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WOW 3 (Bosch + Bosch)

WOW 3 (Bosch + Bosch) Treći broj je objavljen ofset štampom 1975. godine na kunstdruk papiru dimenzija 18 x 50,5 cm, na šest strana, u 150 primeraka. Matković je ovde dao prikaz svoje galerije u stanu, bračni par Poznanović je prikazao Franka Vakarija (Franca Vaccaria) (Firenca). Jedna strana je objavila listu autora Prve jugoslovenske izložbe umetničke knjige. Objavljen je novi tekst Endrea Tota (Tóth Endre), kao i eseji Miška Šuvakovića (Novi Sad) i Predraga Šiđanina. Ostali autori: Branko Andrić (Novi Sad), Irena Dogmatik (Irene Dogmatic) (USA), Klement Padin (Clemente Padin) (Urugvaj), Horhe Karabaljo (Jorge Caraballo) (Urugvaj), Gabor Tot (Tóth Gábor) (Budimpešta) i Šandor Pincehelji (Pinczehelyi Sándor) (Pečuj). Izvor: Olga Kovačev Ninkov, viši kustos Gradskog muzeja Subotica
1.000,00 €

WOW 5 (Bosch + Bosch)

WOW 5 (Bosch + Bosch) Signed by Bálint Szombathy Peti broj se vezuje za izložbu Katalin Ladik i Balinta Sombatija 1978.godine u Vircburgu (Würzburg), gde su izložili vizuelnu poeziju i tele-fotografije. Nastao je o tamnošnjoj štampariji uz saradnju Petera Belova (Petera Belowa), koji je organizovao izložbu. Odgovorni urednik je bila umetnica, a materijalno, stoje iza broja ona i Sombati. Format mu je 18 x 50,5 cm, ima po 8 strana, izašao je u tiražu od 300 primeraka. Iz aspekta štampe je najreprezentativniji. Širenje se dešavalo poštom sa lica mesta. Saradnici: Ante Vukov, Nikola de Maria (Nicola de Maria) (Italija), Petr Stembera (Čehoslovačka), Bogdanka i Dejan Poznanović, Robert Rehfeld (Istočna Nemačka), Arpad F. Tot (F. Tóth Árpád) (Balatonfenyves), Vladimir Gudac (Zagreb), Gabor Tot (Tóth Gábor) (Budimpešta), Majkl Gibs (Michael Gibbs) (Engelska), Gerd Šerm (Gerd Scherm) (Zapadna Nemačka), Predrag Šiđanin, Katalin Ladik, Stive B. Koks (Stephen B. Cox) (Engelska), Mirela Bentivoljo (Mirella Bentivoglio) (Italija), Miško Šuvaković, Jožef Markulik (Markulik József), Miroslav Klivar, Horhe Karabaljo (Jorge Caraballo), Klemente Padin (Clemente Padin) , Peter Belov (Peter Below) i Balint Sombati ( Szombathy Bálint).
1.000,00 €

Sven Stilinović: Podroom

Artist Book 21x29,5 cm Radna zajednice umjetnika Podroom, Zagreb 1979. Samostalna izložba Svena Stilinovića se održala 6. - 13. ožujka 1979. Povodom te izložbe autor je objavio katalog s replikama radova i tekst. U tekstu piše o "velikim" radovima i objašnjava što ih čini velikima (dimenzije, što neobičniji materijal, višeznačnost i slojevitost). Smatra da umjetnici koji rade "velika djela" znaju gdje ih treba prezentirati, a to nisu mali prostori nego oni većih dimenzija i velikog značaja. Na ovoj izložbi izložio je seriju tekstova na papiru i dvije kamene kocke dimenzija 1 x 1 x 1 m, naziva Skulpura 1 i Skulptura 2. Skulpturu 3 je postavio u park Ribnjak 1. ožujka 1979., pa je u katalogu objavio dvije fotografije spomenute skulpture.
1.000,00 €

