GALLERY

Ivan Picelj: Fotografija u muzeju i atelieru - Zvonimir Mikas Zagreb, 1963. Sitotisak / Silkprint 50x70cm Plakat za izložbu "Fotografija u muzeju i atelieru - Z. Mikas" u MUO. Plakat je izveden monokromno (crna i nijanse sive). Podijeljen je horizontalno, na trećine. Gornja i donja trećina su istovjetne: svaka se sastoji od 4 niza pravokutnika u nijansama sive. Unutar prvokutnika je crna silueta leće. Središnja trećina sadrži informacije o izložbi, bijelim slovima na crnoj pozadini.

Ivan Picelj: Henri Cartier-Bresson / Fotografije Zagreb, 1973. Atelier Brane Horvat (Studio S) 50x70cm High Quality Screen Print / visokokvalitetan sitotisak Plakat za izložbu "Cartier-Bresson" u GSU. Preko čitave površine plakata velika c/b fotografija (negativ) - torzo muškaraca sa štapom u rukama.

Ivan Picelj: Suvremena francuska tapiserija Plakat za izložbu "Suvremena francuska tapiserija" u Muzeju za umjetnost i obrt Zagreb, 1966. 48x67,5 cm High Quality Screen Print / visokokvalitetan sitotisak

Ivan Picelj: Francuska tapiserija Plakat za izložbu Francuska tapiserija" u Muzeju za umjetnost i obrt. Zagreb, 1965. Arp / Delaunay / Dewasne / Deyrolle / MagnelliTaeuber Arp / Vasarelyi / Moretnsen / 48x68cm High Quality Screen Print / visokokvalitetan sitotisak

Đuro Seder Zagreb, 1973. godine Signed 50x70 cm High Quality Screen Print / visokokvalitetan sitotisak

François Morellet Trames 1956-1975 Silkscreen, ed. 46/90 68.5 x 68.5 cm Signed and dated in pencil lower right, numbered lower left

François Morellet Trames 1967 / 1975 Silkscreen, ed. 37/90 68.8 x 68.6 cm Signed and dated in pencil lower right, numbered lower left

Dragoljub Raša Todosijević Edingburška izjava / Ko profitira od umetnosti Edinburgh Statement / Who makes profit from art Beograd, 1975. Silkprint 50x66,5 cm Signed Text on Serbian Cyrillic and English

Vilko Žiljak: 60-4-AC-1975 Zagreb, 1975. Signed and numbered 57 X 76,5 CM Edition 2/10 High Quality Screen Print / visokokvalitetan sitotisak The graphics of the series are based on the same programmes which he wrote for his professional activities in various companies in the early 1970s – that is, for technical applications. He uses artistic computer graphics exclusively for abstract portrayals and regards these as an analogy to music. Vilko Ziljak has been involved with computer graphics, among other things he was a programmer of geographical maps. In Croatia, Ziljak is a pioneer in the fields of computer graphics and typography, mathematical models as well as simulations and visual research aided by computers. Since the early 1980s he has also produced films and computer-aided animations. He lives and works in Zagreb, Croatia.

Vilko Žiljak: 62-CM-24-MY-1975 Zagreb, 1975. Signed and numbered 57 X 76,5 cm Edition 2/10 High Quality Screen Print / visokokvalitetan sitotisak In (New) Tendencies 5 (1973), Vilko Ziljak exhibited ASCCI photographs, i.e. digital printouts. The graphics of the series are based on the same programmes which he wrote for his professional activities in various companies in the early 1970s – that is, for technical applications. He uses artistic computer graphics exclusively for abstract portrayals and regards these as an analogy to music. Vilko Ziljak has been involved with computer graphics, among other things he was a programmer of geographical maps. In Croatia, Ziljak is a pioneer in the fields of computer graphics and typography, mathematical models as well as simulations and visual research aided by computers. Since the early 1980s he has also produced films and computer-aided animations. Born 1946 in Sveti Ivan Zelina, Croatia. Studied electrical engineering at the Faculty of Electrical Engineering and Computing at the University of Zagreb (Ph.D. 1981). From 1999 professor of graphic technology and head of the department of typography and computer graphics at the Faculty of Graphic Art at the University in Zagreb.

Victor Vasarely: Cinétiques 5 sets of rodoïds Silkscreen/Serigraph Éditions du Griffon, Suisse, 1973. 29×24 cm 10 serigraphs: black on white background or vice versa, working in pairs. Each of the 5 images is printed on paper and then on a transparent plastic sheet, which allows an optical game by superposition. (Rodoïd) Victor Vasarely 3D Wall Sculpture/object - Set of 8. Measures 11x13x2 inches Each. 2 layers- Top layer printed on clear Lucite , bottom print on paper. From the portfolio Vasarely Cinetiques. Published by Edition Du Griffon Neuchatel. Circa 1973. Printed in Switzerland.

Jesus Rafael Soto: Composition 1963-1965 silkprint 50x70 cm signed and numbered edition 8/100

Marijan Molnar Moje lice, moja ruka Zagreb, 1979/2016 black and white photos (2) 24x18cm Signed and dated on the back side Edition 1/4

Ivan Picelj: Leninist places in Leningrad Leninjska mjesta u Lenjingradu Galerije grada Zagreba, 1970. 70 x 50 cm High-quality Sitotisak / Silkscreen

Juraj Dobrović Zagreb, 1967. 48,5x48,5 cm High-quality Sitotisak / Silkscreen

Juraj Dobrović Zagreb, 1967. 48,5x48,5 cm High-quality Sitotisak / Silkscreen

Juraj Dobrović Zagreb, 1967. 48,5x48,5 cm High-quality Sitotisak / Silkscreen

Juraj Dobrović: SK1 64x49 cm Signed and numbered Atelijer Brane Horvata (Horetzky) Zagreb, 2002.

Juraj Dobrović: SK2 64x49 cm Signed and numbered Atelijer Brane Horvata (Horetzky) Zagreb, 2002. High-quality Sitotisak / Silkscreen

Juraj Dobrović: SK3 64x49 cm Signed and numbered Atelijer Brane Horvata (Horetzky) Zagreb, 2002. High-quality Sitotisak / Silkscreen

Vladimir Dodig Trokut Diptych 20 x 20 x 4 cm each Mixed Media Akrilik na platnu + Letterset

Vinko Penezić & Krešimir Rogina Staklena kuća za slijepog čovjeka Diptih: Uzdužni presjek + Poprečni presjek Signed and numbered Edition 50 103 x 703 mm Zagreb 1992. Screenprint / sitotisak Atelier Brane Horvat

66 × 52cm, sitotisak na kartonu. Ivan Picelj - Plakat za izložbu "Donner a Voir 2 " u galeriji Galerie Creuze u Parizu. Zeleni papir, lijevo jedno ispod drugog imena autora. Desni dio: brojka 2, iznadi ispod tekst. Sve u tisku crne boje.

Ivan Picelj - Plakat za izložbu "Skurjeni" u GSU. Plakat je izveden u 3 boje na bijelom papiru bež, crvena, crna). Osnovni motiv plakata je uvećani detalj grafike Matije Skurjenija s motivom debla (kore). Po sredini plakata ime autora izvedeno kao potpis