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We specialize in Art: Contemporary and Conceptual Art & Literature (Rare, Signed, Avant-Garde, Cover Design, Periodicals).
 
Office and Showroom; Antuna Bauera 9, Zagreb / Croatia. Open: 10-13 & 17-19. Saturday 10-13h.
New arrivals - Art

Braco Dimitrijevic: His Pencil's Voice

Braco Dimitrijević: His Pencil's Voice / Njegove olovke glas B/W photos Sven Stilinović & Fedor Vučemilović Galerija SC & Muzički salon Teatar ITD, Zageb, 1973. In very fine codition. Very very rare. Ursula Block’s seminal catalog of art records and anti-records, entitled Broken Music, includes several artifacts that today are coveted by collectors of unusual records. One seminal item in that catalog Njeqove Olovke Glas, a.k.a. His Pencil’s Voice, a “record” produced by the conceptual artist Braco Dimitrijević: he piece is an LP jacket with a piece of cardboard inside; the “record” is a piece of cardboard inside the jacket. Dimitrijević used a pencil to draw a spiral on the cardboard record, meant to represent the its grooves. The title, His Pencil’s Voice, is no doubt a reference to the early record label, His Master’s Voice: Little is known about His Pencil’s Voice, so I emailed Braco Dimitrijević to learn more. He is a man of few words, always keeping things to the point when conversing via email. He explained that His Pencil’s Voice was created for a solo exhibition in London’s Situation Gallery, which was a linchpin of the modern art scene in the seventies. “What bothered me always was the process of realization from the idea, the sketch to the final art work,” he explains. “This was not only in visual arts, but in music too. So I wanted to create a record with no score performed, but what is written is drawn to be played.” In essence, Dimitrijević saw His Pencil’s Voice as a more direct way of producing a final art product, cutting out the laborious production process. “I drew by hand the spiral on the paper and brought it to printers to make a zinc plate to emboss and print the label,” he recalls Source: Anomaly Index.
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Duro Seder

Đuro Seder Zagreb, 1973. godine Signed and dated 50x70 cm High Quality Screen Print / visokokvalitetan sitotisak
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Gregorio Vardanega

Gregorio Vardanega box Boite à cercles de couleurs Plexi. Year: 1970. Signed by autor / at the back 13/15 Edition 15 Size: 35cm x 35cm x 12cm (13.8'' x 13.8'' x 4.7'') Condition: perfect Gregorio Vardanega (1923-2007) was an artist of Italian origins who worked in Argentina and France. Vardanega and Martha Boto, his companion, created the term "chromocinetism" to describe their artistic research. Vardanega was born in Possagno, Italy. Vardanega's family migrated to Argentina when he was three years old. He attended the Escuela Nacional de Bellas Artes in Buenos Aires from 1939 to 1946. Participating on New Tendencies 2 and New Tendencies 3. Zagreb, 1963. & Zagreb, 1965.
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Ivan Picelj: Srnec

Ivan Picelj - originalni plakat iz 1969. godine. High-quality Sitotisak / Silkscreen 50x70cm Aleksandar Srnec - Galerija suvremene umjetnosti, Zagreb, Katarinin trg 2 10.1-2.2.1969. Crna podloga, gore prezime autora zelenim. Raster od 8 sivih kružnicas upisanim ružičastim okomito i dijagonalno postavljenim nizovima koje čini5 međusobno spojenih kružnica. Između njih tekst bijelim. Autor: Ivan Picelj
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Jesus Rafael Soto

Jesus Rafael Soto Lettre du Venezuela, 2001. Multiple Sculpture in cardboard and plastic. It is screenprinted on plastic. Signed and numbered at the back. Signature In Pencil Edition 280 Size 18cm x 11.5cm x 3cm (7.1'' x 4.5'' x 1.2'')
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Josip Vaništa: Gorgona 1

Josip Vaništa: Gorgona 1 Zagreb, 1961. Periodical with screenprint cover and relief half-tone prints Dimensions: page (each): 8 1/4 x 7 5/8" (21 x 19.3 cm) Josip Vaništa, the group's founder, conceived the first issue, which consisted of the same photograph of an empty shop window reproduced on each of its nine pages.
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Rasa Todosijevic: Was ist kunst, Marinela Kozelj?