Mladen Stilinović: Nemam vremena

Mladen Stilinović: Nemam vremena (I Have No Time) Artist Book Prvo izdanje iz 1979. godine. Zagreb. Vlastita naklada. Offset na papiru 7 listova, zaklamano Naklada 70 primjeraka
1.000,00 €

MAJ 75 I

Maj 75, BROJ I, nesvrstani, 1982; Vlasta Delimar, Željko Jerman, Vlado Martek, Darko Šimičić, Boris Demur, Matjaž Hanžek, Boris Ivandić, Zlatko Kutnjak, Mangelos, Radomir Mašić, Branka Stanković, Mladen Stilinović, Jaroslav Supek, Balint Szombathy, Vlatko Vincek, Filimir; suradnici: Boris Cvjetanović, Goran Dvoržak, Ivo Vrtarić; fotografija na koricama Vlasta Delimar "Presvlačenje" (performans "Vjenčanje") Materijal/tehnika sitotisak na papiru, muha i selotejp na papiru Dimenzije 42,33 x 29,13 cm
1.000,00 €

Josip Vaništa: Gorgona 1

Josip Vaništa: Gorgona 1 Zagreb, 1961. Periodical with screenprint cover and relief half-tone prints Dimensions: page (each): 8 1/4 x 7 5/8" (21 x 19.3 cm) Josip Vaništa, the group's founder, conceived the first issue, which consisted of the same photograph of an empty shop window reproduced on each of its nine pages.
1.000,00 €

Maj 75 B

Maj 75, broj B, 1978; Boris Demur, Željko Jerman, Vlado Martek, Mladen Stilinović, Sven Stilinović, Grupa jedan, dva tri, Mangelos, Goran Petercol 21x29,5 cm Maj 75 is in prestige list in Artists' Magazines: An Alternative Space for Art (The MIT Press) by Gwen Allen From 1978 to 1984, seventeen issues of “May’75” were published, each issue coded by letters of the alphabet. The magazine was produced by assembling individual works. The artists made their own pages on A4 paper and then bound them together into a magazine format. In addition to the original six, over fifty artists from Ex-Yugoslavia, Germany, Ex-Czechoslovakia, and Italy amongst other countries were invited to contribute their work to the magazine. Each issue including original art work, ready made artwork, ciclostile print work or silkscreen work, texts, concepts, projects, attitudes, ironical and political opinions, collages and photographs which lost almost nothing of their original quality when reproduced or multiplied. Pages were occasionally reproduced by screenprinting in the workshop of Željko Jerman and Vlasta Delimar. Most pages however, were hand-made. By repeating the same, simple and quickly executed work, the artist diminishes the significance of the original. Issues of “Maj’75” with their spontaneous use of available materials and technologies are obviously there to be used and handled, and although they are full of original works, there is nothing of a deluxe edition about them. “Maj’75”, financed by the artists themselves, was usually handed out for free during the exhibition-actions to other artists, friends, critics or passers-by. Later, when the Group of Six Artists no longer exhibited on the streets, distribution was usually managed through personal contacts and through mail. The magazine was never sold through bookstores or in galleries, not because its authors did not want this, but because it was impossible. Each private enterprise was met with countless obstacles in communist countries. “Maj’75” was thus completely unofficial. This had one advantage in that it avoided censorship, but also a drawback, in that the magazine remained little known outside a narrow circle. Branka Stipančić
1.000,00 €

