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Ivan Picelj: 15. Goranovo proljece

Ivan Picelj: 15. Goranovo proljeće 50x70 cm Zagreb / Lukovdol 1978. godine High Quality Screen Print / visokokvalitetan sitotisak Plakat za kulturnu manifestaciju "15. Goranovo proljeće - sačuvaj moje riječi" u Lukovdolu. 2 boje (zelena i crna) na bijelom papiru. U gornjem dijelu plakata niz od umnožene crno bijele fotografije I. G. Kovačića. Ispod, na plavoj pozadini, bijeli tekst.
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Ivan Picelj: Lyonel Feininger

Ivan Picelj: Lyonel Feininger Plakat za izložbu "Lyonel Feininger" u Galeriji suvremene umjetnosti. Zagreb, 1965. godine. 50x70 cm Atelier Brane Horvat (Studio S) High Quality Screen Print / visokokvalitetan sitotisak Plakat je tiskan u 1 boji (crna) na bijelom papiru. Tipografija Helvetica.
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Ivan Picelj: 3. svjetska izlozba fotografije

Ivan Picelj: 3. svjetska izložba fotografije Zagreb, 1976. godine 84 × 59.5 Atelier Brane Horvat (Studio S) High Quality Screen Print / visokokvalitetan sitotisak Plakat za izložbu "3. svjetska izložba fotografije - Na putu za raj" u Galeriji grada Zagreba. Plakat čini detalj crno-bijele fotografije, podaci o izložbi nalaze se u dnu plakata, naziv žutim slovima, tekst u Helvetici.
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Ivan Picelj: Niko Pirosmanasvili

Ivan Picelj: Niko Pirosmanašvili Galerija primitivne umjetnosti. Zagreb, 1971. Atelier Brane Horvat (Studio S) High Quality Screen Print / visokokvalitetan sitotisak Ljubičasta pozadina, crno bijela grafika grupe muškaraca za stolom.
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Ivan Picelj: Mogens Andersen

Ivan Picelj: Mogens Andersen Zagreb, 1973. Atelier Brane Horvat (Studio S) High Quality Screen Print / visokokvalitetan sitotisak Plakat za izložbu "Mogens Andersen"u GSU. Preko čitave površine plakata reprodukcija djela (crno bijelo, ulje na platnu). Svjetlo zelenom bojom ime umjetnika i podaci u Helvetici.
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Ivan Picelj: 15. Goranovo proljece

Ivan Picelj: 15. Goranovo proljeće 50x70 cm Zagreb / Lukovdol 1978. godine High Quality Screen Print / visokokvalitetan sitotisak Plakat za kulturnu manifestaciju "15. Goranovo proljeće - sačuvaj moje riječi" u Lukovdolu. 2 boje (plava i crna) na bijelom papiru. U gornjem dijelu plakata niz od umnožene crno bijele fotografije I. G. Kovačića. Ispod, na plavoj pozadini, bijeli tekst.
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Pan 69 (Mladen Stilinovic)

Pan 69. Mladen Stilinović: "Together with Milivoj Puhovski, Degenek and Boris Bata we formed the student film club Pan 69. Through the Union of Socialist Youth we received some funds to buy the necessary equipment and start making films. At first Pan 69 had six or seven members. The first film produced by Pan was Miša Budisavljević's film in 1969, which was screened at GEFF. Pan 69 held film screenings in Zagreb and Belgrade: at the Zagreb Cinema Club Pan 69 had regular nights, as it did in Belgrade at the SKC (Students Cultural Center)." (from Ana Janevski's interview with Mladen Stilinović, unpublished) At the beginning, like many young people, Stilinović wrote poetry, and published some of it in the literary journal Republika. But since his interests were more in the direction of film, with his friends in 1969 he founded the group Pan 69, which was a student cinema club. In order to get hold of film stock and the equipment necessary for making films, this was the only way at that time. Some of the first films were shown at amateur film festivals, but they were fairly different from the production that could be seen there, and so he was invited to places more adapted to his idiom, where the focus was on contemporary visual art. (Branka Stipančić) In 1969 a group of friends – Boris Barta, Mišo Budisavljević, Branko Degenek, Ninoslav Lovčević, Krsto Mihaljević, Milivoj Puhlovski and Mladen Stilinović – founded the student cinema club Pan 69. He shot his first films Ostani na uglu (Stay on the Corner) and Sam si (You’re Alone) in 1970. That year, in a disco club, he met a high school student, Branka Stipančić, (the author of this text) and the two started a long-term relationship. With Pan 69 and his friends he performed the one and only happening entitled Majski i ostali rituali (May and Other Rituals) in Zagreb, in the Theatre ITD during the 24th May Festival of Yugoslav Student Theatre. The happening was stopped and censured while in progress due to political reasons. He also watched American underground films at Zagreb Genre Film Festival (1970), and admired films by Gotovac, Pansini, Petek, Kristl, Vukotić, Makavejev, Pavlović, Žilnik, Naško Križnar, Nuša and Srečo Dragan… He always visited exhibitions of the New Tendencies as well as those held at the Gallery of Contemporary Art. He was motivated by numerous events and translations of critical editions about film, historical avant-gardes, happening, conceptual art, philosophy of language and linguistic theories, which were available in former Yugoslavia in numerous journals such as Rok, Polja, Treći program, Delo, Filmske sveske, Književnost, in the book Mixed Media by Bora Ćosić, etc. He knew well the domestic art scene: the Slovene group OHO, works by Zagreb artists such as Goran Trbuljak, Sanja Iveković, Dalibor Martinis, Braco Dimitrijević and others, and their interventions in urban space. During Pan’s Days, held on a small stage of the Student Centre in Zagreb in 1971, Stilinović showed his films Panika (Panic), Ja volim ljude, a vi? (I Love People, How about You?), More i … (The Sea and …), and Ramenim tako bolno ceo smešan svet (Painfully Shouldering the Whole Funny World), all shot in the same year, and participated in the 6th Festival of Croatian Amateur Film in Zagreb.
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Dejan Krsic: WHW

