ART

Filmski bilten 8 umnožavan tekst na pisaćoj mašini, originalne slike lepljene na stranice izdaje klub umetnosti pri radničkom univerzitetu Beočin Slog i fotografije Đ. Konrad - omot štampao Progres Novi Sad Mala avangardna filmska škola misao poezija u filmu geff hronologija geff antifilm i mi geff susret - eksperimentalni film geff belo platno heroji bauerovog filma su ljudi umetnost prostora milton manaki pravila montaže filmovi koji dolaze odjek petar blagojević

Franci Zagoričnik: Nihilizem je humanizem Znamenja 84 Maribor, 1985. Likovna oprema Marko Pogačnik

Vrlo rijetko u ponudi. katalog 19,5x29,5 koji se rastvara u plakat 39x59 cm. XVI Sao Paulo Biennial: Groups Gorgona + Oho from Yugoslavia. Museu de Arte Moderna, 1981. Predgovor na engleskom jeziku Davor Matičević. Stanje - odlično

Dubravka Rakoci: Zagreb Circles. ifa-Galerie Bonn, 1993. Plakat. 55x85cm Presavijan. U odličnom stanju. Verantwortlich Iris Lenz & Stephanie Jacobs. Gestaltung Walther Mertel Photographie - Goran Petercol, Dubravka Rakoci, Nino Semialjac Litographie APEX Koln 18x29cm Condition - like new.

Bruno Munari: the MC 1 Architecture Box Originally produced in 1945, the MC 1 Architecture Box - New Edition contains a series of “bricks” of different shapes. Put together differently, you can make any number of buildings, from houses to churches, ancient castles to modern garages, hotels, skyscrapers, factories, towers, aqueducts, temples, stations, hangars, pile dwellings, houses with porticoes, balconies, terraces, and so on. The attached booklet contains over sixty examples which can be multiplied by the imagination of whoever is playing with them, just some of the infinite constructions that can be build. The MC 1 Architecture Box - New Edition is made of cardboard. This new edition features “bricks” made of unhewn beechwood. Dimension: 43.0 x 13.0 cm Languages: Italian and English texts 1st edition: 10/2018 Edition: 10/2018 Corraini Editions, Mantova / Italy

Slavko Matković: Ich Bin Kunstler Subotica, 1989. Tekstovi na srpskom i mađarskom jeziku Ješa Denegri i Balint Szombathy Dizajn: Art Lover 21,5x20cm 12pp

Slavko Matković: Work Subotica, 1971. Independetly Publisx Autxor Slavqo Matqović 15x21cm

Novine Galerije Studentskog centra 49 Zagreb, 1974. 42 x 29,5 cm Novine izdaje: Galerija Studentskog centra, Zagreb, Savska 25, Studentski centar Sveučilišta u Zagrebu; dizajn novina: Željko Borčić; Fotografije: Željko Stojanović i Enes Midžić; novine su tiskane u 600 primjeraka; tisak: Grafički srednjoškolski centar, Zagreb; za novine i galeriju odgovara: Želimir Koščević; suradnici: Vladimir Gudac, Darko Glavan, Želimir Koščević, Slavko Timotijević, prijevod na engleski: Ann Kramer-Borčić; Braco Dimitrijević, Beuys, Miroslav Krleža, Robert Davidson, Bruno Munari, Oskar Herman, Jan Dibbets, Viktor Papanek, Daniel Buren

