ART

Originalna pozivnica / fotografija za; izložba - akcija 25.10.1975. godine na Trgu Republike u Zagrebu. Boris Demur, Željko Jerman, Vlado Martek, Mladen Stilinović, Sven Stilinović, Fedor Vučemilović.

A3 / Grupa za akciju i anonimnu atrakciju Grupa izvodi akciju i anonimnu atrakciju u Zagrebu, u utorak, 27.06.1972. Galerija Studentskog centra, Zagreb Letak 24x30 cm Grupu čine: Dobrivoje Petrović, Nenad Petrović, Jugoslav Vlahović, Rista banić, Slavko Timotijević, Mladen Jevdjović i nitko više

Antun Maračić: Ispražnjeni okviri / Iščezli sadržaji, 1991.-2017. Emptied frames/Vanished contents, 1991-2017 (ponovljeni rad iz 1991-1994 / remake of the work of 1991-1994 stalni postav neizvjesnog trajanja; stanje nakon akcije nepoznatog devastatora - nehotičnog "suradnika permanent display, duration uncertain; the state after the action of an unknown devastator - inadvertent "associate" Pet razglednica 16x10,5cm

Slavko Matković: Ich Bin Kunstler Subotica, 1989. Tekstovi na srpskom i mađarskom jeziku Ješa Denegri i Balint Szombathy Dizajn: Art Lover 21,5x20cm 12pp

Slavko Matković: Work Subotica, 1971. Independetly Publisx Autxor Slavqo Matqović 15x21cm

Izgled / Juni 77 Srećna nova umetnost, Beograd, 1977. Urednik Vladimir Jovanović 15x35 cm The first announcement of a Kozmetika concert appeared in June 1977, on the back cover of Izgled magazine. The author of that magazine, as well as of the name of the group, was painter Vladimir Jovanović, one of many visual artists who tried themselves out as R’n’R musicians. Explaining the name of the band, he spoke about a visual art technique he invented himself – painting with face powder and lipstick. Izgled was a fanzine, self-published, but it was completely different from the punk fanzines made in those days. It looked like Warhol’s Interview, and was under the strong influence of David Bowie’s aesthetics. Kozmetika was the other face of Izgled, and its members were Marko Pešić, Saša Nikolić, Goran Vejvoda and Slobodan Konjović. Since they were without a formal musical education, they began to work within a band context in order to gain musical experience and investigate the potential of mutual communications through playing in the band. They had no pretentions to great careers, and no desire to be stars in the eyes of the audience – they were already that in their own eyes, even before they started playing. They made only one record, which they worked on for three years.

Izgled / Maj 78 Galerija suvremene umjetnosti, Zagreb, 1978. Urednici Vladimir Jovanović i Marko Pešić 32x45 cm The first announcement of a Kozmetika concert appeared in June 1977, on the back cover of Izgled magazine. The author of that magazine, as well as of the name of the group, was painter Vladimir Jovanović, one of many visual artists who tried themselves out as R’n’R musicians. Explaining the name of the band, he spoke about a visual art technique he invented himself – painting with face powder and lipstick. Izgled was a fanzine, self-published, but it was completely different from the punk fanzines made in those days. It looked like Warhol’s Interview, and was under the strong influence of David Bowie’s aesthetics. Kozmetika was the other face of Izgled, and its members were Marko Pešić, Saša Nikolić, Goran Vejvoda and Slobodan Konjović. Since they were without a formal musical education, they began to work within a band context in order to gain musical experience and investigate the potential of mutual communications through playing in the band. They had no pretentions to great careers, and no desire to be stars in the eyes of the audience – they were already that in their own eyes, even before they started playing. They made only one record, which they worked on for three years.

Lijepi, bogato ilistrirani katalog Juraj Dobrović, Julije Knifer i Vjenceslav Richter - XI bienal de Sao Paolo, octobar - november 1973. Introduction Radoslav Putar. Fotografije Mitja KOman. Printed in GZH. Editor Božo Bek. Layout Željko Škeljo.

Monografija o Vjenceslavu Richteru. Dvojezično izdanje, hrvatsko - englesko. Iz pera Vere Horvat Pintarić, iznimne pozavateljice povijest

Lijepo dizajnirani katalog za nastup Vjenceslava Richtera - Richter - 36. Bienalle di Venezia iz 1972. godine. Richter je sudjelovao zajedno sa Dušanom Otaševićem i Vladimirom Veličkovićem. Urednica Irina Subotić. Tekstovi na engleskom i talijanskom jezik

