Art Print

Ivan Picelj: Plakat za izložbu "Fernand Léger" u Galeriji suremene umjetnosti, Zagreb, 1963. godine. Silkprint / sitotisak 50x70cm Reprodukcija rada u cno-zelenom tonu. U dnu plakata na crvenoj pozadini crnim slovima (Helvetica) naziv izožbe i podaci. Fernand Léger, (born February 4, 1881, Argentan, France—died August 17, 1955, Gif-sur-Yvette), French painter who was deeply influenced by modern industrial technology and Cubism. He developed “machine art,” a style characterized by monumental mechanistic forms rendered in bold colours.

Ivan Picelj: Jean Dubuffet Galerija suvremene umjetnosti, Zagreb, 1964. Sitotisak / Silkprint 50x70cm

Ivan Picelj: Edo Murtić Zagreb, 1963. Sitotisak / Silkprint Plakat za izložbu "Murtić - emajli " u MUO.Plakat je tiskan u 4 boje (crna, žuta, narančasta i crvena). Plakatom dominira raster pravokutnika crven i narančaste boje. Po sredini plakata, na narančastoj traci, crnim slovima naziv izložbe, u dnu plakata na žutoj traci iste debljine crnim slovima podaci o izložbi.

Ivan Picelj: Composition 5 Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint 1957. serigrafija u boji, papir, 182/200 500 x 352 mm MMSU-518 Izdavač: Kultura, Zagreb Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader

Ivan Picelj: Kompozicija Y23 Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.

Ivan Picelj: Kompozicija YZ Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.

Ivan Picelj: Kompozicija Y-IV Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.

Ivan Picelj: Kompozicija W Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.

Ivan Picelj: Kompozicija Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.

Ivan Picelj: Kompozicija IV Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.

Ivan Picelj: Cyclophoria Untitled, from the Cyclophoria project, 1971 70x70cm High Quality Screen Print / visokokvalitetan sitotisak Signed and numbered 63/100

Ivan Picelj: Luketić Zagreb, 1964. godine High Quality Screen Print / visokokvalitetan sitotisak 68 × 48 cm Plakat za izložbu "Luketić" u GSU. Plakat je izveden u 3 boje (crna, smeđa, srebrna) na bijelom papiru. Tipografija Helvetica.

Ivan Picelj: Muzej za umjetnost i obrt Muzički instrumenti Zagreb, 1962. godine High Quality Screen Print / visokokvalitetan sitotisak 50x70 cm

Ivan Picelj: 3. svjetska izložba fotografije Zagreb, 1976. godine 84 × 59.5 Atelier Brane Horvat (Studio S) High Quality Screen Print / visokokvalitetan sitotisak Plakat za izložbu "3. svjetska izložba fotografije - Na putu za raj" u Galeriji grada Zagreba. Plakat čini detalj crno-bijele fotografije, podaci o izložbi nalaze se u dnu plakata, naziv žutim slovima, tekst u Helvetici.

Ivan Picelj: Mogućnosti za "72 Zagreb, 1972. godine 70 × 50 cm High Quality Screen Print / visokokvalitetan sitotisak Bijela podloga, grafičko rješenje: u donjem dijelu plakata kompozicija geometrijskih oblika: lijevo kvadrat (čine ga 4 manja u tisku plave, crvene, žute i bijeli), koji se desno produžuje u izduženu pravokutnu plohu: crni okvir, horizontalna podjela dvjema bijelim linijama, raster sita od gotovo bijelog (lijevi dio), do crnog (desno). Gornji dio plakata: naziv izložbe, ispod njega 6 blokova informacija o izložbi, sve u tisku crne boje.

Ivan Picelj: Mogućnosti za "72 Zagreb, 1972. godine 70 × 50 cm High Quality Screen Print / visokokvalitetan sitotisak Bijela podloga, grafičko rješenje: u donjem dijelu plakata kompozicija geometrijskih oblika: lijevo kvadrat (čine ga 4 manja u tisku plave, crvene, žute i bijeli), koji se desno produžuje u izduženu pravokutnu plohu: crni okvir, horizontalna podjela dvjema bijelim linijama, raster sita od gotovo bijelog (lijevi dio), do crnog (desno). Gornji dio plakata: naziv izložbe, ispod njega 6 blokova informacija o izložbi, sve u tisku crne boje.

