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Mladen Galic

Mladen Galić Iz ciklusa Prostor zvuka Ulje na platnu 100 x 80 cm Signed: M. Galić 65
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Josip Vanista

Josip Vaništa Srebrna linija na bijeloj pozadini Silver line on a white background Zagreb, 2011. Izrađena za kolekciju B.O. (40x40) Made for B.O. Collection (40x40) Acrylic on Canvas / Akril na platnu Format 40 x 40 cm (15.75 x 15.75 in) Signature verso /Potpis na poleđini + tekstualno Ovo je moj rad (this is my Art Work) 28.IV.2011. +etiketa / potpisani tekst s opisom nastanka prve Linije, 1961. godine +label / signed description about first Line from 1961.
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Eugen Feller

Eugen Feller Akril na platnu Ciklus Nove slike Zagreb, 2016. 86 x 86 cm Potpis i godina (2016.) na pozadini Signed and dated at back
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Tomislav Gotovac

Tomislav Gotovac Kolaž / Collage Zagreb, 1965. Signed and dated: TG 30/5/65 22 x 32 cm Tramvjaske karte, kino ulaznice, tiskanice, boja, parafin Drvo / wooden board
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Damnjan

Radomir Damnjanović Damnjan Dezinformacija 2020. Acrylic on canvas 70 x 70 cm Signed, titled, dated and stamp of the artist on the reverse Work accompanied by a certificate of authenticity issued by Galleria Federico Bianchi Contemporary Art, Milan PROVENANCE: Galleria Federico Bianchi Contemporary Art, Milan Private collection, Lecco LITERATURE: cfr. J. Denegri, T. Trini, Radomir Damnjanovic Damnjan, Federico Bianchi Contemporary Art, Milan, 2010, p. 359
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Edita Schubert

Edita Schubert Trapez Zagreb, 1986. Sintetička boja na papiru 74x66 cm
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Ivan Picelj

Ivan Picelj Kompozicija / Composition Gouache / gvaš na papiru Pariz, 1958. Galerie Denise René, Paris period 57x45 cm Signed YP
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Boris Demur

Boris Demur Akrilik na platnu 80 x 120 cm Signed and dated Demur, 1999.
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Julije Knifer

Julije Knifer Black Meandar on Silver Surface Collage Signed and date on back 20x30 cm J. Knifer, 1970. Unique
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Eugen Feller

Eugen Feller Akril na platnu Ciklus Nove slike Zagreb, 2016. 80 x 60 cm Potpis i godina (2016.) na pozadini Signed and dated at back
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Ivan Picelj

Ivan Picelj Kompozicija Ugljen / papir 1951. godina 330 x 235 mm Publicirano u monografiji EXAT 51. Ješa Denegri i Želimir Koščević. Galerija Nova, Zagreb, 1979. (slika 3)
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Boris Demur

Boris Demur Spirala Akrilik na platnu 130 x 90 cm Signed and dated Demur, 1994.
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Juraj Dobrovic

Juraj Dobrović Rezana kocka Zagreb, 1980. 50x30 cm Signed and dated Akrilik na kaširanom platnu
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Juraj Dobrovic

Juraj Dobrović Akril / Collage Zagreb, 1973 30x30 cm Signed and dated
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Dean Jokanovic Toumin

Dean Jokanović Toumin K 18 Black Zagreb, 2018. 48 cm Akril / drvo
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Dean Jokanovic Toumin

Dean Jokanovic Toumin K 18 White Zagreb, 2018. 48 cm Akril / drvo (wood)
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Juraj Dobrovic

Juraj Dobrović Collage Zagreb, 1973 30x30 cm Signed and dated
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Sanja Ivekovic: Marina Abramovic

