gde su izložili vizuelnu poeziju i tele-fotografije. Nastao je o tamnošnjoj štampariji uz saradnju Petera Belova (Petera Belowa), koji je organizovao izložbu. Odgovorni urednik je bila umetnica, a materijalno, stoje iza broja ona i Sombati. Format mu je 18 x 50,5 cm, ima po 8 strana, izašao je u tiražu od 300 primeraka. Iz aspekta štampe je najreprezentativniji. Širenje se dešavalo poštom sa lica mesta. Saradnici: Ante Vukov, Nikola de Maria (Nicola de Maria) (Italija), Petr Stembera (Čehoslovačka), Bogdanka i Dejan Poznanović, Robert Rehfeld (Istočna Nemačka), Arpad F. Tot (F. Tóth Árpád) (Balatonfenyves), Vladimir Gudac (Zagreb), Gabor Tot (Tóth Gábor) (Budimpešta), Majkl Gibs (Michael Gibbs) (Engelska), Gerd Šerm (Gerd Scherm) (Zapadna Nemačka), Predrag Šiđanin, Katalin Ladik, Stive B. Koks (Stephen B. Cox) (Engelska), Mirela Bentivoljo (Mirella Bentivoglio) (Italija), Miško Šuvaković, Jožef Markulik (Markulik József), Miroslav Klivar, Horhe Karabaljo (Jorge Caraballo), Klemente Padin (Clemente Padin) , Peter Belov (Peter Below) i Balint Sombati ( Szombathy Bálint).

Braco Dimitrijević: Interview Artist Book Zagreb : Galerija studentskog centra, 1974 . Dimensions: 19,9 x 13,7 Photographs Fedor Vučemilovič

Gorgona no 4. Francuski / French 4/61. VictorVasarely 1961 Nice condition screenprinted cover and screenprinted insert page (each): 8 1/4 x 7 9/16" (21 x 19.2 cm) privée Vasarely's Gorgona includes several drawings from that period and the author's

Victor Vasarely: Gorgona 4 (CRO) Gorgona no 4. Victor Vasarely 1961. Croatian language edition. Edition privée, Josip Vaništa, Zagreb, Yougoslavie. Exemplarie 113 / 250 Izdanje na hrvatskom jeziku. Screenprinted cover and screenprinted insert page (each): 8 1/4 x 7 9/16" (21 x 19.2 cm) Vasarely's Gorgona includes several drawings from that period and the author's text. Fine condition. The Gorgona Group, was a Croatian avant-garde art group which consisted of artists and art historians: Dimitrije Bašičević-Mangelos, Miljenko Horvat, Marijan Jevšovar, Julije Knifer, Ivan Kožarić, Matko Meštrović, Radoslav Putar, Đuro Seder, Josip Vaništa, operated along the lines of anti-art in Zagreb between 1959 and 1966. Beside individual works linked to traditional techniques, the members proposed different concepts and forms of artistic communication and published the anti-magazine Gorgona - 11 issues. Autor: Victor Vasarely Izdavač: Josip Vaništa, Zagreb Izdanje: prvo/first Godina: 1961 Uvez: meki Format: 20,8x19.2