Maj 75 D

Maj 75, broj D, 1979; Vlasta Delimar, Željko Jerman, Boris Demur, Željko Kipke, Zlatko Kutnjak, Vlado Martek, Marijan Molnar, Mladen Stilinović, Sven Stilinović, Goran Trbuljak, Fedor Vučemilović 21x29,5 cm Maj 75 is in prestige list in Artists' Magazines: An Alternative Space for Art (The MIT Press) by Gwen Allen From 1978 to 1984, seventeen issues of “May’75” were published, each issue coded by letters of the alphabet. The magazine was produced by assembling individual works. The artists made their own pages on A4 paper and then bound them together into a magazine format. In addition to the original six, over fifty artists from Ex-Yugoslavia, Germany, Ex-Czechoslovakia, and Italy amongst other countries were invited to contribute their work to the magazine. Each issue including original art work, ready made artwork, ciclostile print work or silkscreen work, texts, concepts, projects, attitudes, ironical and political opinions, collages and photographs which lost almost nothing of their original quality when reproduced or multiplied. Pages were occasionally reproduced by screenprinting in the workshop of Željko Jerman and Vlasta Delimar. Most pages however, were hand-made. By repeating the same, simple and quickly executed work, the artist diminishes the significance of the original. Issues of “Maj’75” with their spontaneous use of available materials and technologies are obviously there to be used and handled, and although they are full of original works, there is nothing of a deluxe edition about them. “Maj’75”, financed by the artists themselves, was usually handed out for free during the exhibition-actions to other artists, friends, critics or passers-by. Later, when the Group of Six Artists no longer exhibited on the streets, distribution was usually managed through personal contacts and through mail. The magazine was never sold through bookstores or in galleries, not because its authors did not want this, but because it was impossible. Each private enterprise was met with countless obstacles in communist countries. “Maj’75” was thus completely unofficial. This had one advantage in that it avoided censorship, but also a drawback, in that the magazine remained little known outside a narrow circle. Branka Stipančić
1.000,00 €

Maj 75 Dž

Maj 75, broj Dž, 1980;Jovan Čekić, Vlasta Delimar, Boris Demur, Stanislav Filko, Tomislav Gotovac, Vladimir Gudac, Pino Ivančić, Željko Jerman, Željko Kipke, Zlatko Kutnjak, Vlado Martek, Marijan Molnar, Sergio Pausig, Rajko Radovanović, Mladen Stilinović, Darko Šimičić, Fedor Vučemilović, Iris Vučemilović 21x29,5 cm Maj 75 is in prestige list in Artists' Magazines: An Alternative Space for Art (The MIT Press) by Gwen Allen From 1978 to 1984, seventeen issues of “May’75” were published, each issue coded by letters of the alphabet. The magazine was produced by assembling individual works. The artists made their own pages on A4 paper and then bound them together into a magazine format. In addition to the original six, over fifty artists from Ex-Yugoslavia, Germany, Ex-Czechoslovakia, and Italy amongst other countries were invited to contribute their work to the magazine. Each issue including original art work, ready made artwork, ciclostile print work or silkscreen work, texts, concepts, projects, attitudes, ironical and political opinions, collages and photographs which lost almost nothing of their original quality when reproduced or multiplied. Pages were occasionally reproduced by screenprinting in the workshop of Željko Jerman and Vlasta Delimar. Most pages however, were hand-made. By repeating the same, simple and quickly executed work, the artist diminishes the significance of the original. Issues of “Maj’75” with their spontaneous use of available materials and technologies are obviously there to be used and handled, and although they are full of original works, there is nothing of a deluxe edition about them. “Maj’75”, financed by the artists themselves, was usually handed out for free during the exhibition-actions to other artists, friends, critics or passers-by. Later, when the Group of Six Artists no longer exhibited on the streets, distribution was usually managed through personal contacts and through mail. The magazine was never sold through bookstores or in galleries, not because its authors did not want this, but because it was impossible. Each private enterprise was met with countless obstacles in communist countries. “Maj’75” was thus completely unofficial. This had one advantage in that it avoided censorship, but also a drawback, in that the magazine remained little known outside a narrow circle. Branka Stipančić
1.000,00 €

Mangelos: Manifesti: noart

Manifesti: noart. Zagreb: Atelier Tošo Dabac, 1978. Black. Dvojezično (hrvatsko-engleski) izdanje za drugu samostalnu izložbu Dimitrija Bašičevića Mangelosa, održanu u Atelieru Toše Dabca, Zagreb 1978. godine. Predgovor Nena Dimitrijević. Stanje - odlično. Silkprint on paper. Published on the occasion of the exhibition at ATD, Zagreb, 1978. Artist's edition. With a foreword by Nena Dimitrijevic. Dimitrije Basicevic Mangelos (1921-1987), - a member of avangarde group Gorgona and participated in the Nove tendencije movement. In Croatian and English language. Very rare. Autor: Dimitrije Bašičević Mangelos Izdavač: AtD - Atelier Tošo Dabac Izdanje: prvo/first Godina: 1978 Uvez: meki Format: 14x19 Stranica: 52
1.000,00 €

