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Mangelos: Fenomen Picasso Pozivnica / katalog Novi Sad, Tribina mladih 17.-30.04.1972. Katalog i plakat Mangelos Štampa: Prosveta, Novi Sad Klišea: Forum, Novi Sad Urednici galerije: Csernik Attila, Mirko Radojičić, Biljana Tomić

Jesus Rafael Soto Galerija suvremene umjetnosti Zagreb, 19. 6. - 23. 8. 1970. Serigrafija - Brano Horvat. Oblikovanje - Ivan Picelj. Format 20x21

Attila Csernik i njegovo vreme S potpisom umjetnika na naslovnici Naklada 200 21x21cm

Ivana Pegan Baće: Mindness 2017. vinil 7 inch sa knjigom Multimedijalna umjetnica Ivana Pegan Baće u svom radu koristi jezik, pismo, govor i glas izražavajući se u medijima umjetničke knjige, poetskih objekata te audio i video radova. Kako kroz dnevničke zapise, fragmentarne tekstove, poeziju, kratke priče i gramatičke pitalice tako i kroz vizualne i zvučne radove ( spoken word ) vlastitim glasom ispituje načine na koje se subjekt konstituira, usredotočujući se na emocionalni, mentalni i glasovni potencijal prekoračivanja društvenih konvencija i ustaljenih granica. Ivana Pegan Baće diplomirala je 1996. na kiparskom odsjeku Akademije likovnih umjetnosti u Zagrebu. Članica je HZSU, HDLUDU i ARL. Od 1998. živi i radi u Dubrovniku. Od 2014. voditeljica je Galerije Flora Hrvatskog društva likovnih umjetnika Dubrovnik. 7 inch vinyl

Ivana Pegan Baće: Srce tame / Dnevnik br. 1 Heart of Darkness / Diary no.1 2018/19 2/50 samizdat. signed Artist Book 20,5x14,5 Multimedijalna umjetnica Ivana Pegan Baće u svom radu koristi jezik, pismo, govor i glas izražavajući se u medijima umjetničke knjige, poetskih objekata te audio i video radova. Kako kroz dnevničke zapise, fragmentarne tekstove, poeziju, kratke priče i gramatičke pitalice tako i kroz vizualne i zvučne radove ( spoken word ) vlastitim glasom ispituje načine na koje se subjekt konstituira, usredotočujući se na emocionalni, mentalni i glasovni potencijal prekoračivanja društvenih konvencija i ustaljenih granica. Ivana Pegan Baće diplomirala je 1996. na kiparskom odsjeku Akademije likovnih umjetnosti u Zagrebu. Članica je HZSU, HDLUDU i ARL. Od 1998. živi i radi u Dubrovniku. Od 2014. voditeljica je Galerije Flora Hrvatskog društva likovnih umjetnika Dubrovnik.

Puste riječi ( Deserted words ) Dubrovnik, 2016 Edicija Knjige umjetnika izdavač Art Radionica Lazareti, Dubrovnik Artist Book 15x21cm

Matko Meštrović: Od pojedinačnog općem Prvo izdanje. Od utemeljitelja Gorgone i Novih tendencija. Mladost, Zagreb 1967. Tvrdi uvez s ovitkom. 12,5x17,5cm 364pp Naslovnica: Francois Morellet - Sphere-trames U vrlo korektnom antikvarnom stanju, minimalna oštećenja ovitka.

Mladen Stilinović: Eksploatacija mrtvih Zagreb, 1988. Galerija proširenih medija, Zagreb Xerox 29.5x21 Pozivnica/ letak za otvorenje izložbe Mladena Stilinovića - Eksploatacija mrtvih 1984-88.

Nolit, Beograd Design Pavle Bihaly Bruno Traven: Troza Nolit, 1938. Bruno Traven: Lov na ljude Nolit, 1936. Martin Andersen Nexo: U božjoj zemlji Nolit, 1940 Johan August Strindberg: Služavkin sin Nolit, 1939

Crveni koralji x2, Glečeri, VIS Roboti, Boris Babarović, Matt Collins - Karlo Metikoš,

A3 / Grupa za akciju i anonimnu atrakciju Grupa izvodi akciju i anonimnu atrakciju u Zagrebu, u utorak, 27.06.1972. Galerija Studentskog centra, Zagreb Letak 24x30 cm Grupu čine: Dobrivoje Petrović, Nenad Petrović, Jugoslav Vlahović, Rista banić, Slavko Timotijević, Mladen Jevdjović i nitko više

Tri generacije beogradskih graditelja Odnos prema nasljeđu Beograd, 1984. Likovna mapa Etui sa pet grafičkih listova: Aleksandar Deroko Bogdan Bogdranović Grupa MEČ: Mustafa Musić Stevan Žutić

Izgled / Juni 77 Srećna nova umetnost, Beograd, 1977. Urednik Vladimir Jovanović 15x35 cm The first announcement of a Kozmetika concert appeared in June 1977, on the back cover of Izgled magazine. The author of that magazine, as well as of the name of the group, was painter Vladimir Jovanović, one of many visual artists who tried themselves out as R’n’R musicians. Explaining the name of the band, he spoke about a visual art technique he invented himself – painting with face powder and lipstick. Izgled was a fanzine, self-published, but it was completely different from the punk fanzines made in those days. It looked like Warhol’s Interview, and was under the strong influence of David Bowie’s aesthetics. Kozmetika was the other face of Izgled, and its members were Marko Pešić, Saša Nikolić, Goran Vejvoda and Slobodan Konjović. Since they were without a formal musical education, they began to work within a band context in order to gain musical experience and investigate the potential of mutual communications through playing in the band. They had no pretentions to great careers, and no desire to be stars in the eyes of the audience – they were already that in their own eyes, even before they started playing. They made only one record, which they worked on for three years.

