László Kerekes - Pictura erupta (Új symposion). Novi Sad 1986. godine. Glavni urednik Purger Tibor. Art Consultant Ješa Denegri. Urednik Laszlo Lantos. Tehnički urednik Stefan Oszkar. Design László Kerekes. Fotografije László Kerekes i Etelka Kerekes. Xer
Željko Kipke, vlastita naklada, Zagreb 1981. godine. Tiraž 100 komada, na naslovnici i prvoj stranici ispisano rukom. Zeljko Kipke, Zagreb, 1981. Saddle Stich. Book Condition: very Good. No Jacket. 100 Copies. Contributors: Zeljko Kipke, Darko Simicic, An
Radomir Damnjanović - Slike - Salon muzeja savremene umetnosti, Beograd 1970. godine.
Radomir Damnjanović Damnjan (Serbian Cyrillic: Радомир Дамњановић Дамњан, Mostar, 10 December 1935) is a Serbian painter and conceptual artist. He lives and works in M
Originalna pozivnica / fotografija za; izložba - akcija 25.10.1975. godine na Trgu Republike u Zagrebu.
Boris Demur, Željko Jerman, Vlado Martek, Mladen Stilinović, Sven Stilinović, Fedor Vučemilović.
A3 / Grupa za akciju i anonimnu atrakciju
Grupa izvodi akciju i anonimnu atrakciju u Zagrebu, u utorak, 27.06.1972.
Galerija Studentskog centra, Zagreb
Letak 24x30 cm
Grupu čine: Dobrivoje Petrović, Nenad Petrović, Jugoslav Vlahović, Rista banić, Slavko Timotijević, Mladen Jevdjović i nitko više
Antun Maračić:
Ispražnjeni okviri / Iščezli sadržaji, 1991.-2017.
Emptied frames/Vanished contents, 1991-2017
(ponovljeni rad iz 1991-1994 / remake of the work of 1991-1994
stalni postav neizvjesnog trajanja; stanje nakon akcije nepoznatog devastatora - nehotičnog "suradnika
permanent display, duration uncertain; the state after the action of an unknown devastator - inadvertent "associate"
Pet razglednica 16x10,5cm
Katalog za izložbu Jurja Dobrovića, Galerija suvremene umjetnosti, Zagreb 1971. Uključuje originalnu serigrafiju. Uvod Radoslav Putar. Prijelom kataloga i plakat Ivan Picelj. Serigrafija Brano Horvat. Naklada 500.
Bruno Munari - Izložba, katalog - GSU Zagreb 1973 + Bruno Munari - Pozivnica Izložba - GSU Zagreb 1973. Uključuje svilotisak Brane Horvata. Layout, plakat i poster Ivan Picelj. Predgovor Paolo Fosatti.
Miroslav Šutej: 34 Biennale de Venice, 1968.
Uključuje serigrafiju - izrada Brano Horvat
Predgovor / Preface Vera Horvat Pintarić
Plakat i katalog, design: Ivan Picelj
20x21cm
24p
Bruno Munari: the MC 1 Architecture Box
Originally produced in 1945, the MC 1 Architecture Box - New Edition contains a series of “bricks” of different shapes. Put together differently, you can make any number of buildings, from houses to churches, ancient castles to modern garages, hotels, skyscrapers, factories, towers, aqueducts, temples, stations, hangars, pile dwellings, houses with porticoes, balconies, terraces, and so on.
The attached booklet contains over sixty examples which can be multiplied by the imagination of whoever is playing with them, just some of the infinite constructions that can be build.
The MC 1 Architecture Box - New Edition is made of cardboard. This new edition features “bricks” made of unhewn beechwood.
Dimension: 43.0 x 13.0 cm
Languages: Italian and English texts
1st edition: 10/2018
Edition: 10/2018
Corraini Editions, Mantova / Italy
Vrlo rijetko u ponudi. katalog 19,5x29,5 koji se rastvara u plakat 39x59 cm. XVI Sao Paulo Biennial: Groups Gorgona + Oho from Yugoslavia. Museu de Arte Moderna, 1981. Predgovor na engleskom jeziku Davor Matičević. Stanje - odlično
Likovna oprema Duško Kirćanski. Grafička oprema Nenad Čonkić. Objavljeno troškom autora. Ilustrirana poezija, lijepo i zanimljivo izdanje iz 1979. godine.
Slavko Matković: Ich Bin Kunstler
Subotica, 1989.
