Publications & Catalogues

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Prosireni mediji / Expanded Media

SKC su osnovali 1968. Beogradski univerzitet i Univerzitetski odbor Saveza studenata Beograda, a 1992. ingerencije osnivača preuzela je Vlada Srbije. SKC je svečano otvoren 3. aprila 1971. prigodnom akademijom, ali je ubrzo oznacio prekretnicu u domacoj k
1.000,00 kn

Jasia Reichard: Cybernetics, Art, and Ideas

Cybernetics, Art, and Ideas - Jasia Reichard. Nema podataka ni u nacionalnim bibliotekama. Djelomično izdanje čuvene Cybernetics, Art, and Ideas, izdanje čini dio The digital Computer Art as a Creative Medium. Ćirilica. Stanje - odlično. Cybernetics, Ar
1.000,00 kn

Ida Biard: Inovacije

Inovacije; Katalog / publikacija povodom jedne od najvažnijih izložbi suvremene umjetnosti 70-ih. HDLU / Galerija Karas, Zagreb 1977. godine. Velikog formata 35x50cm, 12 stranica. Urednik izdanja Nenad Opačić, Predgovor i postav izložbe Ida Biard. Grafičk
1.000,00 kn

Galleria del Cavallino Cataloghi 1971.

Galleria del Cavallino Cataloghi 1971. Pagine: 130 La nuova Grafica, Luciano Celli, Antonio Carena, Mauro Raffini, Guido Sartorelli, Rosalda Gilardi, Cobra, Gino Morandis, Miroslav Šutej, Sguardo a Nord-Est, Bruno Saetti, Paolo Patelli, Enzo Degni, Giorgio Teardom Robert Indiana
1.000,00 kn

Richter / Otasevićc/ Velickovic

Lijepo dizajnirana tri kataloga, u zasebnom etuiu,za Bienalle di Venezia iz 1972. godine. Vjenceslav Richter, Vladimirom Veličkovićem. Dušan Otašević. Urednica Irina Subotić. Tekstovi na engleskom i talijanskom jeziku Irina Subotić i Miodrag B. Protić. Layout kataloga Kosta Bogdanović. Fotografije Hristifor Nastasić. Stanje - odlično.
1.000,00 kn

A History of Visual Communication

A History of Visual Communication by Josef Müller-Brockmann English / German / French language Verlag Arthur Niggli, 1971. pp 334 Bookjacket designed by Shizuko Muller Yoshikawa In very nice condition
1.000,00 kn

Nikola Dobrovic: Savremena arhitektura 1-3

Vlastita naklada iz 1952. godine. Uvod, istorijski deo, novi pravci, savremena bezornamentalna arhitektura, pokreti u slikarstvu i njihov uticaj na razvoj arhitektonske misli. Stanje - antikvarno odlično.
1.000,00 kn

Telo umetnika kao subjekt i objekt umetnosti

Vladimir Kopicl & Ana Raković Telo umetnika kao subjekt i objekt umetnosti Body Art Antologija Likovni salon tribine mladih - Novi Sad, 1972. 21,5 X 30 cm Materijal preuzet iz Avalanche, New York, / katalog `Dokumenta 5` Kassel i časopis Problemi, Ljubljana
1.000,00 kn

Novine Galerije SC 40

Novine Galerije SC 40 Zagreb, 1973. Novine izdaje: Galerija Studentskog centra, Zagreb, Savska 25, Studentski centar Sveučilišta u Zagrebu; dizajn novina Dubravko Budić; plakat za izložbu "Bućan Art": Mihajlo Arsovski; fotografije: P. Dabac, E. Midžić; novine su tiskane u 600 primjeraka; tisak: Medicinska naklada, Zagreb, Šalata 3; za novine i galeriju odgovara: Želimir Koščević; suradnici: Zvonko Maković, Ješa Denegri, Georg Jappe (art. international), Davor Lončarić, Fedor Kritovac, Darko Glavan, Želimir Koščević; Boris Bućan, Joseph Beuys, Gergelj Urkom, Akcija i Anonimna atrakcija, "Porodična manufaktura crnog hleba", Dušan Džamonja, Total design, Galerija stanara
1.000,00 kn

