Gregorio Vardánega (1923-2007)
Boite à Cercles de Couleurs, 1970
Plexiglass. Ed. 15+3AP
Size 13 4/5 × 13 4/5 × 4 7/10 in | 35 × 35 × 12 cm
Limited edition
Signature / Hand-signed by artist at back
Ivan Picelj
Kompozicija
Ugljen / papir
1951. godina
330 x 235 mm
Publicirano u monografiji EXAT 51.
Ješa Denegri i Želimir Koščević.
Galerija Nova, Zagreb, 1979. (slika 2)
Željko Jerman (1949-2006)
Bez naziva, 1983.
Kombinirana tehnika
kemikalije na fotopapiru
Izlagano i publiciranu u katalogu 19. zagrebačkog salona
Umjetnički pavilijon, Zagreb, 1984.
Bernardo Bernardi (1921- 1985)
1961-1963
Unikat / Unique. Nije iz serijske proizvodnje.
62 x 48 x 56 cm
Prezentirana na izložbi Oblikovanje (Izložbu postavili Ivan Picelj, Zvonimir Radić i Aleksandar Srnec), ULUPUH 1963. godine. Publicirana u časopisu Čovjek i prostor 131/1964.
U originalnom stanju, nije restaurirana. Sa originalnim jastucima iz vremena. Orah / bukovina.
Marina Abramović:
Originalni plakat za prvu veliku izložbu / performance Rhythm 2
Original poster for first big Marina Abramovic solo exhibition / performance Rhythm 2
Design Sanja Iveković.
Galerija suvremene umjetnosti 14.10.1974. godine.
High Quality Screen Print / visokokvalitetan sitotisak by Studio S
70x100cm
Stanje odlično / fine condition.
Very very rare and important
Among the posters designed by Sanja Iveković for the Gallery, certainly the most well-known is the one created for the exhibition of Marina Abramović in 1974, again characteristic for its unusual intervention into the rectangular shape of the poster, created by cutting the right lower corner of the poster. In this case, the intervention is not only a reflection on the specificity of the medium, but also a reference to the artistic practice of Marina Abramović. The radical intervention in the limits of the poster’s medium is related to the body art of the artist herself, whose artistic practice often involves reaching the limits of physical and psychological exertion.
Source: Marko Golub and Dejan Kršić
Luis Tomasello
Lumiere noire
medium: wood and plastics
period: 2011
signature: in marker at the back
edition 60
size: 40cm x 40cm x 4cm (15.7” x 15.7” x 1.6”)
Mangelos: manifest o impresionizmu (in Croatian), 1977.
High Quality Screen Print / visokokvalitetan sitotisak
84 x 52 cm (33 1/8" x 20 1/2")
Mangelos: manifest o impresionizmu
silknprint on paper.
Zagreb 1977.
Produced as part of a gallery show in Zagreb that featured his manifesto work.
Mangelos. Manifesti: noart. Zagreb: Atelier Tošo Dabac, 1978.
Alberto Biasi: Torsioni Sovrapposte
Noir
Multiple: wood and pvc lamellae
2016.
Signature engraved by the artist
Edition 15
Size 52cm x 51cm x 10cm (20.5'' x 20.1'' x 3.9'')
Condition perfect condition
Marina Apollonio
Dinamica Circolare 6B Ruotato – Vertigo
wood and turning circle
period: 1968-2020
signature: handsigned at the back
edition: 20
size: 42cm x 42cm (16.5” x 16.5”)
Šime Vulas (1932-2018)
Jedra
1997. godina
Drvo
36,5 cm
Potpis: Vulas 97
Šime Vulas (1932-2018), hrvatski akademski kipar i akademik Hrvatske akademije znanosti i umjetnosti.