Izgled / Maj 78 Galerija suvremene umjetnosti, Zagreb, 1978. Urednici Vladimir Jovanović i Marko Pešić 32x45 cm The first announcement of a Kozmetika concert appeared in June 1977, on the back cover of Izgled magazine. The author of that magazine, as well as of the name of the group, was painter Vladimir Jovanović, one of many visual artists who tried themselves out as R’n’R musicians. Explaining the name of the band, he spoke about a visual art technique he invented himself – painting with face powder and lipstick. Izgled was a fanzine, self-published, but it was completely different from the punk fanzines made in those days. It looked like Warhol’s Interview, and was under the strong influence of David Bowie’s aesthetics. Kozmetika was the other face of Izgled, and its members were Marko Pešić, Saša Nikolić, Goran Vejvoda and Slobodan Konjović. Since they were without a formal musical education, they began to work within a band context in order to gain musical experience and investigate the potential of mutual communications through playing in the band. They had no pretentions to great careers, and no desire to be stars in the eyes of the audience – they were already that in their own eyes, even before they started playing. They made only one record, which they worked on for three years.

Vladimir Kopicl & Ana Raković Telo umetnika kao subjekt i objekt umetnosti Body Art Antologija Likovni salon tribine mladih - Novi Sad, 1972. 21,5 X 30 cm Materijal preuzet iz Avalanche, New York, / katalog `Dokumenta 5` Kassel i časopis Problemi, Ljubljana

A History of Visual Communication by Josef Müller-Brockmann English / German / French language Verlag Arthur Niggli, 1971. pp 334 Bookjacket designed by Shizuko Muller Yoshikawa In very nice condition

Braco Dimitrijević: His Pencil's Voice / Njegove olovke glas B/W photos Sven Stilinović & Fedor Vučemilović Galerija SC & Muzički salon Teatar ITD, Zageb, 1973. No sleeve / wrap. Only "record" In very fine codition. Very very rare.

Ivana Brlić-Mažuranić: Basne i bajke Prvo izdanje iz 1943. godine. Devet basni i pet bajki. Ovitak i crteži Vladimir Žedrinski. Vrlo rijetko u ponudi d ovitkom. 124pp 14x19cm

Miroslav Krleža: Moj obračun s njima Miroslav Krleža, vlastita naklada. Zagreb, 1932. Prvo izdanje. Format: 22x14 cm Broj stranica: 217 U odličnom stanju.

Nouvelles Tendances Originalna pozivnica za prvu izložbu Novih tendencija, Zagreb, 1961. godine. 10x20,5cm Silkprint / Sitotisak

Bruno Munari: the MC 1 Architecture Box Originally produced in 1945, the MC 1 Architecture Box - New Edition contains a series of “bricks” of different shapes. Put together differently, you can make any number of buildings, from houses to churches, ancient castles to modern garages, hotels, skyscrapers, factories, towers, aqueducts, temples, stations, hangars, pile dwellings, houses with porticoes, balconies, terraces, and so on. The attached booklet contains over sixty examples which can be multiplied by the imagination of whoever is playing with them, just some of the infinite constructions that can be build. The MC 1 Architecture Box - New Edition is made of cardboard. This new edition features “bricks” made of unhewn beechwood. Dimension: 43.0 x 13.0 cm Languages: Italian and English texts 1st edition: 10/2018 Edition: 10/2018 Corraini Editions, Mantova / Italy

Novine Galerije Studentskog centra 49 Zagreb, 1974. 42 x 29,5 cm Novine izdaje: Galerija Studentskog centra, Zagreb, Savska 25, Studentski centar Sveučilišta u Zagrebu; dizajn novina: Željko Borčić; Fotografije: Željko Stojanović i Enes Midžić; novine su tiskane u 600 primjeraka; tisak: Grafički srednjoškolski centar, Zagreb; za novine i galeriju odgovara: Želimir Koščević; suradnici: Vladimir Gudac, Darko Glavan, Želimir Koščević, Slavko Timotijević, prijevod na engleski: Ann Kramer-Borčić; Braco Dimitrijević, Beuys, Miroslav Krleža, Robert Davidson, Bruno Munari, Oskar Herman, Jan Dibbets, Viktor Papanek, Daniel Buren

Antun Maračić: Ispražnjeni okviri / Iščezli sadržaji, 1991.-2017. Emptied frames/Vanished contents, 1991-2017 (ponovljeni rad iz 1991-1994 / remake of the work of 1991-1994 stalni postav neizvjesnog trajanja; stanje nakon akcije nepoznatog devastatora - nehotičnog "suradnika permanent display, duration uncertain; the state after the action of an unknown devastator - inadvertent "associate" Pet razglednica 16x10,5cm

Slavko Matković: Ich Bin Kunstler Subotica, 1989. Tekstovi na srpskom i mađarskom jeziku Ješa Denegri i Balint Szombathy Dizajn: Art Lover 21,5x20cm 12pp