Dejan Kršić: WHW Deset plakata za kolektiv WHW Sitotisak / Silkprint 50x70cm Born 1961 in Sarajevo. He graduated art history and ethnology from the Faculty of Philosophy in Zagreb. He has exhibited in several solo shows (in Zagreb, Ljubljana, Rijeka, Belgrade) and has participated in many collective exhibitions and video festivals. Since the mid 1980s he has been working for various magazines and newspapers as a journalist, editor and/or graphic designer (Polet, Studentski list, Quorum, Svijet, Start, Mladina, Moment, Danas…, Frakcija, Zarez). In the 1993 he was one of the founders and later editor-in-chief of Arkzin biweekly newspaper/magazine and publishing project. He translated to Croatian and published essays by many distinguished theorists and writers such as Slavoj Zizek, Renata Salecl, Darian Leader, Brian Holmes. He created graphic design for numerous respectable exhibition catalogues. Additionally, his design works have been published in many design magazines: Eye (UK), Print (USA), AIGA journal (USA), Kak (Russia); and books: Mirko Ilic & Steven Heller: "Genius Moves - 100 Icons of Graphic Design" (North Light Books, 2001), "Two Colour Graphic" (Rockport, 2004), Milton Glaser & Mirko Ilic: "Design of Dissent" (Rockport, 2005), Timoty Samara: "Publication Design Workbook" (Rockport, 2005); Rick Poynor: "Designing Pornotopia: Travels in Visual Culture" (Laurence King, 2006). Since 2000, Dejan has been collaborating on many projects. As a graphic designer and writer Dejan Krsic has been collaborating on WHW projects: "What, how and for Whom - on the occasions of the 152nd Anniversary of the Communist Manifesto" (Zagreb 2000, Vienna 2001); "Broadcasting Project, dedicated to Nikola Tesla" (Zagreb 2001/2002); "Collective Creativity" (Kassel 2005). Since 2003 he has been designing all visual materials for Gallery Nova, including the gallery newspaper. The interdisciplinary focus of Dejan's work is putting the visual art practice and art theory in a creative dialogue with graphic design and curatorial strategies. Since 2008 he teaches graphic design at Department of visual communications at UMAS, Split, Croatia. Source: Monoskop What, How & for Whom/WHW is a curatorial collective formed in 1999 and based in Zagreb and Berlin. Its members are Ivet Ćurlin, Ana Dević, Nataša Ilić and Sabina Sabolović, and designer and publicist Dejan Kršić.
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Ivan Picelj: Petar Dabac

Ivan Picelj: Petar Dabac Zagreb, 1975. Sitotisak / Silkprint Plakat za izložbu "Petar Dabac - Fotogrami" u CEFFT. Osnovni motiv pakata čini kvadrat u verlaufu duginih boja na kojem je icrtan niz identičnih likova. Pri vrhu plakata, na bijeloj pozadini, crnim slovima ispisan naziv izložbe i podaci.
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Dalibor Martinis: Konfrontacije

Dalibor Martinis: Konfrontacije od 30.09. 1976. do 17.10.1976. / design [Dalibor] Martinis. Impresum Zagreb : Galerija 1976. (Zagreb: studio s) Plakat : sitotisak C/B ; 67 x 97,5 cm.
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Dalibor Martinis: Damir Sokic

