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Ivan Picelj: Kompozicija IV

Ivan Picelj: Kompozicija IV Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.
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Rok 1-4

Rok 1-4 Rok 1 - Beograd 1969. godine. 22x22cm Rok 2 - Beograd 1969. godine. 22x22cm Rok 3 - Beograd, 1969. Oprema Branko Vučičević (ZMKS) 14x20cm Rok 4a - Beograd, 1970. 21x20,5cm In prestige list in Artists' Magazines: An Alternative Space for Art (The MIT Press) by Gwen Allen
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Ivan Picelj: Kompozicija Y23

Ivan Picelj: Kompozicija Y23 Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.
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OHO: Pegam in Lambergar

OHO: Pegam in Lambergar Art Marko Pogačnik Poezija / Poetry Iztok Geister-Plamen Artist Book edicija OHO 11.1 x 20.1 cm V Ljubljani : samozaložba [I. G. Plamen, 1968]. - [80] str.
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Julio Le Parc: Cercles par deplacement

Julio Le Parc: Cercles par deplacement Designed in 1965. / Produced in 2015. 9.5×8×6.7 cm Acrylic sculpture. Sculpture uses a mirror and a printed side inside, and is made of plexiglass. By looking into the sculpture from a different angle you will see the circles changing color. Editions 100.
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Ivan Picelj: Picasso

Ivan Picelj: Picasso. Plakat za izložbu "Picasso " 70.5 × 51 cm High Quality Screen Print / visokokvalitetan sitotisak Galerija suvremene umjetnosti, Zagreb, 1967. godine. Plakat je tiskan u 3 boje na bijelom papiru (ljubičasta, crvena, crna). Tipografija Helvetica.
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Ivan Picelj: Kiky Vinces Vinci

Ivan Picelj: Kiky Vinces Vinci Zagreb, 1965. godine High Quality Screen Print / visokokvalitetan sitotisak 50x70cm Plakat za izložbu "Kiky Vinces Vinci" u MUO. Plakat je izveden u 2 boje (crna, siva) na bijelom papiru. Tipografija Helvetica.
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Ivan Picelj: Plakat u Hrvatskoj do 1941.

Ivan Picelj: Plakat u Hrvatskoj do 1941. Plakat izložbe. Zagreb, 1974. godine. 58x80 cm High Quality Screen Print / visokokvalitetan sitotisak Podloga u tisku sive, dolje centrirano pravokutna ploha (zaobljenih uglova): reprodukcija u višebojnom tisku: djevojčica s cvijećem. Gornji dioplakata: naziv izložbe (3 reda), ispod 2 bloka informativnih tekstova o izložbi, sve bijelim slovima.
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Ivan Picelj: MUO

Ivan Picelj: MUO 50x70cm Plakat za stalni postav MUO. Raster krugova pastelnih boja, u sredini crno-srebrna forografija metalnog prstena. Zagreb, 1962. godine High Quality Screen Print / visokokvalitetan sitotisak
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Ivan Picelj: MUO

Ivan Picelj: MUO 50x70cm Plakat za stalni postav MUO. Raster krugova pastelnih boja, u sredini crno-srebrna forografija metalnog prstena. Zagreb, 1962. godine High Quality Screen Print / visokokvalitetan sitotisak
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Ivan Picelj: Vidovic

Ivan Picelj: Vidović Zagreb, 1963. godine High Quality Screen Print / visokokvalitetan sitotisak 50x70cm Plakat za izložbu "Vidović " u GSU. Plakat je izveden u 5 boja (nijanse smeđe i roza) na bijelom papiru. Plakatom dominira raster pravokutnika u nijansama smeđe. U donjoj polovici plakata, na tamno smeđoj traci, nalazi se naziv izložbe i podaci u svjetlo ružičastom tonu.
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Ivan Picelj: Multipli

Ivan Picelj: Multipli Zagreb, 1974. godine High Quality Screen Print / visokokvalitetan sitotisak 50x70cm Plakat za izložbu "Multipli" u GSU. Plakat izveden u 5 boja na bijelom papiru (svjetlo siva, žuta, narančasta, crvena, plava). Na plavoj pozadini, po sredini plakata 2 horiziontalna niza kocaka žute, narančaste i crvene boje.
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Ivan Picelj: XVI. zagrebacka izlozba jugoslavenske grafike

Ivan Picelj: 16. zagrebačka izložba jugoslavenske grafike Kabinet grafike Jugoslavenske akademije znanosti i umjetnosti, Zagreb, svibanj - lipanj, 1990. 84 x 57,5 cm High Quality Screen Print / visokokvalitetan sitotisak
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Uj Symposion

Új Symposion 43. szam Novi Sad, 1968. godine 23,5x33cm 32pp Vegel laszlo, Otto Tolnai, Nandor Burany, Jozsef Podolski, Miklos Hornyik, Istvan Bosnuak, Tibor Varady, Miroslav Egerić, Beata thomka, Gabor Vajda, Katalin Ladik, Gabor Fulop, Imre Bori, Leszek Kolakovski, Karoly Jung
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Uj Symposion (79)

Új Symposion 79. szam Novi Sad, 1971. godine 20x29cm 36pp Design Balint Szombathy
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Uj Symposion (76)

