EXAT 51 & New Tendencies

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Ivan Picelj: Tendencije 4

Ivan Picelj: Tendencije 4 (Version 2 .) 49,5x97cm High Quality Screen Print / visokokvalitetan sitotisak Atelier Brane Horvat (Studio S) Exhibition MoMa, 2018. / Thinking Machines: Art and Design in the Computer Age, 1959. - 1989. In Tate’s collection. Tendencije 4, Kompjutori i vizuelna istraživanja - Tendency 4, Computer and Visual Research. Informational exhibition featuring computer graphics and programmed works, Centar za kulturu i informacije [Center for Culture and Information], Zagreb, 2–8 August 1968. Crna podloga, grafičko rješenje čini raster krugova i kružnica u tisku srebrnosive boje. Donji dio plakata: naziv izložbe paralelno na hrvatskom i engleskom jeziku, ispod 4 bloka informativnih tekstova odijeljenih okomitim linijama, sve bijele boje. Participating artists Kurd Alsleben and Cord Passow (DE), Ars intermedia (Otto Beckmann (RU/AT), Alfred Grassl (AT)), Vladimir Bonačić (YU-CR), California Computer Products (Kerry Strand, Larry Jenkins, Doyle Cavin, Dee Hudson, Jane Moon) (US), Compos 68 (Jan Baptist Bedaux, Jeroen Clausman, Arthur Veen) (NL), Waldemar Cordeiro (IT/BR), Charles Csuri (US), Darel D. Eschbach (US), Willam Allan Fetter (US), Alan Mark France (UK), David R. Garrison (US), Jens Harke (DE), Leon D. Harmon and Kenneth C. Knowlton (US), Hiroshi Kawano (JP), Auro Lecci (IT), Robert Mallary (US), Gustav Metzger (DE/UK) (with D. E. Evans, Beverly Rowe and R. J. Stibbs (UK)), Leslie Mezei (HU/CA), Petar Milojević (YU-SR/CA), Frieder Nake (DE/CA), Georg Nees (DE), A. Michael Noll (US), Michael Palyka (US), Ivan Picelj (YU-CR), Rechenzentrum des Instituts Boris Kidrič, Vinča (YU-SR), Manfred Robert Schroeder (DE/US), Lloyd Quinton Summer (US), Alan Sutcliffe (UK), Zdeněk Sýkora (CS-CZ), Evan Harris Walker (US), Edward Zajec (IT/US).
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Ivan Picelj: Tendencije 4 (I)

Ivan Picelj: Tendencije 4 49,5x97cm High Quality Screen Print / visokokvalitetan sitotisak Atelier Brane Horvat (Studio S) Tendencije 4, Kompjutori i vizuelna istraživanja - Tendency 4, Computer and Visual Research. Informational exhibition featuring computer graphics and programmed works, Centar za kulturu i informacije [Center for Culture and Information], Zagreb, 2–8 August 1968. Crna podloga, grafičko rješenje čini raster krugova i kružnica u tisku srebrnosive boje. Donji dio plakata: naziv izložbe paralelno na hrvatskom i engleskom jeziku, ispod 4 bloka informativnih tekstova odijeljenih okomitim linijama, sve bijele boje. Participating artists Kurd Alsleben and Cord Passow (DE), Ars intermedia (Otto Beckmann (RU/AT), Alfred Grassl (AT)), Vladimir Bonačić (YU-CR), California Computer Products (Kerry Strand, Larry Jenkins, Doyle Cavin, Dee Hudson, Jane Moon) (US), Compos 68 (Jan Baptist Bedaux, Jeroen Clausman, Arthur Veen) (NL), Waldemar Cordeiro (IT/BR), Charles Csuri (US), Darel D. Eschbach (US), Willam Allan Fetter (US), Alan Mark France (UK), David R. Garrison (US), Jens Harke (DE), Leon D. Harmon and Kenneth C. Knowlton (US), Hiroshi Kawano (JP), Auro Lecci (IT), Robert Mallary (US), Gustav Metzger (DE/UK) (with D. E. Evans, Beverly Rowe and R. J. Stibbs (UK)), Leslie Mezei (HU/CA), Petar Milojević (YU-SR/CA), Frieder Nake (DE/CA), Georg Nees (DE), A. Michael Noll (US), Michael Palyka (US), Ivan Picelj (YU-CR), Rechenzentrum des Instituts Boris Kidrič, Vinča (YU-SR), Manfred Robert Schroeder (DE/US), Lloyd Quinton Summer (US), Alan Sutcliffe (UK), Zdeněk Sýkora (CS-CZ), Evan Harris Walker (US), Edward Zajec (IT/US).
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Ivan Picelj: Nove tendencije 2

