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OHO: Pegam in Lambergar

OHO: Pegam in Lambergar Art Marko Pogačnik Poezija / Poetry Iztok Geister-Plamen Artist Book edicija OHO 11.1 x 20.1 cm V Ljubljani : samozaložba [I. G. Plamen, 1968]. - [80] str.
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Ivan Picelj: Kompozicija Y-IV

Ivan Picelj: Kompozicija Y-IV Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.
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Rok 1-4

Rok 1-4 Rok 1 - Beograd 1969. godine. 22x22cm Rok 2 - Beograd 1969. godine. 22x22cm Rok 3 - Beograd, 1969. Oprema Branko Vučičević (ZMKS) 14x20cm Rok 4a - Beograd, 1970. 21x20,5cm In prestige list in Artists' Magazines: An Alternative Space for Art (The MIT Press) by Gwen Allen
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Ivan Picelj: Kompozicija 5

Ivan Picelj: Composition 5 Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint 1957. serigrafija u boji, papir, 182/200 500 x 352 mm MMSU-518 Izdavač: Kultura, Zagreb Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader
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Ivan Picelj: Kompozicija YZ

Ivan Picelj: Kompozicija YZ Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.
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Ivan Picelj: Kompozicija W

Ivan Picelj: Kompozicija W Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.
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Franci Zagoricnik: Naime

Franci Zagoričnik: Naime Znamenja 54 Maribor, 1978. Potpis i posveta autora Slavku Matkoviću Potpisano pismo Slavku Matkoviću Rad flomasteron na kartonu 9x16,5cm Likovna oprema Marko Pogačnik 16x18cm
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Ivan Kozaric

Ivan Kožarić - crtež, pastel iz 1973. godine. Potpisan. S druge strane se nalazi skica za stolac, također rad Ivana Kožarića. Ivan Kozaric was born in 1921 in Petrinja, Croatia. He studied sculpture at the Academy of Fine Art in Zagreb from 1943 to 1947
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Ivan Picelj: 3. zagrebacki salon

Ivan Picelj - originalni plakat za 3. zagrebački salon iz 1968. godine. Sitotisak, 65,5x98cm Plakat za izložbu "3. zagrebački salon " u Umjetničkom paviljonu. Plakat je vetikalno podijeljen na pola. Gornja polovica sadrži ružičastu brojku 3 u ljubičastom
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Ivan Picelj: Gerstner & Gredinger & Kutter

Ivan Picelj - Gerstner & Gredinger & Kutter - reklamna grafika. Plakat, sitotisak, 49,5x70cm. Raster od 4 kvadrata naizmjenično bijelih i srebrnosivih podloga s upisanim manjim kvadratima zaobljenih uglova i kružnim oblicima u tisku crne.Gornji dio plaka
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Neretva od Boga / Prokleta

Neretva od Boga/Prokleta Ova knjiga je ponovljeno izdanje iz 1987. povodom izložaba istoimene pjesničko-grafičke mape u Nacionalnoj knjižnici u Zagrebu i Galeriji Stećak u Kleku. Donosi reprodukcije grafika u izvornom obliku, a ne crno-bijelom pretisku kao što je bilo u prvom izdanju te predgovor Ive Šimat Banova. Sadrži devet pjesničkih/ grafičkih listova autorskih djela od po dvojice umjetnika - pjesnika (rođenih u Neretvi) i suvremenih hrvatskih grafičara.
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Dragoljub Rasa Todosijevic: Was ist kunst Marinela Kozelj

Dragoljub Todosijević - potpisani plakat 86 x 68ncm, presavijan - Was ist kunst Marinela Koželj - IIDP, SKC- Beograd 1978
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Zeljko Jerman

Željko Jerman: Kemikalije na foto papiru photochemicals on photopaper Intervencija / rad fotokemikalijama na foto papiru.
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Zeljko Jerman

Željko Jerman: Kemikalije na foto papiru Intervencija / rad kemikalijama na foto papiru. Potpisano / Signed: Željko Jerman 1999. Unique / Original Art Work 18x24cm 1
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Zeljko Jerman

Željko Jerman: Kemikalije na foto papiru Intervencija / rad kemikalijama na foto papiru. Potpisano / Signed: Željko Jerman 1999. Unique / Original Art Work 18x24cm
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Architecture of Bosnia and the way of Modernity

Izdavač: Vlada Bosne i Hercegovine Godina izdavanja: 1957 Mjesto izdavanja: Sarajevo Format: 24.5x22.5 cm Broj stranica: 506 Uvez: tvrdi Dušan Grabrijan, Juraj Neidhardt: Arhitektura Bosne i put u suvremeno Predgovor je napisao Le Corbusier. Izuzetno rijetka i važna knjiga o Arhitekturi Bosne i Hercegovine. Dvojezično izdanje: hrvatski i engleski
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Vjenceslav Richter: SESPO (Spontana grafika)

SESPO (Spontana grafika) 1979. g. 100 x 70 cm sitotisak / papir Autor (umjetnik): Vjenceslav Richter
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Ivan Picelj: Vizionarna arhitektura

Ivan Picelj: Vizionarna arhitektura Plakat za izložbu "Vizionarna arhitektura" u Muzeju za umjetnost i obrt. Tiskano u 5 boja (plava, narančasta, crvena, zelena, svj. siva) na bijelom papiru. Plava pozadina. Krugovi ucrtani jedan u drugi, raznih boja. U zagrebačkom muzeju za umjetnosti i obrt 1963. godine održana je izložba Vizionarna arhitektura u organizaciji moma-e iz new Yorka. na izložbi je bio prikazan niz projekata iz raznih razdoblja, sveukupno stotinjak djela na panoima podijeljenima u nekoliko kategorija: 1. zgrade čiji oblici predstavljaju neku vrstu odredišta, 2. linearne, “putujuće” strukture, 3. zgrade složenih 'mitoloških' oblika. dio izloženih projekata bio je inspiriran organskim svijetom i evolucijom oblika. Uz izložbu je otisnut manji katalog.
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Ivan Picelj: Majakovski

