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Miljenko Horvat: Gorgona 7

Screenprinted cover and two gelatin silver prints.. This edition of Gorgona contains 2 original photographs taken in Denmark. Photographs are identical, presenting two different stages of photographic development.
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Julije Knifer: Gorgona 2

Julije Knifer, Gorgona artists group. Gorgona no. 2 Zagreb 1961. Periodical with screenprinted cover and screenprinted insert. page (each): 8 1/4 x 7 9/16" (21 x 19.2 cm). Julije Knifer designed the second issue, with a serpentine black-and-white geometri
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Ivan Picelj: Ulmske varijacije

Ivan Picelj: Ulmske varijacije Grafička mapa Sitotisak Predgovor (na hrvatskom i engleskom jeziku) Brane Kovič Potpisano i numerirano 23/40 U dizajniranom etuiu UlmVariation, a series of original prints by Ivan Picelj that was prints at the International Centre of Graphic Arts in Ljubljana in Septembre 2006, comprises eight original serigraph, along with an introductory text by the art critic Brane Kovič. All prints are signed and numbered by the artist. The serigraphs were printed by Slavko Pavlin under the supervision of the artist in the serigraphy studio of the International Centre of Graphic Arts in Ljubljana on pure cotton Radeče paper, 320 g/m2, with the dimension 500 mm x 500 mm. The edition of each serigraph is strictly limited to 40 copies, signed and numbered from 1/40 to 40/40
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Ivan Picelj: Varijacije

Ivan Picelj: Varijacije / Relations Grafička mapa Sitotisak / Silkprint 20/30 Numbered and signed 500x500 mm 10 grafičkih listova Zageeb, 1992. godine
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Josip Vanista: Gorgona 1

Gorgona no. 1. Josip Vaništa - Izlog trgovine rabljenom robom. Vlaška ulica 1961. Gorgona broj jedan 1961 godine bila je prazna pozornica, devet slika na kojima se više ništa ne događa. The Gorgona Group , was a Croatian avant-garde art group which consi
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Mangelos: manifest; o drustvu bez umjetnosti

Mangelos - manifest; o društvu bez umjetnosti. 50x70cm, screenprint on paper. An active member of the Gorgona group in Zagreb from 1959 to 1966, Dimitrije Bašičević was a conceptual artist devoted to the idea of “anti-art” and a desire to mov
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Victor Vasarely: Gorgona 4

Gorgona no 4. Francuski / French 4/61. VictorVasarely 1961 Nice condition screenprinted cover and screenprinted insert page (each): 8 1/4 x 7 9/16" (21 x 19.2 cm) privée Vasarely's Gorgona includes several drawings from that period and the author's
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Vlado Martek i Mladen Stilinovic: Knjigarad

Knjigarad = Bookwork. Artist Book. Limited and Rare. Galerija Studentskog centra, Zagreb 1980. This book is stapled in the center, creating space for a catalogue for two artists. The left side contains Martek's work and the right side contains Stilinović'
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Josip Vanista: Izlog / Shop Window

Josip Vaništa - Izlog / Shop Window. Offset, 50x70cm. Framed in nice, quality nature frame. Signed and numbered 13/50. Printed for first Gorgona retrospective, Gallery of Contemporary Arts (today Museum of Contemporary Arts) Gorgona no. 1 Josip Vaništ
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Jure Kastelan: Crveni konj

Crveni konj / Jure Kaštelan ; [grafika Edo Murtić]. – Zagreb : Zadružna štamparija, 1940. – 43 str. : ilustr. ; 25 cm Prva zbirka pjesama Jure Kaštelana Crveni konj tiskana je u Zagrebu 1940. godine. To je ujedno i prva Murtićeva oslikana knjiga. Ondašnja cenzura zabranila ju je i uništila. . U knjizi se nalazi osam Murtićevih linoreza. Mladi Kaštelan počinje kao nadrealist. Pjesme u knjizi ”Crveni konj” nadahnute su, ponajviše, poezijom Oskara Daviča i Rade Drainca. ”Njegov lirski konj, taj crveni Pegaz, nije bio plah, nije strahovao pred himerama koje su neprestano izrastale iz mraka povijesti i sumraka građanske svijesti”, primjećuje Branimir Donat. Već u prvoj zbirci pjesama služi se tzv. govorom kolektiva i poziva na otpor, revoluciju (”Hrvatsku bunu crveni san / okovati ne mogu.”) U pjesmama progovara Kaštelanov osebujni stil, s elementima slobodnog stiha, narodne osmeračke lirike, drevne leksike, brojalice i etimologicoma. Iz zbirke ”Crveni konj” valja posebno izdvojiti pjesme: ”Dinamit”, ”Crveni konj”, ”Predosjećaj jeseni na velegradskom pločniku”, ”Jablani”. Motivi su mahom uzeti iz rodnog kraja, a teme iz ratnog i socijalnog pejzaža. Kaštelan je na nevjerojatan način predskazao strahote Drugog svjetskog rata. Evo nekih sugestivnih stihova: ”Pod ovom trulom kuglom gori eksplozija dinamita”, ”U sobi među lešinama padaju kiše”; ”Kolji me, gade, paraj. Zora će te oprati.”; ”Moja stara majko, majko moja stara, smrt me grize ovu jesen.”; ”Mrtvaci s nama govore po naborima zida” i dr.
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Josip Stosic: Nacrti Za Pet Mojih I Jednu Vasu Pjesmu