Tekstovi na srpskom i mađarskom jeziku Ješa Denegri i Balint Szombathy
Dizajn: Art Lover
21,5x20cm
12pp
Nuša i Srečo Dragan (geff 69)
Autor fotografije Petar Dabac
Fotografija je snimljena na geff-u '69
Zagreb, 1970. godine
Original fotografija iz vremena
12x9cm
Vladimir Kopicl & Ana Raković
Telo umetnika kao subjekt i objekt umetnosti
Body Art Antologija
Likovni salon tribine mladih - Novi Sad, 1972.
21,5 X 30 cm
Materijal preuzet iz Avalanche, New York, / katalog `Dokumenta 5` Kassel i časopis Problemi, Ljubljana
Izgled / Juni 77
Srećna nova umetnost, Beograd, 1977.
Urednik Vladimir Jovanović
15x35 cm
The first announcement of a Kozmetika concert appeared in June 1977, on the back cover of Izgled magazine. The author of that magazine, as well as of the name of the group, was painter Vladimir Jovanović, one of many visual artists who tried themselves out as R’n’R musicians. Explaining the name of the band, he spoke about a visual art technique he invented himself – painting with face powder and lipstick. Izgled was a fanzine, self-published, but it was completely different from the punk fanzines made in those days. It looked like Warhol’s Interview, and was under the strong influence of David Bowie’s aesthetics. Kozmetika was the other face of Izgled, and its members were Marko Pešić, Saša Nikolić, Goran Vejvoda and Slobodan Konjović. Since they were without a formal musical education, they began to work within a band context in order to gain musical experience and investigate the potential of mutual communications through playing in the band. They had no pretentions to great careers, and no desire to be stars in the eyes of the audience – they were already that in their own eyes, even before they started playing. They made only one record, which they worked on for three years.
Izgled / Maj 78
Galerija suvremene umjetnosti, Zagreb, 1978.
Urednici Vladimir Jovanović i Marko Pešić
32x45 cm
The first announcement of a Kozmetika concert appeared in June 1977, on the back cover of Izgled magazine. The author of that magazine, as well as of the name of the group, was painter Vladimir Jovanović, one of many visual artists who tried themselves out as R’n’R musicians. Explaining the name of the band, he spoke about a visual art technique he invented himself – painting with face powder and lipstick. Izgled was a fanzine, self-published, but it was completely different from the punk fanzines made in those days. It looked like Warhol’s Interview, and was under the strong influence of David Bowie’s aesthetics. Kozmetika was the other face of Izgled, and its members were Marko Pešić, Saša Nikolić, Goran Vejvoda and Slobodan Konjović. Since they were without a formal musical education, they began to work within a band context in order to gain musical experience and investigate the potential of mutual communications through playing in the band. They had no pretentions to great careers, and no desire to be stars in the eyes of the audience – they were already that in their own eyes, even before they started playing. They made only one record, which they worked on for three years.
Lijepi, bogato ilistrirani katalog Juraj Dobrović, Julije Knifer i Vjenceslav Richter - XI bienal de Sao Paolo, octobar - november 1973. Introduction Radoslav Putar. Fotografije Mitja KOman. Printed in GZH. Editor Božo Bek. Layout Željko Škeljo.
Lijepo dizajnirani katalog za nastup Vjenceslava Richtera - Richter - 36. Bienalle di Venezia iz 1972. godine. Richter je sudjelovao zajedno sa Dušanom Otaševićem i Vladimirom Veličkovićem. Urednica Irina Subotić. Tekstovi na engleskom i talijanskom jezik
Novine Galerije Studentskog centra 49
Zagreb, 1974.
42 x 29,5 cm
Novine izdaje: Galerija Studentskog centra, Zagreb, Savska 25, Studentski centar Sveučilišta u Zagrebu; dizajn novina: Željko Borčić; Fotografije: Željko Stojanović i Enes Midžić; novine su tiskane u 600 primjeraka; tisak: Grafički srednjoškolski centar, Zagreb; za novine i galeriju odgovara: Želimir Koščević; suradnici: Vladimir Gudac, Darko Glavan, Želimir Koščević, Slavko Timotijević, prijevod na engleski: Ann Kramer-Borčić; Braco Dimitrijević, Beuys, Miroslav Krleža, Robert Davidson, Bruno Munari, Oskar Herman, Jan Dibbets, Viktor Papanek, Daniel Buren