Ivan Picelj: Nove tendencije 2 High Quality Screenprint on metallic paper 27 3/4 x 19 7/8" (70.5 x 50.4 cm) Galerija suvremene umjetnosti Zagreb, 1963. godine Grafičko rješenje: podloga u tisku zlatnožute, raster (12 horizontalnih nizova po 10) crnih kružnica s upisanim manjim kružnicama (boja podloge). Donja 2 niza odijeljena crnom horizontalnom plohom s tekstom u tisku bijele.
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herman de vries: wit is overdaad

herman de vries: [wit is overdaad] 1st edition numbered 120 copies published by herman de vries : Arnhem 1960 artists' book with 20 white pages in folder, stapled dimensions: 13.5 × 10.5 cm In very fine condition the first book by herman de vries appeared in 1960. 'book' may be a big word for this small format booklet of a few sheets, bound with two staples and, surprisingly, without print. no title on the cover, it is blank too. on the colophon page only a few words are printed, in very pale ink and in four languages, like a poem: 'wit / wit is overdaad / blanc est surabondance / white is superabundance / weiss ist übermässig / wit / wit / wit is overdaad'. one might say that this book is at the same time an end and a beginning. it constitutes the end of the work of a scientist soon to renounce the study of nature and who has just announced this by renaming the offprints of a personal scientific publication 'manifest of castrated reality'. it also marks the final point of his parallel work as a painter, related to the abstract movement 'zero'. from 1956 herman de vries has been making monochrome paintings and from 1959, white paintings. [source: Anne Moeglin-Delcroix, 'beyond language', in herman de vries. les livres & les publications (saint-yrieix-la-perche 2005) 29]
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Alberto Biasi: Torsioni Sovrapposte

Alberto Biasi: Torsioni Sovrapposte Noir Multiple: wood and pvc lamellae 2016. Signature engraved by the artist Edition 15 Size 52cm x 51cm x 10cm (20.5'' x 20.1'' x 3.9'') Condition perfect condition
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Nove tendencije 1-5 (komplet)

Nove tendencije 1-5 (komplet) Komplet kataloga za Nove tendencije / Nova tendencija / Tendencije Zagreb, 1961/1973 Design Ivan Picelj Format 20x21 cm Iznimno rijetko u kompletu.
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Ivan Picelj: Oeuvre programmée

Ivan Picelj: Oeuvre programmée Publisher Denise René Gallery , Paris, 1966. High Quality Screen Print / visokokvalitetan sitotisak 25 2/5 × 25 2/5 in 64.4 × 64.4 cm Signed E.A. 3/5
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Ivan Picelj: Nuova Tendenza 2

Nuova Tendenza 2 Design Ivan Picelj Plakat za talijansku izložbu Novih tendencija 2 Venecija / Venice 1963/64. Print: stamparia di Venezia
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Ivan Picelj: Knifer

Ivan Picelj: Knifer High Quality Screen Print / visokokvalitetan sitotisak 50x70 cm Galerija suvremene umjetnosti zagreb katarinin trg 2 24.11-13.12.1970. Bijela podloga, crni meandar. Gore tekst u tisku plave.
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François Morellet

François Morellet Trames 1967 / 1975 Silkscreen, ed. 37/90 68.8 x 68.6 cm Signed and dated in pencil lower right, numbered lower left
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EXAT 51: Zagreb, 1953.

EXAT 51: Manifest EXAT 51: Manifest Zagreb, 1953. A4 obostran + Proglas ONIMA, povodom zagrebačke izložbe, pisan na pisaćem stroju. Zagreb, Dvorana Društva arhitekata Hrvatske, 18.02.-04.03.1953. + EXAT 51: Zagreb 1953. Iznimno rijetko. Zagreb, Dvorana Društva arhitekata Hrvatske, 18.02.-04.03.1953. Pozivnica za izložbu Exat 51: Kristl / Picelj / Rašica / Srnec Design Ivan Picelj Jednobojni tisak (tamnosiva) na bijelom papiru. 25x11cm Stanje - odlično.
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Ivan Picelj: A (Edition a) 4

A (Edition a) 4. Serigraphie Brano Horvat. Ivan Picelj, vlastita naklada, Zagreb 1964. Founded by the painter Ivan Picelj edition a represented the aesthetic and ideological positions of the international art momevent New Tendencies, which took root in Za Anti gravi graphitron
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EXAT 51: Beograd 1953.

