gallery bauerova 9

Ivan Picelj: 16. zagrebačka izložba jugoslavenske grafike Kabinet grafike Jugoslavenske akademije znanosti i umjetnosti, Zagreb, svibanj - lipanj, 1990. 84 x 57,5 cm High Quality Screen Print / visokokvalitetan sitotisak

Ivan Picelj: Indijsko kazalište Zagreb, 1969. High Quality Screen Print / visokokvalitetan sitotisak 69 × 49 cm Plakat za izložbu "Indijsko kazalište" u MUO. Plakat je tiskan u 3 boje (crna, neonski zelena i ružičasta) na bijelom papiru. Donja polovica plakata izvedena u rasteru zelenih, bijelih i ružičastih traka.

Pan 69. Mladen Stilinović: "Together with Milivoj Puhovski, Degenek and Boris Bata we formed the student film club Pan 69. Through the Union of Socialist Youth we received some funds to buy the necessary equipment and start making films. At first Pan 69 had six or seven members. The first film produced by Pan was Miša Budisavljević's film in 1969, which was screened at GEFF. Pan 69 held film screenings in Zagreb and Belgrade: at the Zagreb Cinema Club Pan 69 had regular nights, as it did in Belgrade at the SKC (Students Cultural Center)." (from Ana Janevski's interview with Mladen Stilinović, unpublished) At the beginning, like many young people, Stilinović wrote poetry, and published some of it in the literary journal Republika. But since his interests were more in the direction of film, with his friends in 1969 he founded the group Pan 69, which was a student cinema club. In order to get hold of film stock and the equipment necessary for making films, this was the only way at that time. Some of the first films were shown at amateur film festivals, but they were fairly different from the production that could be seen there, and so he was invited to places more adapted to his idiom, where the focus was on contemporary visual art. (Branka Stipančić) In 1969 a group of friends – Boris Barta, Mišo Budisavljević, Branko Degenek, Ninoslav Lovčević, Krsto Mihaljević, Milivoj Puhlovski and Mladen Stilinović – founded the student cinema club Pan 69. He shot his first films Ostani na uglu (Stay on the Corner) and Sam si (You’re Alone) in 1970. That year, in a disco club, he met a high school student, Branka Stipančić, (the author of this text) and the two started a long-term relationship. With Pan 69 and his friends he performed the one and only happening entitled Majski i ostali rituali (May and Other Rituals) in Zagreb, in the Theatre ITD during the 24th May Festival of Yugoslav Student Theatre. The happening was stopped and censured while in progress due to political reasons. He also watched American underground films at Zagreb Genre Film Festival (1970), and admired films by Gotovac, Pansini, Petek, Kristl, Vukotić, Makavejev, Pavlović, Žilnik, Naško Križnar, Nuša and Srečo Dragan… He always visited exhibitions of the New Tendencies as well as those held at the Gallery of Contemporary Art. He was motivated by numerous events and translations of critical editions about film, historical avant-gardes, happening, conceptual art, philosophy of language and linguistic theories, which were available in former Yugoslavia in numerous journals such as Rok, Polja, Treći program, Delo, Filmske sveske, Književnost, in the book Mixed Media by Bora Ćosić, etc. He knew well the domestic art scene: the Slovene group OHO, works by Zagreb artists such as Goran Trbuljak, Sanja Iveković, Dalibor Martinis, Braco Dimitrijević and others, and their interventions in urban space. During Pan’s Days, held on a small stage of the Student Centre in Zagreb in 1971, Stilinović showed his films Panika (Panic), Ja volim ljude, a vi? (I Love People, How about You?), More i … (The Sea and …), and Ramenim tako bolno ceo smešan svet (Painfully Shouldering the Whole Funny World), all shot in the same year, and participated in the 6th Festival of Croatian Amateur Film in Zagreb.

Ivan Picelj: Ulmska varijacija 1 Potpisano i numerirano 23/40 Ulm Variation, a series of original prints by Ivan Picelj that was prints at the International Centre of Graphic Arts in Ljubljana in Septembre 2006, comprises eight original serigraph, along with an introductory text by the art critic Brane Kovič. All prints are signed and numbered by the artist. The serigraphs were printed by Slavko Pavlin under the supervision of the artist in the serigraphy studio of the International Centre of Graphic Arts in Ljubljana on pure cotton Radeče paper, 320 g/m2, with the dimension 500 mm x 500 mm. The edition of each serigraph is strictly limited to 40 copies, signed and numbered from 1/40 to 40/40