Novine Galerije SC 49

Novine Galerije Studentskog centra 49 Zagreb, 1974. 42 x 29,5 cm Novine izdaje: Galerija Studentskog centra, Zagreb, Savska 25, Studentski centar Sveučilišta u Zagrebu; dizajn novina: Željko Borčić; Fotografije: Željko Stojanović i Enes Midžić; novine su tiskane u 600 primjeraka; tisak: Grafički srednjoškolski centar, Zagreb; za novine i galeriju odgovara: Želimir Koščević; suradnici: Vladimir Gudac, Darko Glavan, Želimir Koščević, Slavko Timotijević, prijevod na engleski: Ann Kramer-Borčić; Braco Dimitrijević, Beuys, Miroslav Krleža, Robert Davidson, Bruno Munari, Oskar Herman, Jan Dibbets, Viktor Papanek, Daniel Buren
1.000,00 kn

The Machine Seen at the End of Mechanical Age

Pontus K.G. Hulten: The Machine Seen at the End of Mechanical Age (1968-1969) New York: Museum of Modern Art, 1968. Metak Hardcover, 218pp The Machine as Seen at the End of the Mechanical Age was one of the most important exhibitions of the 1960s dealing with art and technology. The show was held at The Museum of Modern Art, New York, November 25, 1968 - February 9, 1969. Its curator K.G. Pontus Hultén described it as a "collection of comments on technology by artists of the Western world," particularly in the modern age when "the mechanical machine - which can most easily be defined as an imitation of our muscles - is losing its dominating position among the tools of mankind; while electronic and chemical devices - which imitate the processes of the brain and the nervous system - are becoming increasingly important." The exhibition traveled to University of St. Thomas, Houston, March 25 - May 18, 1969; San Francisco Museum of Art, San Francisco June 23 - August 24, 1969.
1.000,00 kn

Izgled / Juni 77

Izgled / Juni 77 Srećna nova umetnost, Beograd, 1977. Urednik Vladimir Jovanović 15x35 cm The first announcement of a Kozmetika concert appeared in June 1977, on the back cover of Izgled magazine. The author of that magazine, as well as of the name of the group, was painter Vladimir Jovanović, one of many visual artists who tried themselves out as R’n’R musicians. Explaining the name of the band, he spoke about a visual art technique he invented himself – painting with face powder and lipstick. Izgled was a fanzine, self-published, but it was completely different from the punk fanzines made in those days. It looked like Warhol’s Interview, and was under the strong influence of David Bowie’s aesthetics. Kozmetika was the other face of Izgled, and its members were Marko Pešić, Saša Nikolić, Goran Vejvoda and Slobodan Konjović. Since they were without a formal musical education, they began to work within a band context in order to gain musical experience and investigate the potential of mutual communications through playing in the band. They had no pretentions to great careers, and no desire to be stars in the eyes of the audience – they were already that in their own eyes, even before they started playing. They made only one record, which they worked on for three years.
1.000,00 kn

Izgled / Maj 78

Izgled / Maj 78 Galerija suvremene umjetnosti, Zagreb, 1978. Urednici Vladimir Jovanović i Marko Pešić 32x45 cm The first announcement of a Kozmetika concert appeared in June 1977, on the back cover of Izgled magazine. The author of that magazine, as well as of the name of the group, was painter Vladimir Jovanović, one of many visual artists who tried themselves out as R’n’R musicians. Explaining the name of the band, he spoke about a visual art technique he invented himself – painting with face powder and lipstick. Izgled was a fanzine, self-published, but it was completely different from the punk fanzines made in those days. It looked like Warhol’s Interview, and was under the strong influence of David Bowie’s aesthetics. Kozmetika was the other face of Izgled, and its members were Marko Pešić, Saša Nikolić, Goran Vejvoda and Slobodan Konjović. Since they were without a formal musical education, they began to work within a band context in order to gain musical experience and investigate the potential of mutual communications through playing in the band. They had no pretentions to great careers, and no desire to be stars in the eyes of the audience – they were already that in their own eyes, even before they started playing. They made only one record, which they worked on for three years.
1.000,00 kn