Ivan Picelj: Majakovski Majakovski: Galerija suvremene umjetnosti, Zagreb 1973. godine Autorska radionica: Studentski centar, Zagreb 70.5 × 50 cm High-quality Silkscreen / Sitotisak Bijela podloga, grafičko rješenje: kompozicija geometrijskih elemenata u tisku crne i crvene koji čine srp i čekić. Dijagonalno položenim slovima u tisku crveneprezime autora. Ispod gornjeg ruba plakata informativni tekst u tisku crne (4 reda).
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Julije Knifer: GSU 1966.

Julije Knifer: GSU 1966. Vrlo rijetko u ponudi. Katalog za izložbu Julija Knifera - Galerija suvremene umjetnosti, Zagreb 1966. godine. Uključuje serigrafiju (izrada Serigraphie-atelier). Predgovor / preface - Julije Knifer i Radoslav Putar. Katalog Ivan Picelj. Fotografije Branko Balić.
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Ivan Picelj: Ivan Picelj

Plakat za izložbu "ivan picelj" u Muzeju primenjene umetnosti u Beogradu, 1970. godine. Plakat je tiskan u 2 boje (plava i ružičasta) na bijelom papiru. Slovo "a" velike dimenzije.
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Gruppo N / gruppo enne

Gruppo N, which included Alberto Biasi, Ennio Chiggo, Toni Costa, Edoardo Landi and Alfredo Massironi. The optical-dynamic experiments the group realised between its creation in 1959 and dissolution in 1967 led to Biasi being exhibited alongside Enrico Castellani and the Nove Tendencije movement in Zagreb, making him one of the instigators of the movement of Arte Programmata (‘Programmed Art’).
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Ivan Picelj: Kompozicija IV

Ivan Picelj: Kompozicija IV Dimensions: 35×49.8 cm Publisher: Kultura, Zagreb 1957. Sitotisak / Silkprint Signed and numbered. Uredništvo: Božo Bek, Zlatko Prica, Dragovan Šepić Tehnički urednik: Ivan Picelj Tisak: Atelier za serigrafiju, Zagreb Otisnuli: Zvonimir Melnjak i Mirka Mader Prva grafička mapa Ivana Picelja.
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Pan 69 (Mladen Stilinovic)

Pan 69. Mladen Stilinović: "Together with Milivoj Puhovski, Degenek and Boris Bata we formed the student film club Pan 69. Through the Union of Socialist Youth we received some funds to buy the necessary equipment and start making films. At first Pan 69 had six or seven members. The first film produced by Pan was Miša Budisavljević's film in 1969, which was screened at GEFF. Pan 69 held film screenings in Zagreb and Belgrade: at the Zagreb Cinema Club Pan 69 had regular nights, as it did in Belgrade at the SKC (Students Cultural Center)." (from Ana Janevski's interview with Mladen Stilinović, unpublished) At the beginning, like many young people, Stilinović wrote poetry, and published some of it in the literary journal Republika. But since his interests were more in the direction of film, with his friends in 1969 he founded the group Pan 69, which was a student cinema club. In order to get hold of film stock and the equipment necessary for making films, this was the only way at that time. Some of the first films were shown at amateur film festivals, but they were fairly different from the production that could be seen there, and so he was invited to places more adapted to his idiom, where the focus was on contemporary visual art. (Branka Stipančić) In 1969 a group of friends – Boris Barta, Mišo Budisavljević, Branko Degenek, Ninoslav Lovčević, Krsto Mihaljević, Milivoj Puhlovski and Mladen Stilinović – founded the student cinema club Pan 69. He shot his first films Ostani na uglu (Stay on the Corner) and Sam si (You’re Alone) in 1970. That year, in a disco club, he met a high school student, Branka Stipančić, (the author of this text) and the two started a long-term relationship. With Pan 69 and his friends he performed the one and only happening entitled Majski i ostali rituali (May and Other Rituals) in Zagreb, in the Theatre ITD during the 24th May Festival of Yugoslav Student Theatre. The happening was stopped and censured while in progress due to political reasons. He also watched American underground films at Zagreb Genre Film Festival (1970), and admired films by Gotovac, Pansini, Petek, Kristl, Vukotić, Makavejev, Pavlović, Žilnik, Naško Križnar, Nuša and Srečo Dragan… He always visited exhibitions of the New Tendencies as well as those held at the Gallery of Contemporary Art. He was motivated by numerous events and translations of critical editions about film, historical avant-gardes, happening, conceptual art, philosophy of language and linguistic theories, which were available in former Yugoslavia in numerous journals such as Rok, Polja, Treći program, Delo, Filmske sveske, Književnost, in the book Mixed Media by Bora Ćosić, etc. He knew well the domestic art scene: the Slovene group OHO, works by Zagreb artists such as Goran Trbuljak, Sanja Iveković, Dalibor Martinis, Braco Dimitrijević and others, and their interventions in urban space. During Pan’s Days, held on a small stage of the Student Centre in Zagreb in 1971, Stilinović showed his films Panika (Panic), Ja volim ljude, a vi? (I Love People, How about You?), More i … (The Sea and …), and Ramenim tako bolno ceo smešan svet (Painfully Shouldering the Whole Funny World), all shot in the same year, and participated in the 6th Festival of Croatian Amateur Film in Zagreb.
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