Ivan Meštrović. Lijepo, luksuzno izdanje iz 1933. godine. S potpisom umjetnika. Tvrdi uvez, platno. U odličnom stanju. Ponuda uključuje i vrlo rijetki ovitak. Ovu knjigu priredio je za štampu sam umjetnik, uz saradnju Joze Kljakovića, slikara i Milana Ćurćina, urednika Nove Evrope. Crteže perspektive izradio arhitekt H. Bilinić. Knjiga je štampana u Tipografiji, Zagreb pod nadzorom direktora J. Novaka. Pipir iz udružene tvornice Vevće. Ovo je "naročito" izdanje ovog naslova.

Screenprinted cover and two gelatin silver prints.. This edition of Gorgona contains 2 original photographs taken in Denmark. Photographs are identical, presenting two different stages of photographic development. Miljenko Horvat: Gorgona A photograph of the lighthouse and the dead seagull from Skagen, which Miljenko Horvat shot in 1963, during his visit to the further most north point of Denmark, was sent to Josip Vaništa and used as a photo-contribution to the anti-magazine Gorgona no. 7 from 1965. This enigmatic, but almost emblematic image contains within itself the basic principle of not only Gorgonian photography, but also of Horvat's personal approach to the medium. And this is firstly a thought, and only far after it an actual photograph of the seaside with a lighthouse and a dead seagull. The photograph unambiguously has the built-in component of the "mysterious reality".

Aleš Kermavner 1946-1966 OHO, Ljubljana 1966 20,3x14,7 cm cjelokupno književno naslijeđe objavljeno je iste godine u Knjizi Aleša Kermavnera u kojoj su objavljeni i otisci kanala i ostalih objekata. Aleš Kermavner's suicide on April, 3, strongly affects his colleagues. His literary legacy is published the same year in the Book of Aleš Kermavner and also features imprints of ducts and other objects. V Ljubljani, Kulturna komisija pri univerzitet- nem odboru Zveze študentov Jugoslavije, t. Učne delavnice 1966.) (64) str.

Knjigarad = Bookwork. Artist Book. Limited and Rare. Galerija Studentskog centra, Zagreb 1980. This book is stapled in the center, creating space for a catalogue for two artists. The left side contains Martek's work and the right side contains Stilinović'