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Ivan Picelj: Relacije 8

Ivan Picelj: Relacije / Relations 8 Sitotisak / Silkprint 20/30 Numbered and signed 500x500 mm Zagreb, 1992. godine Printed in Brano Horvat Studio, Zagreb
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Ivan Picelj: Relacije 9

Ivan Picelj: Relacije / Relations 9 Sitotisak / Silkprint 20/30 Numbered and signed 500x500 mm Zagreb, 1992. godine Printed in Brano Horvat Studio, Zagreb
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Ivan Picelj: Relacije 10

Ivan Picelj: Relacije / Relations 10 Sitotisak / Silkprint 20/30 Numbered and signed 500x500 mm Zagreb, 1992. godine Printed in Brano Horvat Studio, Zagreb
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Ivan Picelj: Tjedan muzeja

Ivan Picelj: Tjedan muzeja Zagreb, 1963. godine 70.5 × 50 Sitotisak / Silkprint Plakat za manifestaciju "Tjedan muzeja" u organizaciji Muzejskog društva Hrvatske. Plakat tiskan u 4 boje (plava, crvena, siva, crna) na bijelom papiru. U središtu plakata, na plavoj pozadini, nalazi se bijeli kvadrat unutar kojeg se nalazi crveni kvadrat.U crvenom kvadratu, crnim slovima upisan je datum trajanja manifestacije. Iznad i ispod bijelog kvadrata tekst sivom bojom.
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NSK: Dan mladosti 1987.

NSK / Novi kolektivizem: Dan mladosti IRWIN Edinburgh Was ist Kunst 1987 original poster in nice condition
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Neretva od Boga / Prokleta

Neretva od Boga/Prokleta Ova knjiga je ponovljeno izdanje iz 1987. povodom izložaba istoimene pjesničko-grafičke mape u Nacionalnoj knjižnici u Zagrebu i Galeriji Stećak u Kleku. Donosi reprodukcije grafika u izvornom obliku, a ne crno-bijelom pretisku kao što je bilo u prvom izdanju te predgovor Ive Šimat Banova. Sadrži devet pjesničkih/ grafičkih listova autorskih djela od po dvojice umjetnika - pjesnika (rođenih u Neretvi) i suvremenih hrvatskih grafičara.
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Ivan Picelj: Relacije 1

Ivan Picelj: Relacije / Relations 1 Sitotisak / Silkprint 20/30 Numbered and signed 500x500 mm Zagreb, 1992. godine
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Ivan Picelj: Nikola Kovacevic

Ivan Picelj: Nikola Kovačević Plakat za izložbu "Nikola Kovačević"u Galeriji primitivne umjetnosti. Zagreb, 1976. godine 50x70cm High Quality Screen Print / visokokvalitetan sitotisak Plakat u 3 boje (tamno plava, smeđa, svjetlo smeđa) na bijelom papiru. Na tamnoplavoj pozadini, fotografija ženskog tijela sa smeđom kosom prebačenom preko lica. Svjetlo smeđim slovima u dnu plakata naziv izložbe i podaci.
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Ivan Picelj: XVI. zagrebacka izlozba jugoslavenske grafike

Ivan Picelj: 16. zagrebačka izložba jugoslavenske grafike Kabinet grafike Jugoslavenske akademije znanosti i umjetnosti, Zagreb, svibanj - lipanj, 1990. 84 x 57,5 cm High Quality Screen Print / visokokvalitetan sitotisak
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Ivan Picelj: Indijsko kazaliste

Ivan Picelj: Indijsko kazalište Zagreb, 1969. High Quality Screen Print / visokokvalitetan sitotisak 69 × 49 cm Plakat za izložbu "Indijsko kazalište" u MUO. Plakat je tiskan u 3 boje (crna, neonski zelena i ružičasta) na bijelom papiru. Donja polovica plakata izvedena u rasteru zelenih, bijelih i ružičastih traka.
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Ivan Picelj: Galerija Benko Horvat