Pan 69. Mladen Stilinović: "Together with Milivoj Puhovski, Degenek and Boris Bata we formed the student film club Pan 69. Through the Union of Socialist Youth we received some funds to buy the necessary equipment and start making films. At first Pan 69 had six or seven members. The first film produced by Pan was Miša Budisavljević's film in 1969, which was screened at GEFF. Pan 69 held film screenings in Zagreb and Belgrade: at the Zagreb Cinema Club Pan 69 had regular nights, as it did in Belgrade at the SKC (Students Cultural Center)." (from Ana Janevski's interview with Mladen Stilinović, unpublished) At the beginning, like many young people, Stilinović wrote poetry, and published some of it in the literary journal Republika. But since his interests were more in the direction of film, with his friends in 1969 he founded the group Pan 69, which was a student cinema club. In order to get hold of film stock and the equipment necessary for making films, this was the only way at that time. Some of the first films were shown at amateur film festivals, but they were fairly different from the production that could be seen there, and so he was invited to places more adapted to his idiom, where the focus was on contemporary visual art. (Branka Stipančić) In 1969 a group of friends – Boris Barta, Mišo Budisavljević, Branko Degenek, Ninoslav Lovčević, Krsto Mihaljević, Milivoj Puhlovski and Mladen Stilinović – founded the student cinema club Pan 69. He shot his first films Ostani na uglu (Stay on the Corner) and Sam si (You’re Alone) in 1970. That year, in a disco club, he met a high school student, Branka Stipančić, (the author of this text) and the two started a long-term relationship. With Pan 69 and his friends he performed the one and only happening entitled Majski i ostali rituali (May and Other Rituals) in Zagreb, in the Theatre ITD during the 24th May Festival of Yugoslav Student Theatre. The happening was stopped and censured while in progress due to political reasons. He also watched American underground films at Zagreb Genre Film Festival (1970), and admired films by Gotovac, Pansini, Petek, Kristl, Vukotić, Makavejev, Pavlović, Žilnik, Naško Križnar, Nuša and Srečo Dragan… He always visited exhibitions of the New Tendencies as well as those held at the Gallery of Contemporary Art. He was motivated by numerous events and translations of critical editions about film, historical avant-gardes, happening, conceptual art, philosophy of language and linguistic theories, which were available in former Yugoslavia in numerous journals such as Rok, Polja, Treći program, Delo, Filmske sveske, Književnost, in the book Mixed Media by Bora Ćosić, etc. He knew well the domestic art scene: the Slovene group OHO, works by Zagreb artists such as Goran Trbuljak, Sanja Iveković, Dalibor Martinis, Braco Dimitrijević and others, and their interventions in urban space. During Pan’s Days, held on a small stage of the Student Centre in Zagreb in 1971, Stilinović showed his films Panika (Panic), Ja volim ljude, a vi? (I Love People, How about You?), More i … (The Sea and …), and Ramenim tako bolno ceo smešan svet (Painfully Shouldering the Whole Funny World), all shot in the same year, and participated in the 6th Festival of Croatian Amateur Film in Zagreb.

Antimuzej. Artist Book. Vladimir Dodig Trokut & Tomislav Šola (tekst) Zagreb, 1981.Nakladnik: Božo Biškupić, Zagreb, edicija Iris. Tekst je otisnut na bijelom Hannemuhle Butten papiru u 49 primjeraka, u Grafi-Konu, Zagreb. Slog je složen iz pisma Excelsior 10 točaka. U svakom primjerku nalazi se sedam grafika Vladimra Dodiga otisnutih na 200 g papiru, formata 260x190 mm u tehnici svilotiska, Knjiga je zajedničko izdanje autora i Zbirke Biškupić. Ovaj primjeraj je redni broj 15 Stanje - odlično

Ivan Picelj: Niko Pirosmanašvili Galerija primitivne umjetnosti. Zagreb, 1971. Atelier Brane Horvat (Studio S) High Quality Screen Print / visokokvalitetan sitotisak Ljubičasta pozadina, crno bijela grafika grupe muškaraca za stolom.

Ivan Picelj: Mogens Andersen Zagreb, 1973. Atelier Brane Horvat (Studio S) High Quality Screen Print / visokokvalitetan sitotisak Plakat za izložbu "Mogens Andersen"u GSU. Preko čitave površine plakata reprodukcija djela (crno bijelo, ulje na platnu). Svjetlo zelenom bojom ime umjetnika i podaci u Helvetici.

Ivan Picelj: Lyonel Feininger Plakat za izložbu "Lyonel Feininger" u Galeriji suvremene umjetnosti. Zagreb, 1965. godine. 50x70 cm Atelier Brane Horvat (Studio S) High Quality Screen Print / visokokvalitetan sitotisak Plakat je tiskan u 1 boji (crna) na bijelom papiru. Tipografija Helvetica.

Ivan Picelj: Nikola Kovačević Plakat za izložbu "Nikola Kovačević"u Galeriji primitivne umjetnosti. Zagreb, 1976. godine 50x70cm High Quality Screen Print / visokokvalitetan sitotisak Plakat u 3 boje (tamno plava, smeđa, svjetlo smeđa) na bijelom papiru. Na tamnoplavoj pozadini, fotografija ženskog tijela sa smeđom kosom prebačenom preko lica. Svjetlo smeđim slovima u dnu plakata naziv izložbe i podaci.

Ivan Picelj: Galerija Benko Horvat High Quality Screen Print / visokokvalitetan sitotisak Zagreb, 1960-1970. 50x70cm Plakat za Galeriju Benko Horvat Plakat je izveden u 3 boje (bež, smeđa, crna) na bijelom papiru. Unutar crteža okvira slike nalazi se tekst tj. podaci.

Ivan Picelj: Ulmska varijacija 1 Potpisano i numerirano 23/40 Ulm Variation, a series of original prints by Ivan Picelj that was prints at the International Centre of Graphic Arts in Ljubljana in Septembre 2006, comprises eight original serigraph, along with an introductory text by the art critic Brane Kovič. All prints are signed and numbered by the artist. The serigraphs were printed by Slavko Pavlin under the supervision of the artist in the serigraphy studio of the International Centre of Graphic Arts in Ljubljana on pure cotton Radeče paper, 320 g/m2, with the dimension 500 mm x 500 mm. The edition of each serigraph is strictly limited to 40 copies, signed and numbered from 1/40 to 40/40