Izgled / Juni 77 Srećna nova umetnost, Beograd, 1977. Urednik Vladimir Jovanović 15x35 cm The first announcement of a Kozmetika concert appeared in June 1977, on the back cover of Izgled magazine. The author of that magazine, as well as of the name of the group, was painter Vladimir Jovanović, one of many visual artists who tried themselves out as R’n’R musicians. Explaining the name of the band, he spoke about a visual art technique he invented himself – painting with face powder and lipstick. Izgled was a fanzine, self-published, but it was completely different from the punk fanzines made in those days. It looked like Warhol’s Interview, and was under the strong influence of David Bowie’s aesthetics. Kozmetika was the other face of Izgled, and its members were Marko Pešić, Saša Nikolić, Goran Vejvoda and Slobodan Konjović. Since they were without a formal musical education, they began to work within a band context in order to gain musical experience and investigate the potential of mutual communications through playing in the band. They had no pretentions to great careers, and no desire to be stars in the eyes of the audience – they were already that in their own eyes, even before they started playing. They made only one record, which they worked on for three years.

Izgled / Maj 78 Galerija suvremene umjetnosti, Zagreb, 1978. Urednici Vladimir Jovanović i Marko Pešić 32x45 cm The first announcement of a Kozmetika concert appeared in June 1977, on the back cover of Izgled magazine. The author of that magazine, as well as of the name of the group, was painter Vladimir Jovanović, one of many visual artists who tried themselves out as R’n’R musicians. Explaining the name of the band, he spoke about a visual art technique he invented himself – painting with face powder and lipstick. Izgled was a fanzine, self-published, but it was completely different from the punk fanzines made in those days. It looked like Warhol’s Interview, and was under the strong influence of David Bowie’s aesthetics. Kozmetika was the other face of Izgled, and its members were Marko Pešić, Saša Nikolić, Goran Vejvoda and Slobodan Konjović. Since they were without a formal musical education, they began to work within a band context in order to gain musical experience and investigate the potential of mutual communications through playing in the band. They had no pretentions to great careers, and no desire to be stars in the eyes of the audience – they were already that in their own eyes, even before they started playing. They made only one record, which they worked on for three years.

Lijepi, bogato ilistrirani katalog Juraj Dobrović, Julije Knifer i Vjenceslav Richter - XI bienal de Sao Paolo, octobar - november 1973. Introduction Radoslav Putar. Fotografije Mitja KOman. Printed in GZH. Editor Božo Bek. Layout Željko Škeljo.

Monografija o Vjenceslavu Richteru. Dvojezično izdanje, hrvatsko - englesko. Iz pera Vere Horvat Pintarić, iznimne pozavateljice povijest

Lijepo dizajnirani katalog za nastup Vjenceslava Richtera - Richter - 36. Bienalle di Venezia iz 1972. godine. Richter je sudjelovao zajedno sa Dušanom Otaševićem i Vladimirom Veličkovićem. Urednica Irina Subotić. Tekstovi na engleskom i talijanskom jezik

Vladimir Kopicl & Ana Raković Telo umetnika kao subjekt i objekt umetnosti Body Art Antologija Likovni salon tribine mladih - Novi Sad, 1972. 21,5 X 30 cm Materijal preuzet iz Avalanche, New York, / katalog `Dokumenta 5` Kassel i časopis Problemi, Ljubljana

Bruno Munari - Izložba, katalog - GSU Zagreb 1973 + Bruno Munari - Pozivnica Izložba - GSU Zagreb 1973. Uključuje svilotisak Brane Horvata. Layout, plakat i poster Ivan Picelj. Predgovor Paolo Fosatti.

Miroslav Šutej: 34 Biennale de Venice, 1968. Uključuje serigrafiju - izrada Brano Horvat Predgovor / Preface Vera Horvat Pintarić Plakat i katalog, design: Ivan Picelj 20x21cm 24p

Nouvelles Tendances Originalna pozivnica za prvu izložbu Novih tendencija, Zagreb, 1961. godine. 10x20,5cm Silkprint / Sitotisak

Katalog za izložbu Ivana Picelja - Galerija suvremene umjetnosti, Zagreb 1966. godine. Vrlo rijetko u ponudi. Uključuje serigrafiju Branje Horvata. Predgovor na hrvatskom i francuskom jeziku Abraham A. Moles. Katalog Ivan Picelj. Plakat Mihajlo Arsovski. Fotografije Tošo Dabac i Branko Balić- Stanje - odlično.

