ART EDITIONS

Dated inscription in pencil from Goran Trbuljak to artist Willoughby Sharp on page 25Goran Trbuljak. 1972, Artiste anonyme / Goran Trbuljak, 1974 Zagreb: Galerija suvremene umjetnosti, 1976 Artist book Using simple statements and questions, public space

Új Symposion 79. szam Novi Sad, 1971. godine 20x29cm 36pp Design Balint Szombathy

Új Symposion (76) 76. szam Novi Sad, 1971. godine 20x29cm 36pp Design Balint Szombathy Valter Benjamin, Vegel laszlo, Gerold Laszlo, Antal Bognar, Varady, Miroslav Egerić, Beata Thomka, Imre Bori, Leszek Kolakovski, Gion nandor Új Symposion, a Hungarian-language journal published in Yugoslavia, maintained a courageous critical stance and a deliberate spontaneity. The creative community that grew around the editorial team and all but turned into a movement created a literary and artistic milieu in Vojvodina that was marked by a proclivity for experimenta-tion. Struggling with the minority status of the Hungarian language, while enjoying an access to cultural knowledge that was fresher in Yugoslavia than in Hungary, the consecutive editorial teams and the associated generations of artists shaped the periodical with different emphases on literature, visual culture and social criticism, and vary-ing degrees of readiness to comply with the demands of the cultural authorities. Though the history of Új Symposion may appear uninterrupted, it was constantly hampered by bans, lawsuits, and in 1983 by the dismissal of the editors, right up to the Yugoslav war, when it could no longer be maintained. Izvor: Avantgarde Museum, Zagreb

Új Symposion (87/88) Novi Sad, 1972. godine 20x29cm 58pp Design Balint Szombathy Bosch + Bosch, Lukacs Gyorgy, Istvan Bosnyak, Maria Benedek, Lukacs Kovacs, Sandor Rozsa, Balint Szhombaty, Valter Benjamin, Vegel laszlo, Gerold Laszlo, Antal Bognar, Varady, Miroslav Egerić, Beata Thomka, Imre Bori, Leszek Kolakovski, Gion nandor Új Symposion, a Hungarian-language journal published in Yugoslavia, maintained a courageous critical stance and a deliberate spontaneity. The creative community that grew around the editorial team and all but turned into a movement created a literary and artistic milieu in Vojvodina that was marked by a proclivity for experimenta-tion. Struggling with the minority status of the Hungarian language, while enjoying an access to cultural knowledge that was fresher in Yugoslavia than in Hungary, the consecutive editorial teams and the associated generations of artists shaped the periodical with different emphases on literature, visual culture and social criticism, and vary-ing degrees of readiness to comply with the demands of the cultural authorities. Though the history of Új Symposion may appear uninterrupted, it was constantly hampered by bans, lawsuits, and in 1983 by the dismissal of the editors, right up to the Yugoslav war, when it could no longer be maintained. Izvor: Avantgarde Museum, Zagreb

Új Symposion 43. szam Novi Sad, 1968. godine 23,5x33cm 32pp Vegel laszlo, Otto Tolnai, Nandor Burany, Jozsef Podolski, Miklos Hornyik, Istvan Bosnuak, Tibor Varady, Miroslav Egerić, Beata thomka, Gabor Vajda, Katalin Ladik, Gabor Fulop, Imre Bori, Leszek Kolakovski, Karoly Jung

Kunst der sechziger / Jahre 5. erweiterte Auflage. Art of the Sixties / 5th revised edition Mint condition Koln, Wallraf-Richartz Museum, LUDWIG COLLECTION, 1971. Hardcover bound in plastic embossed covers held with heavy metal screws. Fifth Revised Edition. Large 4to. 10 x 12 x This final fifth edition includes 222 objects, 124 more than appeared in the first edition.Illustrated with 209 color plates showing the work of 92 artists of the 1960's pop-art era; part of the private collection of Peter Ludwig. Introductory text and lexicon in German and English. Catalog is organized in alphabetical order by artist; titles are in German and English; biographies of the artists and descriptions of their work are in German, including Dine, Dubuffet, Hockney, Jasper Johns, Lichtenstein, Oldenburg, Picasso, Rauschenberg, Vostell, Warhol, and Wols. This is the definitive fifth revised edition of this famous and striking exhibition catalogue, which is itself a work of art. Wolf Vostell designed the catalogue for the Ludwig collection of contemporary art, given as a permanent loan to the Wallraf-Richartz Museum in Cologne

Ja se zalažem za poeziju a vi je samo pišete. Artist's book. Samizdat Vlade Marteka iz 1982. godine. Sitotisak. Klamano. Dvije vrste papira. Vrlo rijetko. U odličnom stanju. Vlado Martek (Zagreb, 1951) is a poet, visual artist and writer. In the mid-sev

24 pages, with 12 beautiful original woodcut Ex libris, made by Milenko D. Gjuric, graphic artist and great supporter of the Art of Ex Libris. He made great impact on this and organized exhibitions in Craotia and abroad.