Dragoljub Todosijević - potpisani plakat 86 x 68ncm, presavijan - Was ist kunst Marinela Koželj - IIDP, SKC- Beograd 1978
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Sanja Ivekovic: Marina Abramovic

Marina Abramović: Originalni plakat za prvu veliku izložbu / performance Rhythm 2 Original poster for first big Marina Abramovic solo exhibition / performance Rhythm 2 Design Sanja Iveković. Galerija suvremene umjetnosti 14.10.1974. godine. High Quality Screen Print / visokokvalitetan sitotisak by Studio S 70x100cm Stanje odlično / fine condition. Very very rare and important Among the posters designed by Sanja Iveković for the Gallery, certainly the most well-known is the one created for the exhibition of Marina Abramović in 1974, again characteristic for its unusual intervention into the rectangular shape of the poster, created by cutting the right lower corner of the poster. In this case, the intervention is not only a reflection on the specificity of the medium, but also a reference to the artistic practice of Marina Abramović. The radical intervention in the limits of the poster’s medium is related to the body art of the artist herself, whose artistic practice often involves reaching the limits of physical and psychological exertion. Source: Marko Golub and Dejan Kršić
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New arrivals - Literature

Knjiga Boccadoro

Xeres de la Maraja: Knjiga Boccadoro 1898 / 1899. Naklada kr. sveučilišne knjižare Franje Suppana (Rob. Ferd. Auer) Zagreb, 1990. godine 16.5 x 20.5 cm 112 pp Milan Begović je Knjigom Boccadoro najavio dolazak hrvatske moderne. Zbirka prati dvoje zaljubljenih ljudi, Xeresa de la Maraje (pseudonim Milana Begovića) i Zoë Boccadoro.
5.000,00 kn

Dinko Simunovic: Alkar

Dinko Šimunović: Alkar Zagreb 1933. Tvrdi uvez, platno, sa zlatotiskom 100pp 19x25,5 cm. U odličnom stanju. Dinko Šimunović (Knin, 1873. - Zagreb, 1933.) Hrvatski književnik. Jedan od vodećih autora hrvatske moderne. Alkar je prvi put objavljen 1908. u Savremeniku, a prvo je izdanje objavljeno 1922. u Beogradu. Teško bolestan, Šimunović je 1933. ležao u bolnici u Zagrebu, a grupa istaknutih umjetnika tog doba pokrenula je objavljivanje posebnog izdanja Alkara. Poprsje Dinka Šimunovića za ovo izdanje rad je Ivana Meštovića. Ilustracije su radili Vilko Gecan, Joza Kljaković, Fran Kršinić, Omer Mujadžić, Vanaj Radauš i Marijan Trepše. Umjetnička oprema omota rad je Vladimir Kirina. Tipografija je besplatno tiskala knjigu a pomoć kod izrade i prodaje su pružili Knjižara St. Kugli, Zemaljska tiskara, Knjižara Vasić, Industrija Papira te Jutarnji list i Nova Evropa. Predgovor ovom izdanju napisao je Vladimir Nazor. Samo nekoliko primjeraka ove knjige vlastoručno su potpisali: Dinko Šimunovic, Ivan Meštrovic, Vilko Gecan, Joza Kljaković, Fran Kršinić, Omer Mujadžić, Vanja Radauš, Marijan Trepše, Vladimir Kirin, Vladimir Nazor, Milan Čurcin i Josip Horvat
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Razgovori s Miroslavom Krlezom

Predrag Matvejević: Razgovori s Miroslavom Krležom S potpisom Miroslava Krleže Prvo izdanje. Naprijed, Zagreb, 1969. godine. 13x20cm 178pp meki uvez s ovitkom Likovna oprema Slavo Marig. Tekstovi djelimično potcrtavani. U vrlo dobrom antikvarnom stanju,
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Ivo Andric: Na Drini cuprija

Na Drini ćuprija. S potpisom dobitnika Nobelove nagrade za književnost. Prosveta, Beograd - Mladost, Zagreb - Svjetlost, Sarajevo 1963. Ćirilica. Potpis je na latinici, datiran godinom - 1964. Lijepo, luksuznije izdanje, tvrdi uvez - koža, iz edicije Sabranih djela, 1963. godine. Stanje - odlično. Autor: Ivo Andrić Izdavač: Prosveta - Mladost - Svjetlost Izdanje: posebno Godina: 1963 Uvez: tvrdi - koža“ Format: 14x20
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