Marina Abramović: Originalni plakat za prvu veliku izložbu / performance Rhythm 2 Original poster for first big Marina Abramovic solo exhibition / performance Rhythm 2 Design Sanja Iveković. Galerija suvremene umjetnosti 14.10.1974. godine. High Quality Screen Print / visokokvalitetan sitotisak by Studio S 70x100cm Stanje odlično / fine condition. Very very rare and important Among the posters designed by Sanja Iveković for the Gallery, certainly the most well-known is the one created for the exhibition of Marina Abramović in 1974, again characteristic for its unusual intervention into the rectangular shape of the poster, created by cutting the right lower corner of the poster. In this case, the intervention is not only a reflection on the specificity of the medium, but also a reference to the artistic practice of Marina Abramović. The radical intervention in the limits of the poster’s medium is related to the body art of the artist herself, whose artistic practice often involves reaching the limits of physical and psychological exertion. Source: Marko Golub and Dejan Kršić
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Boris Bucan: Lie

Boris Bućan: Laž / Lie Rad rađen za Trigon, 1973. Devet vintage fotografija za Bućanovu intervenciju u prostoru Photo Željko Stojanović 9x14cm Boris Bućan na Trigonu 1973. radi »Lažno djelo«. On kaže: »Djelo, koje će biti prikazano na video-tejpu, svjesno sam napravio dokazujući da pravim lažno djelo. Video-tejp ne upotrebljavam u bilo kakve eksperimentalne svrhe, već želim tv medij iskoristiti kako bi što veći auditorij konzumirao moje lažno djelo.«1 Na video-vrpcu trebalo je paralelno u Zagrebu i Grazu snimiti stavljanje velikog transparenta s natpisom »Laž« na fasadu neke kuće, a pri tom zabilježiti i reakciju publike. Rad je imao nekoliko konotacija: Bućan je napravio djelo koje ne smatra umjetničkim ali ga stavlja u kontekst umjetnosti i u kontekst javnog mjesta. Djelo koje nije umjetničko predstavlja se kao umjetničko i provocira riječju laž. Što je laž: politika, umjetnost, medij videa ili televizije ili samo djelo s nazivom Laž – ostaje otvoreno pitanje. Niz sličnih provokativnih radova Bućan je izložio na svojoj samostalnoj izložbi u Galeriji suvremene umjetnosti 1975. Uvijek je u pitanju značenje i smisao nekog djela I njegove poruke. 1 Tekst u katalogu »Audiovisuelle Botschaften«, Trigon ‘73, Graz Susovski, Marijan (1982.). Inovacije u Hrvatskoj umjetnosti sedamdesetih godina. U katalogu izložbe Inovacije u Hrvatskoj umjetnosti sedamdesetih godina. Zagreb : Galerija suvremene umjetnosti; str. 27
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Luis Tomasello

Luis Tomasello Lumiere noire medium: wood and plastics period: 2011 signature: in marker at the back edition 60 size: 40cm x 40cm x 4cm (15.7” x 15.7” x 1.6”)
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Mangelos

Mangelos: manifest o impresionizmu (in Croatian), 1977. High Quality Screen Print / visokokvalitetan sitotisak 84 x 52 cm (33 1/8" x 20 1/2") Mangelos: manifest o impresionizmu silknprint on paper. Zagreb 1977. Produced as part of a gallery show in Zagreb that featured his manifesto work. Mangelos. Manifesti: noart. Zagreb: Atelier Tošo Dabac, 1978.
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Alberto Biasi: Torsioni Sovrapposte

Alberto Biasi: Torsioni Sovrapposte Noir Multiple: wood and pvc lamellae 2016. Signature engraved by the artist Edition 15 Size 52cm x 51cm x 10cm (20.5'' x 20.1'' x 3.9'') Condition perfect condition
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Marina Apollonio

Marina Apollonio Dinamica Circolare 6B Ruotato – Vertigo wood and turning circle period: 1968-2020 signature: handsigned at the back edition: 20 size: 42cm x 42cm (16.5” x 16.5”)
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Nesa Paripovic

Neša Paripović Intersection / Self-portrait with hat Vintage silver print Beograd, 1995. Edition 5 93x93 cm Signed and numbered on the back
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