Studentski Centar Sveucilista u Zagrebu, Josip Stosic, Zagreb, 1976. Paperback. Book Condition: Good. French poet and critic, Stephane Mallarme (1842 – 1898) was a major French symbolist poet, and his work anticipated and inspired several revolutionary ar
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Bit International: Complete 1-9

The bit international journal was published as part of the activities of the New Tendencies movement. The objective of the editors was: “to present information theory, exact aesthetics, design, mass media, visual communication, and related subjects, and t
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Eugen Feller

Eugen Feller Akril na platnu 50x60 cm 2010. godina Opremljen Eugen Feller (Zagreb, 1942), one of the most radical representatives of informel in contemporary Croatian art.
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Ivan Picelj: Oeuvre programmée

Ivan Picelj: Oeuvre programmée Dimensions 50×65 cm Publisher Denise René Gallery , Paris
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Ivan Picelj: Oeuvre programmée

Ivan Picelj: Oeuvre programmée Publisher Denise René Gallery , Paris, 1966. Silkprint / Sitotisak Silkprint 25 2/5 × 25 2/5 in 64.4 × 64.4 cm Signed E.A. 3/5
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EXAT 51: Manifest, Zagreb 1953.

EXAT 51: Manifest Dva Manifesta Zagreb, 1953. A4 obostran Beograd, 1953. Manifest objavljen prigodom izložbe Kristl / Picelj / Rašica / Srnec A4 na dva lista, obostrano Tekst Jure Kaštelan Proglas povodom zagrebačke izložbe, pisan na pisaćem stroju. A4
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Harold Pinter: Gorgona 8

Harold Pinter: Tea Party. Gorgona No. 8, 1965. Josip Vaništa, vlastita naklada. Vaništa sent Harold Pinter the seven issues of Gorgona that had already come out and asked him to “design his issue like Vasarely and others had done”. Pinter, in turn, sent
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Ivan Picelj: A (Edition a) 4

A (Edition a) 4. Serigraphie Brano Horvat. Ivan Picelj, vlastita naklada, Zagreb 1964. Founded by the painter Ivan Picelj edition a represented the aesthetic and ideological positions of the international art momevent New Tendencies, which took root in Za
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Dimitrije Basicevic Mangelos: A (Edition a) 6

Artist Book, nonstories Mangelos. Jedan list, presavijen dva puta. Raširen, u formatu 16x47,8 cm. Sklopljen, format 16x16 cm. Godine 1968. Ivan Picelj je pokrenuo ediciju "a". Sveukupno je publicirano sedam brojeva Ova e
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Grupa sestorice autora: Izlozbe - akcije 1975-1977

Izložbe - akcije 1975-1977, Grupa šestorice autora. Cefft - Centar za fotografiju, film i televiziju. 25.03. - 17.04. 1977. Uključuje rad Mladena Stilinovića i jednu intervenciju u tekstu. Artist's book. Urednik edicije Mangelos. Autori koncepcije i tekst
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Marko Tadic: Thank You

Mixed Media. Unikat 1/1. Originalni radovi Marka Tadića. Artist's Book iz 2009. godine. Mixed Media. Unikat 1/1. Originalni radovi Marka Tadića. Artist's Book, iz 2009. godine - napravljen u notesu Journal, izrađenom četrdesetih godina dvadesetog stol
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Ivan Picelj: Vjenceslav Richter

Vjenceslav Richter - Galerija suvremene umjetnosti, Zagreb, Katarinin trg 2 17.9-6.10 1968. Bijela podloga, gore tekst u tisku sive. Grafičko rješenje: raster sivih kvadrata na srebrnosivoj podlozi. Sitotisak, 50x70cm
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Ivan Picelj: 3. zagrebacki salon

Ivan Picelj - originalni plakat za 3. zagrebački salon iz 1968. godine. Sitotisak, 65,5x98cm Plakat za izložbu "3. zagrebački salon " u Umjetničkom paviljonu. Plakat je vetikalno podijeljen na pola. Gornja polovica sadrži ružičastu brojku 3 u ljubičastom
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