Ivan Picelj: Galerija Benko Horvat High Quality Screen Print / visokokvalitetan sitotisak Zagreb, 1960-1970. 50x70cm Plakat za Galeriju Benko Horvat Plakat je izveden u 3 boje (bež, smeđa, crna) na bijelom papiru. Unutar crteža okvira slike nalazi se tekst tj. podaci.
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Ivan Picelj: Niko Pirosmanasvili

Ivan Picelj: Niko Pirosmanašvili Galerija primitivne umjetnosti. Zagreb, 1971. Atelier Brane Horvat (Studio S) High Quality Screen Print / visokokvalitetan sitotisak Ljubičasta pozadina, crno bijela grafika grupe muškaraca za stolom.
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Ivan Picelj: Mogens Andersen

Ivan Picelj: Mogens Andersen Zagreb, 1973. Atelier Brane Horvat (Studio S) High Quality Screen Print / visokokvalitetan sitotisak Plakat za izložbu "Mogens Andersen"u GSU. Preko čitave površine plakata reprodukcija djela (crno bijelo, ulje na platnu). Svjetlo zelenom bojom ime umjetnika i podaci u Helvetici.
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Ivan Picelj: Lyonel Feininger

Ivan Picelj: Lyonel Feininger Plakat za izložbu "Lyonel Feininger" u Galeriji suvremene umjetnosti. Zagreb, 1965. godine. 50x70 cm Atelier Brane Horvat (Studio S) High Quality Screen Print / visokokvalitetan sitotisak Plakat je tiskan u 1 boji (crna) na bijelom papiru. Tipografija Helvetica.
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Ivan Picelj: Ružić

Ivan Picelj: Branko Ružić Zagreb, 1963. Sitotisak / Silkprint 50x70cm Plakat za izložbu "Ružić" u GSU. Plakat je tiskan u 5 boja na bijelom papiru. Gornje tri četvrtine plakata zauzima reprodukcija rada u žuo-smeđe-crnom tonu. U dnu plakata na smeđoj pozadini crnim slovima (Helvetica) naziv izožbe i podaci.
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Ivan Picelj: Ljerka Sibenik

Ivan Picelj: Ljerka Šibenik Zagreb, 1969. Sitotisak / Silkprint 70x50cm Plakat za izložbu "Ljerka Šibenik" . Plakat je tiskan u 4 boje (tamno plava, svjetlo siva, zelena, ružičasta) na bijelom papiru. Tipografija Helvetica.
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Ivan Picelj: Petar Dabac

Ivan Picelj: Petar Dabac Zagreb, 1975. Sitotisak / Silkprint Plakat za izložbu "Petar Dabac - Fotogrami" u CEFFT. Osnovni motiv pakata čini kvadrat u verlaufu duginih boja na kojem je icrtan niz identičnih likova. Pri vrhu plakata, na bijeloj pozadini, crnim slovima ispisan naziv izložbe i podaci.
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Dalibor Martinis: Konfrontacije

Dalibor Martinis: Konfrontacije od 30.09. 1976. do 17.10.1976. / design [Dalibor] Martinis. Impresum Zagreb : Galerija 1976. (Zagreb: studio s) Plakat : sitotisak C/B ; 67 x 97,5 cm.
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Dalibor Martinis: Damir Sokic

Dalibor Martinis: Damir Sokić Plakat za izložbu Damira Sokića, Galerija suvremene umjetnosti Zagreb, 1983. Sitotisak / Silkprint 97,5x67,5cm
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Dalibor Martinis: Drinkovic

Dalibor Martinis: Drinković Plakat za izložbu Slavomira Drinkovića Galerija suvremene umjetnosti Zagreb, 1984. Sitotisak / Silkprint 97,5x67,5 cm
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Dalibor Martinis: Bill Brandt

Dalibor Martinis: Bill Brandt Plakat za izložbu Bii Brandt, fotografije 1937 / 1970 Zagreb, Galerija suvremene umjetnosti, 1983. Sitotisak / Silkprint 97,5 x 67,5 cm Sitotisak Studio S Zagreb
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Sanja Ivekovic: Woman and the Politics of peace