EXAT 51: Manifest Beograd, 1953. Manifest objavljen prigodom izložbe Kristl / Picelj / Rašica / Srnec A4 Na dva lista A4, obostrano. Presavijan. Tekst Jure Kaštelan
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Bit International: Complete 1-9

The bit international journal was published as part of the activities of the New Tendencies movement. The objective of the editors was: “to present information theory, exact aesthetics, design, mass media, visual communication, and related subjects, and t
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Mangelos: A (Edition a) 6

Artist Book, nonstories Mangelos. Jedan list, presavijen dva puta. Raširen, u formatu 16x47,8 cm. Sklopljen, format 16x16 cm. Godine 1968. Ivan Picelj je pokrenuo ediciju "a". Sveukupno je publicirano sedam brojeva Ova e
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Ivan Picelj: Getulio Alviani

Ivan Picelj: Getulio Alviani Galerija suvremene umjetnosti Zagreb, 1962. godine High Quality Screen Print / visokokvalitetan sitotisak 50x70cm Grafičko rješenje: okomite nepravilne geometrijske forme u kombinaciji tiska sive i srebrnosive boje. Gornji i donji dio plakata: horizontalne svijetlosive plohe s tekstom u tisku tamnosive: gore ime autora, dolje informacija o izložbi.
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Ivan Picelj: Oeuvre programmée

Ivan Picelj: Oeuvre programmée Denise René Gallery Paris, 1966. 50x65 cm High Quality Screen Print / visokokvalitetan sitotisak Signed and numbered. 5/50
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Ivan Picelj: Oeuvre programmée

Ivan Picelj: Oeuvre programmée Denise René Gallery Paris, 1966. 50x65 cm High Quality Screen Print / visokokvalitetan sitotisak
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François Morellet

François Morellet Trames 1956-1975 Silkscreen, ed. 46/90 68.5 x 68.5 cm Signed and dated in pencil lower right, numbered lower left
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Enzo Mari

Enzo Mari Enzo Mari (Italian, born 1932) ENSEMBLE DE TROIS CUBES Circa 1960 Medium: polyester resin Size: 7 x 7 x 7 cm. (2.8 x 2.8 x 2.8 in.) Editeur Danese Sculpture cinétique
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Jesus Rafael Soto: Composition

Jesus Rafael Soto: Composition 1963-1965 silkprint 50x70 cm signed and numbered edition 8/100
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Ivan Picelj: Tadeusz Szymański

Ivan Picelj: Tadeusz Szymański Muzeej za umjetnost i obrt Zagreb, 1963. godine 50x71 cm High Quality Screen Print / visokokvalitetan sitotisak Atelier Brane Horvat / Studio S
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Ivan Picelj: Oblikovanje

Ivan Picelj: Oblikovanje Zagreb, 1963. godine High Quality Screen Print / visokokvalitetan sitotisak 50x70cm Plakat za izložbu "Oblikovanje" u MUO u organizaciji ULUPUH-a. Plakat je tiskan u 2 boje (crvena i cna) na bijelom papiru. Raster crnih vertikalnih linija, 2 crvena kvadrata, krug izveden rasterom.
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Victor Vasarely: Cinetiques

Victor Vasarely: Cinétiques 5 sets of rodoïds Silkscreen/Serigraph Éditions du Griffon, Suisse, 1973. 29×24 cm 10 serigraphs: black on white background or vice versa, working in pairs. Each of the 5 images is printed on paper and then on a transparent plastic sheet, which allows an optical game by superposition. (Rodoïd) Victor Vasarely 3D Wall Sculpture/object - Set of 8. Measures 11x13x2 inches Each. 2 layers- Top layer printed on clear Lucite , bottom print on paper. From the portfolio Vasarely Cinetiques. Published by Edition Du Griffon Neuchatel. Circa 1973. Printed in Switzerland.
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