Ivan Picelj: Ulmska varijacija 3 Potpisano i numerirano 23/40 Ulm Variation, a series of original prints by Ivan Picelj that was prints at the International Centre of Graphic Arts in Ljubljana in Septembre 2006, comprises eight original serigraph, along with an introductory text by the art critic Brane Kovič. All prints are signed and numbered by the artist. The serigraphs were printed by Slavko Pavlin under the supervision of the artist in the serigraphy studio of the International Centre of Graphic Arts in Ljubljana on pure cotton Radeče paper, 320 g/m2, with the dimension 500 mm x 500 mm. The edition of each serigraph is strictly limited to 40 copies, signed and numbered from 1/40 to 40/40

Ivan Picelj: Ulmska varijacija 4 Potpisano i numerirano 23/40 Ulm Variation, a series of original prints by Ivan Picelj that was prints at the International Centre of Graphic Arts in Ljubljana in Septembre 2006, comprises eight original serigraph, along with an introductory text by the art critic Brane Kovič. All prints are signed and numbered by the artist. The serigraphs were printed by Slavko Pavlin under the supervision of the artist in the serigraphy studio of the International Centre of Graphic Arts in Ljubljana on pure cotton Radeče paper, 320 g/m2, with the dimension 500 mm x 500 mm. The edition of each serigraph is strictly limited to 40 copies, signed and numbered from 1/40 to 40/40

Ivan Picelj: Relacije / Relations 1 Sitotisak / Silkprint 20/30 Numbered and signed 500x500 mm Zagreb, 1992. godine

Tomislav Gotovac Pripremna pozivnica za perfomance High Noon - performance - Hommage to Glenn Miller. Zagreb, 1991. Ponuda uključuje: pripremnu pozivnicu sa originalnom fotografijom (photo Igor Brzoja) sa nalijepljenim papirnatim motivom križa i pletra, te faksimilom pečata Muzeja revolucije naroda Hrvatske, Zagreb + tekst ispisan na pisaćem stroju. Fotografija je formata 17,3x10,7 cm. Drugi papir (11,6x18cm) sadrži popis ljudi za High Noon Perfomance pozivnice, napisano na pisaćem stroju, te sa vlastoručnim intervencijama i potpisom Tomislava Gotovca.

Ivan Picelj: John Heartfield Plakat za izložbu, Zagreb, 1976. 84.5 × 60 cm Fotomontaža u tisku tonova sive i rassteru sita. Donji dio plakata: ime autora crvenim, ispod centrirano informativni tekst u tisku sive. High Quality Screen Print / visokokvalitetan sitotisak

Ivan Ladislav Galeta Plakat izložbe (kaširan) Design Mladen Galić 50x70 cm Tv scenarij 40 - snimatelj Galerija Nova Zagreb 1976.

Ivan Picelj: Minna Ennulat Zagreb, 1974. godine High Quality Screen Print / visokokvalitetan sitotisak 50x70cm

Ivan Picelj: Kabinetski ormarići Zagreb, 1976. godine High Quality Screen Print / visokokvalitetan sitotisak 50x70cm Plakat za izložbu "Kabinetski ormarići (iz fundusa MUO)"u MUO. Plakat tiskan u 2 boje (crna, crvena) na bijelom papiru. Frontalni crtež kabinetskog ormarića u crnom tonu, ispod naziv izložbe i podaci u crvenoj boji, sve uokvireno crvenim linijama uz rub plakata.

Ivan Picelj: Rubensova grafička škola i njegovi kopisti Plakat izložbe. Zagreb, 1978. godine 85 × 59.5 cm High Quality Screen Print / visokokvalitetan sitotisak

Originalni plakat izložbe "Za umjetnost u umu" u Podroom, Mesnička 12, Zagreb; Boris Demur, Vladimir Dodig Trokut, Ivan Dorogi, Ladislav Galeta, Tomislav Gotovac, Vlado Gudac, Sanja Iveković, Željko Jerman, Željko Kipke, Antun Maračić, Vlado Martek Mal

Izniman plakat za izložbu Vjenceslava Richtera, Hilversum, Holand iz 1972. godine. Steendrukkerij de Jong and Co.

