Radovan Ivsic : Autour ou dedans, Éditions Maintenant, Paris, 1974 (16 p.)
Cette édition originale
a été achevée d’imprimer
en mars 1974
par Georges Girard,
imprimeur à Paris.
95 exemplaires
sur papier Ingres
ont été numérotés de 1 à 75
et de
Annie le Brun : Les Écureuils de l’orage, Éditions Maintenant, Paris, 1974 (16 p.)
Cette édition originale
a été achevée d’imprimer
en décembre 1974
par Georges Girard,
imprimeur à Paris.
95 exemplaires
sur papier Ingres
ont été numérotés de 1
Publikacija (dvojezična: hrvatski i engleski jezik) povodu samostalne izložbe i akcije u Galeriji suvremene umjetnosti 14.10.1974. godine.
Marina Abramovic. Gallery of Contemporary Art. Zagreb, Croatia. 1974.
Zbirka poezije Zdravka Brajkovića (stradalog u burnom vremenu poraća, najvjerojatnije na Bleiburgu ili križnome putu, u Sloveniji. Brajković je zanimljiv pjesnik svježega stiha, iza kojega je ostala samo jedna zbirka poezije: Doba vjetrova), Sjajne ilustr
Likovna oprema Franjo Bruck. Stanje knjige odlično Na naslovnici: crtež Neuposlen - George Grosz, Rilke - bista Fritz Huf.
Minerva je početkom tridesetih počela s objavljivanjem sabra
U logoru i Vučjak, dvije drame. Drama U loguru je sastavni dio ciklusa Hrvatski bog Mars a Vučjak je napisan 1922. Ovo prvo izdanje je objavljeno u Minervinim sabranim djelima 1934. Tvrdi uvez s ovitkom.
Minerva je početkom tridesetih počela s objavljiva
Matko Meštrović: Od pojedinačnog općem
Prvo izdanje.
Od utemeljitelja Gorgone i Novih tendencija.
Mladost, Zagreb 1967.
Tvrdi uvez s ovitkom.
12,5x17,5cm 364pp
Naslovnica: Francois Morellet - Sphere-trames
U vrlo korektnom antikvarnom stanju, minimalna oštećenja ovitka.
Ivana Pegan Baće: Mindness
2017.
vinil 7 inch sa knjigom
Multimedijalna umjetnica Ivana Pegan Baće u svom radu koristi jezik, pismo, govor i glas izražavajući se u medijima umjetničke knjige, poetskih objekata te audio i video radova.
Kako kroz dnevničke zapise, fragmentarne tekstove, poeziju, kratke priče i gramatičke pitalice tako i kroz vizualne i zvučne radove ( spoken word ) vlastitim glasom ispituje načine na koje se subjekt konstituira, usredotočujući se na emocionalni, mentalni i glasovni potencijal prekoračivanja društvenih konvencija i ustaljenih granica.
Ivana Pegan Baće diplomirala je 1996. na kiparskom odsjeku Akademije likovnih umjetnosti u Zagrebu. Članica je HZSU, HDLUDU i ARL. Od 1998. živi i radi u Dubrovniku. Od 2014. voditeljica je Galerije Flora Hrvatskog društva likovnih umjetnika Dubrovnik.
7 inch vinyl
Ivana Pegan Baće: Srce tame / Dnevnik br. 1
Heart of Darkness / Diary no.1
2018/19
2/50
samizdat. signed
Artist Book
20,5x14,5
Multimedijalna umjetnica Ivana Pegan Baće u svom radu koristi jezik, pismo, govor i glas izražavajući se u medijima umjetničke knjige, poetskih objekata te audio i video radova.
Kako kroz dnevničke zapise, fragmentarne tekstove, poeziju, kratke priče i gramatičke pitalice tako i kroz vizualne i zvučne radove ( spoken word ) vlastitim glasom ispituje načine na koje se subjekt konstituira, usredotočujući se na emocionalni, mentalni i glasovni potencijal prekoračivanja društvenih konvencija i ustaljenih granica.
Ivana Pegan Baće diplomirala je 1996. na kiparskom odsjeku Akademije likovnih umjetnosti u Zagrebu. Članica je HZSU, HDLUDU i ARL. Od 1998. živi i radi u Dubrovniku. Od 2014. voditeljica je Galerije Flora Hrvatskog društva likovnih umjetnika Dubrovnik.
Nolit, Beograd
Design Pavle Bihaly
Bruno Traven: Troza
Nolit, 1938.
Bruno Traven: Lov na ljude
Nolit, 1936.
Martin Andersen Nexo: U božjoj zemlji
Nolit, 1940
Johan August Strindberg: Služavkin sin
Nolit, 1939
Izgled / Juni 77
Srećna nova umetnost, Beograd, 1977.
Urednik Vladimir Jovanović
15x35 cm
The first announcement of a Kozmetika concert appeared in June 1977, on the back cover of Izgled magazine. The author of that magazine, as well as of the name of the group, was painter Vladimir Jovanović, one of many visual artists who tried themselves out as R’n’R musicians. Explaining the name of the band, he spoke about a visual art technique he invented himself – painting with face powder and lipstick. Izgled was a fanzine, self-published, but it was completely different from the punk fanzines made in those days. It looked like Warhol’s Interview, and was under the strong influence of David Bowie’s aesthetics. Kozmetika was the other face of Izgled, and its members were Marko Pešić, Saša Nikolić, Goran Vejvoda and Slobodan Konjović. Since they were without a formal musical education, they began to work within a band context in order to gain musical experience and investigate the potential of mutual communications through playing in the band. They had no pretentions to great careers, and no desire to be stars in the eyes of the audience – they were already that in their own eyes, even before they started playing. They made only one record, which they worked on for three years.
Izgled / Maj 78
Galerija suvremene umjetnosti, Zagreb, 1978.
Urednici Vladimir Jovanović i Marko Pešić
32x45 cm
The first announcement of a Kozmetika concert appeared in June 1977, on the back cover of Izgled magazine. The author of that magazine, as well as of the name of the group, was painter Vladimir Jovanović, one of many visual artists who tried themselves out as R’n’R musicians. Explaining the name of the band, he spoke about a visual art technique he invented himself – painting with face powder and lipstick. Izgled was a fanzine, self-published, but it was completely different from the punk fanzines made in those days. It looked like Warhol’s Interview, and was under the strong influence of David Bowie’s aesthetics. Kozmetika was the other face of Izgled, and its members were Marko Pešić, Saša Nikolić, Goran Vejvoda and Slobodan Konjović. Since they were without a formal musical education, they began to work within a band context in order to gain musical experience and investigate the potential of mutual communications through playing in the band. They had no pretentions to great careers, and no desire to be stars in the eyes of the audience – they were already that in their own eyes, even before they started playing. They made only one record, which they worked on for three years.
Vladimir Kopicl & Ana Raković
Telo umetnika kao subjekt i objekt umetnosti
Body Art Antologija
Likovni salon tribine mladih - Novi Sad, 1972.
21,5 X 30 cm
Materijal preuzet iz Avalanche, New York, / katalog `Dokumenta 5` Kassel i časopis Problemi, Ljubljana
Antun Maračić:
Ispražnjeni okviri / Iščezli sadržaji, 1991.-2017.
Emptied frames/Vanished contents, 1991-2017
(ponovljeni rad iz 1991-1994 / remake of the work of 1991-1994
stalni postav neizvjesnog trajanja; stanje nakon akcije nepoznatog devastatora - nehotičnog "suradnika
permanent display, duration uncertain; the state after the action of an unknown devastator - inadvertent "associate"
Pet razglednica 16x10,5cm