OHO: Gobe v Knjigi

Gobe v Knjigi (Mushrooms in a book) Iztok Geister (I.G. Plamen) and Marko Pogačnik Ljubljana, 1968. Drawings of mushrooms, circular holes in the front cover and the leaves and colored paper chips acting with the holes. Card covers, spiral binding. 9.1 x 22 cm 40pp letterpress, offset, collages and die-cut pages, spiral bound, 20 sheets
1.000,00 €

Maj 75 Ć

Maj 75, broj Ć, 1979; Boris Demur, Željko Jerman, Vlado Martek, Mladen Stilinović, Sven Stilinović, Fedor Vučemilović, Željko Kipke, Zlatko Kutnjak, Antun Maračić 42,33 x 29,13 cm Maj 75 is in prestige list in Artists' Magazines: An Alternative Space for Art (The MIT Press) by Gwen Allen From 1978 to 1984, seventeen issues of “May’75” were published, each issue coded by letters of the alphabet. The magazine was produced by assembling individual works. The artists made their own pages on A4 paper and then bound them together into a magazine format. In addition to the original six, over fifty artists from Ex-Yugoslavia, Germany, Ex-Czechoslovakia, and Italy amongst other countries were invited to contribute their work to the magazine. Each issue including original art work, ready made artwork, ciclostile print work or silkscreen work, texts, concepts, projects, attitudes, ironical and political opinions, collages and photographs which lost almost nothing of their original quality when reproduced or multiplied. Pages were occasionally reproduced by screenprinting in the workshop of Željko Jerman and Vlasta Delimar. Most pages however, were hand-made. By repeating the same, simple and quickly executed work, the artist diminishes the significance of the original. Issues of “Maj’75” with their spontaneous use of available materials and technologies are obviously there to be used and handled, and although they are full of original works, there is nothing of a deluxe edition about them. “Maj’75”, financed by the artists themselves, was usually handed out for free during the exhibition-actions to other artists, friends, critics or passers-by. Later, when the Group of Six Artists no longer exhibited on the streets, distribution was usually managed through personal contacts and through mail. The magazine was never sold through bookstores or in galleries, not because its authors did not want this, but because it was impossible. Each private enterprise was met with countless obstacles in communist countries. “Maj’75” was thus completely unofficial. This had one advantage in that it avoided censorship, but also a drawback, in that the magazine remained little known outside a narrow circle. Branka Stipančić
1.000,00 €

Maj 75 C

Maj 75, broj C, 1979; Darivoj Čada, Jovan Čekić, Boris Demur, Željko Jerman, Vlado Martek, Željko Kipke, Mladen Stilinović, Sven Stilinović, Fedor Vučemilović 21 x 29,5 cm Maj 75 is in prestige list in Artists' Magazines: An Alternative Space for Art (The MIT Press) by Gwen Allen From 1978 to 1984, seventeen issues of “May’75” were published, each issue coded by letters of the alphabet. The magazine was produced by assembling individual works. The artists made their own pages on A4 paper and then bound them together into a magazine format. In addition to the original six, over fifty artists from Ex-Yugoslavia, Germany, Ex-Czechoslovakia, and Italy amongst other countries were invited to contribute their work to the magazine. Each issue including original art work, ready made artwork, ciclostile print work or silkscreen work, texts, concepts, projects, attitudes, ironical and political opinions, collages and photographs which lost almost nothing of their original quality when reproduced or multiplied. Pages were occasionally reproduced by screenprinting in the workshop of Željko Jerman and Vlasta Delimar. Most pages however, were hand-made. By repeating the same, simple and quickly executed work, the artist diminishes the significance of the original. Issues of “Maj’75” with their spontaneous use of available materials and technologies are obviously there to be used and handled, and although they are full of original works, there is nothing of a deluxe edition about them. “Maj’75”, financed by the artists themselves, was usually handed out for free during the exhibition-actions to other artists, friends, critics or passers-by. Later, when the Group of Six Artists no longer exhibited on the streets, distribution was usually managed through personal contacts and through mail. The magazine was never sold through bookstores or in galleries, not because its authors did not want this, but because it was impossible. Each private enterprise was met with countless obstacles in communist countries. “Maj’75” was thus completely unofficial. This had one advantage in that it avoided censorship, but also a drawback, in that the magazine remained little known outside a narrow circle. Branka Stipančić
1.000,00 €