Sitotisak. Ivan Picelj; mini plakat za izložbu Vlade Kristla, Galerija suvremene umjetnosti, Zagreb 1962. godine. 13x19cm Kvalitetno opremljen, natur, između dva stakla. Preuzimanje samo u antikvarijatu Plakat za izložbu "Kristl" u GSU. Plakat je

Plakat Nove Tendencije - Ivan Picelj, 1961. godine. Faksimil plakata otisnut pod nadzorom autora, u ateljeu za serigrafiju; Design i sitotisak Straža, Zagreb 2007. godine. Naklada - 100 primjeraka na 150g/m2 bijelom papiru. Manje oštećenje na vrhu vodora

Autoportret Dalibora Martinisa (1975-77.). Galerija suvremene umjetnosti, Zagreb 1977. godine, Predgovor Marijan Susovski. plakat 42x62žstanje - odlično IZDAVAČ Galerija suvremene umjetnosti MJESTO (IZRADE) Zagreb ZEMLJA Hrvatska GODINA 1977. TEHN

Plakat za izložbu Sanje Iveković - Personal Cuts, Galerieim Taxipalais, Innsbruck, 2001. godine. Presavijan. Kvalitetno opremljen, natur. Preuzimanje samo u antikvarijatu

Crveno crni V.D.T. - T.G. Fotografija, dokument akcije u postoru, dvojni rad: Uzimanje mjere, MMSU, Rijeka, 2007. E.A. 0/3 Vladimir Dodog Trokut & Tomislav Gotovac Crno bijela fotografija 30,5x20,5 cm Kolor fotografija 30,5x20,5 cm

Picelj - Srnec- Izložba - Okrugla sala, Galerija ULUS Beograd 1956. godine. 16 X 16 X 64 cm High-quality Sitotisak / Silkscreen

Dejan Kršić: WHW Deset plakata za kolektiv WHW Sitotisak / Silkprint 50x70cm Born 1961 in Sarajevo. He graduated art history and ethnology from the Faculty of Philosophy in Zagreb. He has exhibited in several solo shows (in Zagreb, Ljubljana, Rijeka, Belgrade) and has participated in many collective exhibitions and video festivals. Since the mid 1980s he has been working for various magazines and newspapers as a journalist, editor and/or graphic designer (Polet, Studentski list, Quorum, Svijet, Start, Mladina, Moment, Danas…, Frakcija, Zarez). In the 1993 he was one of the founders and later editor-in-chief of Arkzin biweekly newspaper/magazine and publishing project. He translated to Croatian and published essays by many distinguished theorists and writers such as Slavoj Zizek, Renata Salecl, Darian Leader, Brian Holmes. He created graphic design for numerous respectable exhibition catalogues. Additionally, his design works have been published in many design magazines: Eye (UK), Print (USA), AIGA journal (USA), Kak (Russia); and books: Mirko Ilic & Steven Heller: "Genius Moves - 100 Icons of Graphic Design" (North Light Books, 2001), "Two Colour Graphic" (Rockport, 2004), Milton Glaser & Mirko Ilic: "Design of Dissent" (Rockport, 2005), Timoty Samara: "Publication Design Workbook" (Rockport, 2005); Rick Poynor: "Designing Pornotopia: Travels in Visual Culture" (Laurence King, 2006). Since 2000, Dejan has been collaborating on many projects. As a graphic designer and writer Dejan Krsic has been collaborating on WHW projects: "What, how and for Whom - on the occasions of the 152nd Anniversary of the Communist Manifesto" (Zagreb 2000, Vienna 2001); "Broadcasting Project, dedicated to Nikola Tesla" (Zagreb 2001/2002); "Collective Creativity" (Kassel 2005). Since 2003 he has been designing all visual materials for Gallery Nova, including the gallery newspaper. The interdisciplinary focus of Dejan's work is putting the visual art practice and art theory in a creative dialogue with graphic design and curatorial strategies. Since 2008 he teaches graphic design at Department of visual communications at UMAS, Split, Croatia. Source: Monoskop What, How & for Whom/WHW is a curatorial collective formed in 1999 and based in Zagreb and Berlin. Its members are Ivet Ćurlin, Ana Dević, Nataša Ilić and Sabina Sabolović, and designer and publicist Dejan Kršić.

Ivan Picelj: 15. Goranovo proljeće 50x70 cm Zagreb / Lukovdol 1978. godine High Quality Screen Print / visokokvalitetan sitotisak Plakat za kulturnu manifestaciju "15. Goranovo proljeće - sačuvaj moje riječi" u Lukovdolu. 2 boje (zelena i crna) na bijelom papiru. U gornjem dijelu plakata niz od umnožene crno bijele fotografije I. G. Kovačića. Ispod, na plavoj pozadini, bijeli tekst.

Ivan Picelj: 15. Goranovo proljeće 50x70 cm Zagreb / Lukovdol 1978. godine High Quality Screen Print / visokokvalitetan sitotisak Plakat za kulturnu manifestaciju "15. Goranovo proljeće - sačuvaj moje riječi" u Lukovdolu. 2 boje (plava i crna) na bijelom papiru. U gornjem dijelu plakata niz od umnožene crno bijele fotografije I. G. Kovačića. Ispod, na plavoj pozadini, bijeli tekst.