Sanja Iveković: Žene i politika mira Sanja Ivekovic: Woman and the Politics of peace Plakat 50x70 cm Sitotisak / Silkprint Ženski međunarodni forum Centar za ženske studije, Zagreb 1993.
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Pan 69 (Mladen Stilinovic)

Pan 69. Mladen Stilinović: "Together with Milivoj Puhovski, Degenek and Boris Bata we formed the student film club Pan 69. Through the Union of Socialist Youth we received some funds to buy the necessary equipment and start making films. At first Pan 69 had six or seven members. The first film produced by Pan was Miša Budisavljević's film in 1969, which was screened at GEFF. Pan 69 held film screenings in Zagreb and Belgrade: at the Zagreb Cinema Club Pan 69 had regular nights, as it did in Belgrade at the SKC (Students Cultural Center)." (from Ana Janevski's interview with Mladen Stilinović, unpublished) At the beginning, like many young people, Stilinović wrote poetry, and published some of it in the literary journal Republika. But since his interests were more in the direction of film, with his friends in 1969 he founded the group Pan 69, which was a student cinema club. In order to get hold of film stock and the equipment necessary for making films, this was the only way at that time. Some of the first films were shown at amateur film festivals, but they were fairly different from the production that could be seen there, and so he was invited to places more adapted to his idiom, where the focus was on contemporary visual art. (Branka Stipančić) In 1969 a group of friends – Boris Barta, Mišo Budisavljević, Branko Degenek, Ninoslav Lovčević, Krsto Mihaljević, Milivoj Puhlovski and Mladen Stilinović – founded the student cinema club Pan 69. He shot his first films Ostani na uglu (Stay on the Corner) and Sam si (You’re Alone) in 1970. That year, in a disco club, he met a high school student, Branka Stipančić, (the author of this text) and the two started a long-term relationship. With Pan 69 and his friends he performed the one and only happening entitled Majski i ostali rituali (May and Other Rituals) in Zagreb, in the Theatre ITD during the 24th May Festival of Yugoslav Student Theatre. The happening was stopped and censured while in progress due to political reasons. He also watched American underground films at Zagreb Genre Film Festival (1970), and admired films by Gotovac, Pansini, Petek, Kristl, Vukotić, Makavejev, Pavlović, Žilnik, Naško Križnar, Nuša and Srečo Dragan… He always visited exhibitions of the New Tendencies as well as those held at the Gallery of Contemporary Art. He was motivated by numerous events and translations of critical editions about film, historical avant-gardes, happening, conceptual art, philosophy of language and linguistic theories, which were available in former Yugoslavia in numerous journals such as Rok, Polja, Treći program, Delo, Filmske sveske, Književnost, in the book Mixed Media by Bora Ćosić, etc. He knew well the domestic art scene: the Slovene group OHO, works by Zagreb artists such as Goran Trbuljak, Sanja Iveković, Dalibor Martinis, Braco Dimitrijević and others, and their interventions in urban space. During Pan’s Days, held on a small stage of the Student Centre in Zagreb in 1971, Stilinović showed his films Panika (Panic), Ja volim ljude, a vi? (I Love People, How about You?), More i … (The Sea and …), and Ramenim tako bolno ceo smešan svet (Painfully Shouldering the Whole Funny World), all shot in the same year, and participated in the 6th Festival of Croatian Amateur Film in Zagreb.
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Antimuzej

Antimuzej. Artist Book. Vladimir Dodig Trokut & Tomislav Šola (tekst) Zagreb, 1981.Nakladnik: Božo Biškupić, Zagreb, edicija Iris. Tekst je otisnut na bijelom Hannemuhle Butten papiru u 49 primjeraka, u Grafi-Konu, Zagreb. Slog je složen iz pisma Excelsior 10 točaka. U svakom primjerku nalazi se sedam grafika Vladimra Dodiga otisnutih na 200 g papiru, formata 260x190 mm u tehnici svilotiska, Knjiga je zajedničko izdanje autora i Zbirke Biškupić. Ovaj primjeraj je redni broj 15 Stanje - odlično
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