Nuša i Srečo Dragan (geff 69) Autor fotografije Petar Dabac Fotografija je snimljena na geff-u '69 Zagreb, 1970. godine Original fotografija iz vremena 12x9cm

13th meeting of experimantal filmmakers U Zagrebu je između 19. i 22. prosinca 1963. održan prvi festival GEFF-a, što je ujedno bio prvi susret filmskih eksperimentatora. Organizator je bio Kinoklub Zagreb uz pomoć Saveza jugoslovenskih amaterskih kinoklubova. Kinoteka je predstavila tri večeri svjetskog eksperimentalnog filma, uključujući autore kao što su Norman Mclaren, Slavko Vorkapić (s vizualnim interpretacijama Beethovenove glazbe u filmovima Fingalova pećina, 1940. i Šuma šumori, 1941), Maya Deren, Hans Richter, Louis Buñuel, Germaine Dulac, Rene Clair, Aleksander Medvedkin, Sergej Ejzenštajn, Dziga Vertov. Na samu festivalu sudjelovalo je trinaest kinoklubova i organizirane su brojne projekcije. Četrdeset filmova prošlo je natjecateljsku selekciju, dok su u Salonu odbijenih i u informativnoj selekciji sveukupno prikazana pedeset četiri filma. Četrdeset četiri autora prezentirala su svoje eksperimentalne filmove, većinom u produkciji Kinokluba Zagreb i Kinokluba Beograd. Članovi žirija bili su: Vatroslav Mimica, redatelj; Vjenceslav Richter, arhitekt; Mladen Škiljan, kazališni redatelj; Radoslav Putar, likovni kritičar; Mića Popović, slikar; Slobodan Novaković, novinar; Branko Tomulić, redatelj; Branko Belan, pisac. Svaki član nagradio je filmove po vlastitom izboru. Prijepodne jednog fauna (1963) Tomislava Gotovca i Vladimira Peteka postigao je najveći uspjeh, dok je Petek dobio priznanje za svoje odabrane filmove koji se smatraju prvim antifilmovima32 festivala. Drugi su nagrađeni filmovi: Doručak Srđana Karanovića (1963), Zid Kokana Rakonjca (1960), Tragovi čovjeka Ivana Martinca (1961), Antonijevo razbijeno ogledalo Dušana Makavejeva (1957), Twist-twist Ante Verzottija (1962), Smrt Tomislava Gotovca (1962) i Kula (1963) Dragoljuba Ivkova.

Govor riječi i prostora - Josip Stošić, katalog za izložbu iz 1972. godine. Layout kataloga Ivan Picelj. Plakat Mihajlo Arsovski. Naklada 500.

The Chronotope of Croatian Performance Art: from Traveleri to the Present Day (Kronotop hrvatskoga performansa: od Travelera do danas) covers the life of performance art in Croatia from two standpoints: the avant-garde from the early 1920s (e.g. the group

Trigon 67: Ambiente/Environment Two volumes Graphic design catalogue Yugoslavia and Germany (Mario Ceroli, Gianni Colombo, Luciano Fabro, Enzo Mari, Giuseppe Uncini, Jaki-Joza Horvat, Ivan Picelj, Vjenceslav Richter, Miroslav Sutej, Drago Trsar, Marc Adrian, Roland Goeschl, Oswald Oberhuber, Josef Pillhofer, Rudolf Pointner, Jorrit Tornquist). Text in German, Italian and Croatian.

SKC su osnovali 1968. Beogradski univerzitet i Univerzitetski odbor Saveza studenata Beograda, a 1992. ingerencije osnivača preuzela je Vlada Srbije. SKC je svečano otvoren 3. aprila 1971. prigodnom akademijom, ali je ubrzo oznacio prekretnicu u domacoj k