Novine Galerije SC 11

Novine Galerije SC 11 Zagreb, Dalibor Martinis, Stano Filko, Boris Bućan, Davor Tomičić Novine galerije Studentskog centra Studenstki centar Sveučilištau Zagrebu, Galerija Studentskog centra, Zagreb, Savska 25; Plakat B. Bućan, Katalog D. Tomičić; katalog štampan u 500 primjeraka; tisak: Medicinska naklada, Zagreb, Šalata 3; Dalibor Martinis, Stano Filko
750,00 kn

Darko Schneider, uvod: Minja Bosanac

Luskuzno 3D izdanje, platneni pa tvrdi spiralni uvez + kutija.
750,00 kn

Vlado Kristl: Ende der ordnung

Vlado Kristl (1923. - 2004.) jedan je od najsvestranijih, najintrigantnijih i najutjecajnijih hrvatskih umjetnika druge polovice dvadesetog stoljeća. Njegov vrlo zanimljiv i kvalitetan umjetnički opus javnost i kritika nerijetko su pratili kroz prizmu got
750,00 kn

Kronotop hrvatskoga performansa: od Travelera do danas

The Chronotope of Croatian Performance Art: from Traveleri to the Present Day (Kronotop hrvatskoga performansa: od Travelera do danas) covers the life of performance art in Croatia from two standpoints: the avant-garde from the early 1920s (e.g. the group
750,00 kn

Toso Dabac: Metropola Hrvata

Prvo, ratno izdanje iz 1943. godine. Naklada Velzek Zagreb. Tvrdi uvez s ovitkom. U odličnom stanju. Tisak Tipografije Zagreb. Predgovor na hrvatskom i njemačkom jeziku Josip Horvat.
750,00 kn

Gera Urkom: GSU Zagreb, 1981

Gera Urkom - Izložba - GSU Zagreb 1981.
500,00 kn

Vojin Bakic: Vojin Bakic - katalog 1958.

Vojin Bakić - katalog za izložbu u Gradskoj galeriji suvremene umjetnosti Zagreb, 1958. Djela nastala između 1953. i 1958. godine. Uvod: Milan Prelog, Olga Jevrić, Radoslav Putar, Grgo Gamulin, Mića Bašičević Mangelos, Josip Depolo i Kosta Angeli Radovani
500,00 kn

Vladimir Dodig Trokut: amuleti cini arkane

Plakat / katalog - Vladimir Dodig Trokut - amuketi čini arkane, Galerija suvremene umjetnosti, Zagreb 1980. godine. Predgovor marijan Susovski. Fotografije Fedor Vučemilović. Dokumentacija Ksenija Pavlinić. Plakat 42x62cm Stanje - odlično
500,00 kn

Damnjan 1970-1980

Damnjan 1970-1980. Galerija suvremene umjetnosti, Zagreb 1981.
450,00 kn

Mio Vesovic: Rosebud (pupoljak)

Plakat / katalog; Mio Vesović - Rosebud (pupoljak). Izložba iz 1985. godine. Predgovor na engleskom i hravtskom jeziku Davor matičević. Urednik Mladen Lučić. Format 23x30, rastvoren kao plakat 46x60. Stanje - odlično.
450,00 kn

Sir Fitzroy Maclean: Aspects 75 - Contemporary Yugoslav art

Aspects 75 - Contemporary Yugoslav art presented by Richard Demarco Gallery. Catalogue designer Boris Bućan. Foreword Radoslav Putar, Marijan Susovski, Richard Demarco, Ješa Dengri, Aleksander Bassin.
450,00 kn