Braco Dimitrijević: Interview

Braco Dimitrijević: Interview Artist Book Zagreb : Galerija studentskog centra, 1974 . Dimensions: 19,9 x 13,7 Photographs Fedor Vučemilovič
850,00 €

Victor Vasarely: Gorgona 4 (FRA)

Gorgona no 4. Francuski / French 4/61. VictorVasarely 1961 Nice condition screenprinted cover and screenprinted insert page (each): 8 1/4 x 7 9/16" (21 x 19.2 cm) privée Vasarely's Gorgona includes several drawings from that period and the author's
850,00 €

Victor Vasarely: Gorgona 4 (CRO)

Victor Vasarely: Gorgona 4 (CRO) Gorgona no 4. Victor Vasarely 1961. Croatian language edition. Edition privée, Josip Vaništa, Zagreb, Yougoslavie. Exemplarie 113 / 250 Izdanje na hrvatskom jeziku. Screenprinted cover and screenprinted insert page (each): 8 1/4 x 7 9/16" (21 x 19.2 cm) Vasarely's Gorgona includes several drawings from that period and the author's text. Fine condition. The Gorgona Group, was a Croatian avant-garde art group which consisted of artists and art historians: Dimitrije Bašičević-Mangelos, Miljenko Horvat, Marijan Jevšovar, Julije Knifer, Ivan Kožarić, Matko Meštrović, Radoslav Putar, Đuro Seder, Josip Vaništa, operated along the lines of anti-art in Zagreb between 1959 and 1966. Beside individual works linked to traditional techniques, the members proposed different concepts and forms of artistic communication and published the anti-magazine Gorgona - 11 issues. Autor: Victor Vasarely Izdavač: Josip Vaništa, Zagreb Izdanje: prvo/first Godina: 1961 Uvez: meki Format: 20,8x19.2
850,00 €

Mladen Stilinović: Ich habe keine Zeit

The artist’s book “Ich habe keine Zeit” (“I don’t have time”) can be interpreted as a paradoxical call to practise this cherished laziness. The artist recommends to read the book line by line, from the beginning to the end, and in particular at a time whe
800,00 €

Ivan Picelj: A (Edition a) 1

A (Edition a) 1. Artist Book. Ivan Picelj, vlastita naklada, Zagreb 1962. Površiva IV 1961 (detalj) - foto Branko Balić. Štampanou Grafičkom zavodu Hrvatske, Zagreb 1962. Founded by the painter Ivan Picelj edition a represented the aesthetic and ideolo
800,00 €

1972 Artiste anonyme / Goran Trbuljak 1974 (signed)

Goran Trbuljak. 1972, Artiste anonyme / Goran Trbuljak, 1974 Zagreb: Galerija suvremene umjetnosti, Zagreb, 1976. Signed and numbered Artist book 25p / 29 x 21 cm Using simple statements and questions, public spaces in Zagreb, and the participation of the public, Goran Trbuljak experimented with the relationship between artist, the audience, and the conditions in which an artwork is encountered. This publication, produced in conjunction with an exhibition at the Gallery of Contemporary Art, Zagreb, documents many of his ephemeral works and performances. This book documents two iterations of a project in which Trbujlak surveyed contemporary art galleries in Paris with a form that asked: "Would you like this work to be shown at your gallery? 1) Yes 2) No 3) Maybe." The first version of the letter was signed by an "anonymous artist." The second solicitation was signed by Trbujlak. The completed questionnaires were reproduced in this publication for an exhibition at the Gallery of Contemporary Art, Zagreb. -MoMa Autor: Goran Trbuljak Izdavač: Galerija suvremene umjetnosti, Zagreb Izdanje: prvo Godina: 1976 Uvez: meki Format: 21x29 Stranica: 26
800,00 €