Új Symposion (76) 76. szam Novi Sad, 1971. godine 20x29cm 36pp Design Balint Szombathy Valter Benjamin, Vegel laszlo, Gerold Laszlo, Antal Bognar, Varady, Miroslav Egerić, Beata Thomka, Imre Bori, Leszek Kolakovski, Gion nandor Új Symposion, a Hungarian-language journal published in Yugoslavia, maintained a courageous critical stance and a deliberate spontaneity. The creative community that grew around the editorial team and all but turned into a movement created a literary and artistic milieu in Vojvodina that was marked by a proclivity for experimenta-tion. Struggling with the minority status of the Hungarian language, while enjoying an access to cultural knowledge that was fresher in Yugoslavia than in Hungary, the consecutive editorial teams and the associated generations of artists shaped the periodical with different emphases on literature, visual culture and social criticism, and vary-ing degrees of readiness to comply with the demands of the cultural authorities. Though the history of Új Symposion may appear uninterrupted, it was constantly hampered by bans, lawsuits, and in 1983 by the dismissal of the editors, right up to the Yugoslav war, when it could no longer be maintained. Izvor: Avantgarde Museum, Zagreb
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Új Symposion (87/88)

Új Symposion (87/88) Novi Sad, 1972. godine 20x29cm 58pp Design Balint Szombathy Bosch + Bosch, Lukacs Gyorgy, Istvan Bosnyak, Maria Benedek, Lukacs Kovacs, Sandor Rozsa, Balint Szhombaty, Valter Benjamin, Vegel laszlo, Gerold Laszlo, Antal Bognar, Varady, Miroslav Egerić, Beata Thomka, Imre Bori, Leszek Kolakovski, Gion nandor Új Symposion, a Hungarian-language journal published in Yugoslavia, maintained a courageous critical stance and a deliberate spontaneity. The creative community that grew around the editorial team and all but turned into a movement created a literary and artistic milieu in Vojvodina that was marked by a proclivity for experimenta-tion. Struggling with the minority status of the Hungarian language, while enjoying an access to cultural knowledge that was fresher in Yugoslavia than in Hungary, the consecutive editorial teams and the associated generations of artists shaped the periodical with different emphases on literature, visual culture and social criticism, and vary-ing degrees of readiness to comply with the demands of the cultural authorities. Though the history of Új Symposion may appear uninterrupted, it was constantly hampered by bans, lawsuits, and in 1983 by the dismissal of the editors, right up to the Yugoslav war, when it could no longer be maintained. Izvor: Avantgarde Museum, Zagreb
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Ivan Picelj: Indijsko kazaliste

Ivan Picelj: Indijsko kazalište Zagreb, 1969. High Quality Screen Print / visokokvalitetan sitotisak 69 × 49 cm Plakat za izložbu "Indijsko kazalište" u MUO. Plakat je tiskan u 3 boje (crna, neonski zelena i ružičasta) na bijelom papiru. Donja polovica plakata izvedena u rasteru zelenih, bijelih i ružičastih traka.
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Ivan Picelj: Luketic

Ivan Picelj: Luketić Zagreb, 1964. godine High Quality Screen Print / visokokvalitetan sitotisak 68 × 48 cm Plakat za izložbu "Luketić" u GSU. Plakat je izveden u 3 boje (crna, smeđa, srebrna) na bijelom papiru. Tipografija Helvetica.
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Ivan Picelj: Galerija Benko Horvat

Ivan Picelj: Galerija Benko Horvat High Quality Screen Print / visokokvalitetan sitotisak Zagreb, 1960-1970. 50x70cm Plakat za Galeriju Benko Horvat Plakat je izveden u 3 boje (bež, smeđa, crna) na bijelom papiru. Unutar crteža okvira slike nalazi se tekst tj. podaci.
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Rasa Todosijevic: Edinburgh Statement

Dragoljub Raša Todosijević Edingburška izjava / Ko profitira od umetnosti Edinburgh Statement / Who makes profit from art Beograd, 1975. Silkprint 50x66,5 cm Signed Text on Serbian Cyrillic and English
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Ivan Picelj: Kompozicija YZ

Ivan Picelj: Kompozicija YZ Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.
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Ivan Picelj: Kompozicija 5

Ivan Picelj: Composition 5 Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint 1957. serigrafija u boji, papir, 182/200 500 x 352 mm MMSU-518 Izdavač: Kultura, Zagreb Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader
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Ivan Picelj: Ulmska varijacija 1

Ivan Picelj: Ulmska varijacija 1 Potpisano i numerirano 23/40 Ulm Variation, a series of original prints by Ivan Picelj that was prints at the International Centre of Graphic Arts in Ljubljana in Septembre 2006, comprises eight original serigraph, along with an introductory text by the art critic Brane Kovič. All prints are signed and numbered by the artist. The serigraphs were printed by Slavko Pavlin under the supervision of the artist in the serigraphy studio of the International Centre of Graphic Arts in Ljubljana on pure cotton Radeče paper, 320 g/m2, with the dimension 500 mm x 500 mm. The edition of each serigraph is strictly limited to 40 copies, signed and numbered from 1/40 to 40/40
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