Photographs

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Miljenko Horvat: Gorgona 7

Screenprinted cover and two gelatin silver prints.. This edition of Gorgona contains 2 original photographs taken in Denmark. Photographs are identical, presenting two different stages of photographic development.
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Skopje: Potres / EarthQuake 26.07.1963.

Skopje: Potres / EarthQuake 26.07.1963. Skopje: 26.07.1963. Potres. Luksuzno izdanje, napravljeno za državnike i diplomaciju. Mekana, fina koža.
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Vittorugo Contino: Ezra Pound in Italy

Ezra Pound in Italy: From the Pisan Cantos. By Gianfranco Ivancich (Editor), Vittorugo Contino (Photographer). Copertina rigida stampata e laminata. Spots and Dots. Ezra Pound in Italy from the Pisan Cantos. Annotated by Olga Rudge. Venice: Grafiche Le.
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Petar Dabac: GEFF 69

Petar Dabac: fotografija postavljanja dvometarske fotografije 24x18cm GEFF 69, pod naslovom Seksualnost kao mogućnost za novi humanizam, trebao se dogoditi u prosincu 1969., no pomaknut je za travanj 1970. godine. Najavljena Retrospektiva seksualnog i erotskog filma zagolicala je maštu javnosti, ali i politike, tako da je ovo ujedno i njegovo posljednje izdanje. Prva izdanja festivalskog biltena-glasila krasila je fotomontaža Aurore koja izgovara rečenicu: voljela bih da sam hermafrodit pa da mogu i sa ženama, dok je gradske površine ukrašavao plakat za izložbu Renea Hollosa, na kojemu je prikazan stilizirani golemi penis s grčkim podnatpisom fallikos antropos. Kasnije povučen na inzistiranje viših političkih instanci, ovaj plakat najavio je i beskompromisni GEFF 69 koji je, kako je pisao tadašnji Filmski svet, od skromne svečanosti zaljubljenika u film postao senzacija za koju su se ulaznice prodavale kao vruća roba. Najviše zanimanja izazvale su projekcije filmova Andyja Warhola i Paula Morrisseya, gošća festivala Carolle Schneemann pokazala je svoj Fuses, dok je nemali interes izazvao pjesnički performance novosadske umjetnice Katalin Ladik, koja je proglašena i najfinijom damom festivala. Izvor: Željko Luketić GEFF, Genre Experimental Film Festival, was international experimental film festival organized from 1963 to 1970 in Zagreb, Croatia. GEFF was established after a series of debates between experimental filmmakers held at the Kino Club in Zagreb entitled “Anti-film and Us,” which was led by Mihovil Pansini, leading experimental film author. Anti-film was a type of film that was more focused on the pure acts of research and discovery, delving into its self-reflexive media language rather than any expression or communication happening between artist and viewer. Anti-film represented a radical annihilation of conventional film, its elements, principals and structure. GEFF became a worldwide locus for non-professional and experimental filmmakers. Izvor: Avantgarde museum, Zagreb
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Stanko Abadzić: Untitled

Stanko Abadžić: Untitled Zagreb Gelatin Silver Prints Negative Date 2010. Print Date 2014. Pečat i potpis. Signed and stamped 30x40cm Paspartirano 40x50cm
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Stanko Abadzic: Nude 4

Stanko Abadžić: Nude 4 Zagreb Gelatin Silver Prints Negative Date 2008. Print Date 2016. Pečat i potpis. Signed and stamped 30x40cm Paspartirano 40x50cm
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Stanko Abadzic: Paris

Stanko Abadžić: Light Shadow Paris Gelatin Silver Prints Negative Date 2010. Print Date 2010. Pečat i potpis. Signed and stamped 30x40cm Paspartirano 40x50cm
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Stanko Abadzic: Boy

Stanko Abadžić: Boy Prague Gelatin Silver Prints Negative Date 2000. Print Date 2005. Pečat i potpis. Signed and stamped 30x40cm Paspartirano 40x50cm
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Stanko Abadzic: Nude 5

Stanko Abadžić: Nude 5 Zagreb Gelatin Silver Prints Negative Date 2010. Print Date 2016. Pečat i potpis. Signed and stamped 30x40cm Paspartirano 40x50cm
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Stanko Abadzic: Nude 1

Stanko Abadžić: Nude 1 Zagreb Gelatin Silver Prints Negative Date 2017. Print Date 2018. Pečat i potpis. Signed and stamped 30x40cm Paspartirano 40x50cm
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Stanko Abadzic: Female Nude on Couch

Stanko Abadžić: Nude 2 Prague Gelatin Silver Prints Negative Date 2005. Print Date 2011. Pečat i potpis. Signed and stamped 30x40cm Paspartirano 40x50cm
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Stanko Abadzic: Like in Old Times

Stanko Abadžić: Light Shadow Prague Gelatin Silver Prints Negative Date 2000. Print Date 2000. Pečat i potpis. Signed and stamped 30x40cm Paspartirano 40x50cm
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Stanko Abadzic: Nude 2

Stanko Abadžić: Nude 2 Zagreb Gelatin Silver Prints Negative Date 2017. Print Date 2017. Pečat i potpis. Signed and stamped 30x40cm Paspartirano 40x50cm
2.500,00 kn

Stanko Abadzic: Nude 3

Stanko Abadžić: Light Shadow Zagreb Gelatin Silver Prints Negative Date 2013. Print Date 2013. Pečat i potpis. Signed and stamped 30x40cm Paspartirano 40x50cm
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Mladen Stilinovic: 1969.