Novine Galerije Studentskog centra 49 Zagreb, 1974. 42 x 29,5 cm Novine izdaje: Galerija Studentskog centra, Zagreb, Savska 25, Studentski centar Sveučilišta u Zagrebu; dizajn novina: Željko Borčić; Fotografije: Željko Stojanović i Enes Midžić; novine su tiskane u 600 primjeraka; tisak: Grafički srednjoškolski centar, Zagreb; za novine i galeriju odgovara: Želimir Koščević; suradnici: Vladimir Gudac, Darko Glavan, Želimir Koščević, Slavko Timotijević, prijevod na engleski: Ann Kramer-Borčić; Braco Dimitrijević, Beuys, Miroslav Krleža, Robert Davidson, Bruno Munari, Oskar Herman, Jan Dibbets, Viktor Papanek, Daniel Buren

Nouvelles Tendances Originalna pozivnica za prvu izložbu Novih tendencija, Zagreb, 1961. godine. 10x20,5cm Silkprint / Sitotisak

Bruno Munari - Izložba, katalog - GSU Zagreb 1973 + Bruno Munari - Pozivnica Izložba - GSU Zagreb 1973. Uključuje svilotisak Brane Horvata. Layout, plakat i poster Ivan Picelj. Predgovor Paolo Fosatti.

Miroslav Šutej: 34 Biennale de Venice, 1968. Uključuje serigrafiju - izrada Brano Horvat Predgovor / Preface Vera Horvat Pintarić Plakat i katalog, design: Ivan Picelj 20x21cm 24p

Vrlo rijetko u ponudi. katalog 19,5x29,5 koji se rastvara u plakat 39x59 cm. XVI Sao Paulo Biennial: Groups Gorgona + Oho from Yugoslavia. Museu de Arte Moderna, 1981. Predgovor na engleskom jeziku Davor Matičević. Stanje - odlično

Vladimir Kopicl & Ana Raković Telo umetnika kao subjekt i objekt umetnosti Body Art Antologija Likovni salon tribine mladih - Novi Sad, 1972. 21,5 X 30 cm Materijal preuzet iz Avalanche, New York, / katalog `Dokumenta 5` Kassel i časopis Problemi, Ljubljana

Govor riječi i prostora - Josip Stošić, katalog za izložbu iz 1972. godine. Layout kataloga Ivan Picelj. Plakat Mihajlo Arsovski. Naklada 500.

The Chronotope of Croatian Performance Art: from Traveleri to the Present Day (Kronotop hrvatskoga performansa: od Travelera do danas) covers the life of performance art in Croatia from two standpoints: the avant-garde from the early 1920s (e.g. the group

SKC su osnovali 1968. Beogradski univerzitet i Univerzitetski odbor Saveza studenata Beograda, a 1992. ingerencije osnivača preuzela je Vlada Srbije. SKC je svečano otvoren 3. aprila 1971. prigodnom akademijom, ali je ubrzo oznacio prekretnicu u domacoj k

Inovacije; Katalog / publikacija povodom jedne od najvažnijih izložbi suvremene umjetnosti 70-ih. HDLU / Galerija Karas, Zagreb 1977. godine. Velikog formata 35x50cm, 12 stranica. Urednik izdanja Nenad Opačić, Predgovor i postav izložbe Ida Biard. Grafičk

A History of Visual Communication by Josef Müller-Brockmann English / German / French language Verlag Arthur Niggli, 1971. pp 334 Bookjacket designed by Shizuko Muller Yoshikawa In very nice condition

Vlado Kristl (1923. - 2004.) jedan je od najsvestranijih, najintrigantnijih i najutjecajnijih hrvatskih umjetnika druge polovice dvadesetog stoljeća. Njegov vrlo zanimljiv i kvalitetan umjetnički opus javnost i kritika nerijetko su pratili kroz prizmu got

Hrvatska / zemlja ljepote : Kroaten / Land der Schonheit Autor August Frajdić. Suradnik Josip Horvat Fotografska monografija. August Frajtić: Hrvatska zemlja ljepote. 31 list tekst; 48 fotografija; tabela s popisom ilustracija i fotografa. (Ernest Cuvaj, Tošo Dabac, Dušan Frković, Mladen Grčević, Ignajt Habermuller, Margareta Komzak, Božidar Krznariž, Radoslav Lorković, Milan Moravec, Maksimilijan Paspa, Tedor Paspa, Zlatko Speis, Edmund Stoger, Marijan Kirasić, EugenTrišler. U knjizi su predstavljene četri fotografije Mladena Grčevića: Kamenita vrata u Zagrebu, Trg pred prvostolnom crkvom, Grad Veliki Tabor u Hrvatskom zagorju, Zalaz sunca za Učkom, Istra.

Pero Dabac, Marija Braut, Tošo Dabac, Enes Midžić. Četriri iznimno rijetka, lijepa i zanimljiva kataloga za izložbu Tošo Dabac und sein atelier. Mannhaim, 1972. godine. Neobičnog formata 12x24 cm, iznimnog dizajna i kvalitete, tiskano u Grafičkom zavodu H