OHO: Knjiga Aleša Kermavnera

Aleš Kermavner 1946-1966 OHO, Ljubljana 1966 20,3x14,7 cm cjelokupno književno naslijeđe objavljeno je iste godine u Knjizi Aleša Kermavnera u kojoj su objavljeni i otisci kanala i ostalih objekata. Aleš Kermavner's suicide on April, 3, strongly affects his colleagues. His literary legacy is published the same year in the Book of Aleš Kermavner and also features imprints of ducts and other objects. V Ljubljani, Kulturna komisija pri univerzitet- nem odboru Zveze študentov Jugoslavije, t. Učne delavnice 1966.) (64) str.
800,00 €

Goran Trbuljak: gt

Goran Trbuljak: Monografija gt (2013.) Izrađeno na osnovi izdanja: Edition Vladimir Macura / Museum Macura, 2011. - ručno dorađeno izdanje iz 2013. godine. Intervencije umjetnika na sstranicama 6/7/16/17/26 i na zadnjoj stranici izmijenjen datum, plus potpis umjetnika. Artist book Text in Croatian and English Text: Anonymous Artist 30 pages 16,5x16,5 cm
750,00 €

Mladen Stilinović: Eksploatacija mrtvih

Mladen Stilinović; Eksploatacija mrtvih / Exploitation of the Dead Galerija Proširenih medija 1988 Artist Book / Knjiga umjetnika Xerox 29,7x21cm Tekstovi - Darko Šimičić, Željko Kipke, Branka Stipančić, Želimir Koščević, Miško Šuvaković neke stanice se razvlače u A3 Stanje - odlično. Autor: Mladen Stilinović
750,00 €

Odžaci '84

Jugoslovenski umjetnički pečat Ivo Antič, predgovor Koncepcija i realizacija, korice Jaroslav Supek Odžaci, 1984. Ivo Antič, Nenad Bogdanović, Marijan Čekolj, Pop D. Djurdjev, Sandor Gogolyak, Vitazoslav Hronec, Ranko Igrič, Ivan Jelinčić merlin, Aleksandar Jovanović, Dobrica Kmaperelić, Laszlo Kerekes, Josef Klatik, Katalin Ladik, Radomir Mašić, Slavko Matković, R. Milinković, Tibor Varga, Josip Stošić, jaroslav supek, Balint Szombathy, Andrej Tišma 21x29cm 74pp Stanje - odlično
750,00 €

OHO: pericarežeracirep

OHO group: preicarežeracirep Likovna oprema Marko Pogačnik Znamenja 6 Ljubljana, 1969. Autori: Aleš Kermavner, Marko Pogačnik, Tomaž Šalamun, Franci Zagoričnik, I.G.Plamen, Milenko Matanović, Vojin Kovač Chubby, Matjaž Hanžek, Slavoj Žižek 10x18cm Publikacija Pericarežaracirep (palindrom, tj. riječ koja se može čitati s kraja, a da pri tom ostaje ista) završena je u listopadu. Suradnici su Aleš Kermavner, Marko Pogačnik, Tomaž Šalamun, Franci Zagoričnik, Iztok Geister, Milenko Matanović, Vojin Kovač-Chubby, Matjaž Hanžek i Slavoj Žižek; a urednici su Geister i Pogačnik. Veliki dio publikacije obuhvaća reističku i konkretnu poeziju, Pogačnik objavljuje svoje članke i tekst pod nazivom Frolich-Moscon, dok Geister i Žižek objavljuju eseje. Knjiga je objavljena 1969. kao šesti svezak izdanja Znamenja. U studenom je priređena Geistnerova i Pogačnikova knjiga Ikebana, objavljena kao osmi svezak izdanja Znamenja (Znakovi).
750,00 €