Josip Stošić: Đerdan Prvo izdanje / First edition Zagreb Limited edition Josip Stosic was born in Zagreb in 1935. He graduated from the Faculty of Arts in Zagreb in 1963. He worked at the Institute for History of Art (early Christian, Medieval and Renaissance art in Croatia). He specifically researched the cathedral in Dubrovnik and the parish church in Čazma. In 1951, as a high school student, Stosic self-published Đerdan (Necklace), the first book of concrete poetry in the former Yugoslavia. His poetry was prohibited the same year. Stosic's art practice included concrete poetry, visual structure of words mounted on boards, and the interaction of objects and words ("A", 1969; Premetaljka (Word Puzzle), 1971). Josip Stosic died in 2009 in Zagreb (source: Avantgarde Museum, Zagreb) Format: 20x14 cm Broj stranica: 106 Uvez: meki Godina izdanja: 1951 Izdavač: Vlastita naklada Josipa Stošića Antikvarijat: Preradovićeva 5, Zagreb dodaj u listu želja Artikla trenutno nema na skladištu!

Slavko Matković: Ja sam umetnik Ja sam umetnik, 1973-1974 print + originalni crtež + pečat UNIKAT 30 x 21 cm

Slavko Matković: Knjiga (The Book) Artist Book Osvit , 1979. Predgovor Balint Szombathy. Tekst na srpskom, mađarskom i engleskom jeziku. Slavko Matkovic is one of the most prominent Serbian conceptual artists. His work highlights the creative process as opposed to the finished work, and explores such issues as the authorship of a work of art and the relationship between the visual and linguistic spheres, among others. As the most prominent representative of artistic nomadism and in an anticipation of art movements, Matkovic was involved in visual poetry, body art, comics, poetry, painting, performance, film, mail art, etc. In 1969 in Subotica, Matkovic together with Balint Szombathy established the art group Bosch + Bosch. Within this small community, the group embodied contemporary artistic sensibility. Its art practice fulfilled international artistic aspirations by transcending former aesthetic categories in favor of ethics. The Group founded the magazines "Contractor e972" and "WOW" which published relevant articles in the fields of art and theory.

Bálint Szombathy: Collage Bálint Szombathy: Kolaž 21x29cm rane 70e Pečat umjetnika preko koje je ispisan tekst adresa no1

Elindultak a kis piros bulldózerek (The Small, Red Bulldosers Have Taken Off) | poems | Hungarian | Forum, Novi Sad, 1971

Bosch + Bosch: Subotica, 1972 Intervencije u slobodnom prostoru, projekti i akcije New Art / Avantgarde Slavko Matković, Bálint Szombathy, Laszlo Kerekes, Laszlo Szalma

Mesék a hétfejű varrógépről (Stories of the Seven-Headed Sewing Machine) | poems | Hungarian | Forum, Novi Sad, 1978

Katalin Ladik: Poemim 1 Novi Sad, 1978. Photo by Imre Poth Xerox na kartonu 15x10,5cm

Informacijski bilten - Bulletin 1-4 komplet A4 Klamano

Josip Vaništa - PostGorgona 15 Josip Vaništa - Izdavač: autorova vlastita naklada Zagreb 2010. Broj stranica: 30 Format: 31x22 cm Uvez: meki s klapnom Numerirano i potpisano 29 / 100. Design Paško Mravičić. Fotografije Miljenko Bernfest, Žarko Vijatović, Eugen, Nives Gajdobranski, Branko Gavrin, Miljenko Horvat

Josip Vaništa - PostGorgona 14/2008 Josip Vaništa - Izdavač: autorova vlastita naklada Zagreb 2008. Broj stranica: 30 Format: 31x22 cm Uvez: meki s klapnom Numerirano i potpisano 46 / 100. Grafičko oblikovanje Josip Vaništa i Paško Mravičić. Fotografije Luka Filipović, Nives Gajdobranski, Željko Košćević, Tomislav Pernar, redakcija NIN, Žarko Vijatović.

Mangelos: Fenomen Picasso Pozivnica / katalog Novi Sad, Tribina mladih 17.-30.04.1972. Katalog i plakat Mangelos Štampa: Prosveta, Novi Sad Klišea: Forum, Novi Sad Urednici galerije: Csernik Attila, Mirko Radojičić, Biljana Tomić

Ezra Pound in Italy: From the Pisan Cantos. By Gianfranco Ivancich (Editor), Vittorugo Contino (Photographer). Copertina rigida stampata e laminata. Spots and Dots. Ezra Pound in Italy from the Pisan Cantos. Annotated by Olga Rudge. Venice: Grafiche Le.

Artist's Book. Poeziju treba jebati (Poetry Should be fucked). Vlastita naklada 1983. godine. Omot rađen u sitotisku. Na zadnjoj stranici dva pečata - poezijo pizdo bez šanse i Vlado voli Bretona. Možda i najvažnija Knjga umjetnika - Vlade Marteka - pjesn

Josip Vaništa: Gorgona 10 Pripadajuća karta za vrlo rijetki broj Gorgone Original Card for Gorgona 10 Zagreb, 1966. godine 10,5x6,2 cm

Marina Abramović Walk Through Walls Limited to 1,970 copies in print numbered and signed by the author Lavish packaging: Encased in a bright red slipcase with die-cut holes, this deluxe edition makes for a chic and artistic literary presentation- Hand-signed cover: Deluxe edition cover hand-signed by Marina Abramovic and feature elegant color endpapers, two full color 8-page inserts, and over 100 black and white photographs throughout the book'