Dalibor Martinis: Damir Sokić Plakat za izložbu Damira Sokića, Galerija suvremene umjetnosti Zagreb, 1983. Sitotisak / Silkprint 97,5x67,5cm
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Dalibor Martinis: Drinkovic

Dalibor Martinis: Drinković Plakat za izložbu Slavomira Drinkovića Galerija suvremene umjetnosti Zagreb, 1984. Sitotisak / Silkprint 97,5x67,5 cm
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Ivan Picelj: Tjedan muzeja

Ivan Picelj: Tjedan muzeja Zagreb, 1963. godine 70.5 × 50 Sitotisak / Silkprint Plakat za manifestaciju "Tjedan muzeja" u organizaciji Muzejskog društva Hrvatske. Plakat tiskan u 4 boje (plava, crvena, siva, crna) na bijelom papiru. U središtu plakata, na plavoj pozadini, nalazi se bijeli kvadrat unutar kojeg se nalazi crveni kvadrat.U crvenom kvadratu, crnim slovima upisan je datum trajanja manifestacije. Iznad i ispod bijelog kvadrata tekst sivom bojom.
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Ivan Picelj: Minna Ennulat

Ivan Picelj: Minna Ennulat Zagreb, 1974. godine High Quality Screen Print / visokokvalitetan sitotisak 50x70cm
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Ivan Picelj: Kabinetski ormarici

Ivan Picelj: Kabinetski ormarići Zagreb, 1976. godine High Quality Screen Print / visokokvalitetan sitotisak 50x70cm Plakat za izložbu "Kabinetski ormarići (iz fundusa MUO)"u MUO. Plakat tiskan u 2 boje (crna, crvena) na bijelom papiru. Frontalni crtež kabinetskog ormarića u crnom tonu, ispod naziv izložbe i podaci u crvenoj boji, sve uokvireno crvenim linijama uz rub plakata.
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Nouvelles Tendances

Nouvelles Tendances Originalna pozivnica za prvu izložbu Novih tendencija, Zagreb, 1961. godine. 10x20,5cm Silkprint / Sitotisak
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Ivan Picelj: Rubensova graficka skola

Ivan Picelj: Rubensova grafička škola i njegovi kopisti Plakat izložbe. Zagreb, 1978. godine 85 × 59.5 cm High Quality Screen Print / visokokvalitetan sitotisak
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Vlado Kristl

Vlado Kristl Katalog za najvažniju izložbu Vlade Kristla. Galerija suvremene umjetnosti, Zagreb, 1962. godine Design kataloga i plakat Ivan Picelj. Fotografije Branko Balić Predgovor Vjenceslav Richter Katalog uključuje originalnu serigrafiju (20x21,5) by Atelier Brane Horvat, Zagreb. Ponuda uključuje i originalnu pozivnicu za izložbu (by Ivan Picelj) Vrlo rijetko u ponudi. Naklada 500.
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Ivan Picelj: White Road in Negative

Ivan Picelj - Bijela cesta u negativu Ivan Picelj - White Road in Negative August 1-November 14, 2010 Dubrova Park of Sculptures/38th Mediterranean Sculpture Symposium Labin, Croatia
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Nusa i Sreco Dragan: Project thinking visualisation

Nuša i Srečo Dragan: 1. aprilski susreti Plakat i novine za projekt na 1. aprilskim susretima Beograd, 1971. godine Plakat 24x70 cm Novine 12,5x22,5 (2pp) Na plakatu su intervencije ljepljenjem markica Projekat misaone vizualizacije objekta Misli videnu kocku u desnu stranu svaki dan u 12.00h. Project thinking visualisation of object think of the seen right cube every day at 12.00h
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ARKzin - Magazine / Complete

Published between 1997 and 1998, seven issues in total. Publisher: Arkzin, Zagreb. Publishing manager: Vesna Janković. Editor-in-chief: Dejan Kršić. Arkzin was a periodical published in Zagreb, Croatia, from 1991 to 1998. It began as a political fanzin
4.500,00 kn

Alberti, Sordini, Verga: Azimut Galleria, 1960.

Rafael Alberti, Ettore Sordini, Vittorio Verga: 11-24 maggio, Galleria Azimut, Milano 1960. Plakat izložbe Presavijan. Stanje odlično. 44x32,5cm
4.500,00 kn

Mladen Stilinovic: Ich habe keine Zeit

The artist’s book “Ich habe keine Zeit” (“I don’t have time”) can be interpreted as a paradoxical call to practise this cherished laziness. The artist recommends to read the book line by line, from the beginning to the end, and in particular at a time whe
4.500,00 kn

Mladinske delovne akcije 1985.

NSK: Mladinske Delovne Akcije 1985. Plakat. Ljubljana 1985.
4.500,00 kn