Mladen Stilinović: 1969. Fotografija vjerojatno jednog od prvih perfomancea Mladena Stilinovića, nastalog u njegovoj sobi, 1969. godine. Fotografije je snimio Mišo Budisavljević, jedan od nagrađenih autora na GEFF-u 1969. godine. Fotografiija nije iz vremena, izrađena je početkom dvije tisućitih godina. Potpis Mišo Budisavljević 21x15,5
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Stanko Abadzic: Nude

Stanko Abadžić: Nude Zagreb Gellatin Silver Prints Negative Date 2006. Print Date 2007.
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Crveno crni V.D.T. - T.G.

Crveno crni V.D.T. - T.G. Fotografija, dokument akcije u postoru, dvojni rad: Uzimanje mjere, MMSU, Rijeka, 2007. E.A. 0/3 Vladimir Dodog Trokut & Tomislav Gotovac Crno bijela fotografija 30,5x20,5 cm Kolor fotografija 30,5x20,5 cm
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Raul Goldoni: Oblici u staklu

Raul Goldoni: Oblici u staklu. Katalog izložbe u Muzeju za umjetnost i obrt, Zagreb 1967. godine. Postav izložbe Edo Kovačević. Oprema kataloga i plakat Ivan Picelj. Ponuda uključuje i pet originalnih fotografija objavljenih u katalogu sa opisima na poleđini, . Zvonimir MIkas - broj 31.
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Misko Suvakovic: Realizam / Antirealizam

Miško Šuvaković: Realizam / Antirealizam - teorijski objekt (photo) kolaž 23x30,5cm Beograd, 1994. Miško Šuvaković was born in 1954 in Beograd. He has been co-founder and member of conceptual artistic Group 143 (1975-1980). He was co-founder and member of informal theoretic and artistic institution "Community for Space Investigation" (1982-1989). He is member of theoretical platform TkH (Walking Theory, from 2000). He teaches aesthetics and theory of art, Faculty of Music, Belgrade (Professor). He teachs theory of art and theory of culture, Interdisciplinar studies, University of Art Belgrade. He published 25 books on serbian, croatian, slovenian and english language – recent books are: Impossible Histories, The MIT Press, Cambridge MA, 2003; Pojmovnik suvremene umjetnosti, Horetzky, Zagreb, 2005, Konceptualna umetnost, MSUV, Novi Sad, 2007, Epistemology of Art, TkH, Beograd, Wiena. Miško Šuvaković: Realism / Antirealism - theoretical object (photo) collage
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Misko Suvakovic: Realizam / Antirealizam

Miško Šuvaković: Realizam / Antirealizam - teorijski objekt (photo) kolaž 23x30,5cm Potpisano / Signed. Beograd, 1994. Miško Šuvaković: Realism / Antirealism - theoretical object (photo) collage
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Misko Suvakovic: Realizam / Antirealizam

Miško Šuvaković: Realizam / Antirealizam - teorijski objekt (photo) kolaž 23x30,5cm Potpisano / Signed. Beograd, 1994. Miško Šuvaković: Realism / Antirealism - theoretical object (photo) collage
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Misko Suvakovic: Realizam / Antirealizam

Miško Šuvaković: Realizam / Antirealizam (photo) kolaž 23x30,5cm Potpisano / Signed. Beograd, 1994. Miško Šuvaković: Realism / Antirealism - theoretical object (photo) collage
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Toso Dabac: Metropola Hrvata

Prvo, ratno izdanje iz 1943. godine. Naklada Velzek Zagreb. Tvrdi uvez s ovitkom. U odličnom stanju. Tisak Tipografije Zagreb. Predgovor na hrvatskom i njemačkom jeziku Josip Horvat.
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Pero Dabac, Marija Braut, Toso Dabac, Enes Midzic

Pero Dabac, Marija Braut, Tošo Dabac, Enes Midžić. Četriri iznimno rijetka, lijepa i zanimljiva kataloga za izložbu Tošo Dabac und sein atelier. Mannhaim, 1972. godine. Neobičnog formata 12x24 cm, iznimnog dizajna i kvalitete, tiskano u Grafičkom zavodu H
1.200,00 kn